Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Teisco Del Rey - The Many Moods Of Teisco Del Reydotdotdotdot
Picks:

Track by Track Review


Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Teisco Del Rey - The Many Moods Of Teisco Del Reydotdotdotdot
artworkTeisco Del Rey has been writing about strange and cheap guitars forever. He collects them, having hundreds stored everywhere. In the early eighties, he had a band called Cowabunga (fitting, eh?) that did Surf vocal and instro covers. He did a session in San Jose with the Mallards in the late eighties before moving from the Bay Area to Austin. He started gathering up studio musicians from various Austin bands for sessions for his own enjoyment under names like Lords Of The New Surf. Eventually, these tracks showed up on his first CD on Texicali, which was later released on Upstart. He's a character and a fine player.
Picks: Ridin' The Wind, Camel Walk, Dimples, The Wedge, Teisco Redentor, You're Gonna Miss Me, Los Surf, Pier Pressure, I Almost Lost My Mind, The Hearse, Small Fry, Storm Warning

Track by Track Review


Ridin' The Wind dotdotdot
Surf (Instrumental)

Teisco Del Rey's guitorgan plays the crap out of the classic Tornados tune. Very fun.

Camel Walk dotdotdotdot
Surf (Instrumental)

Ca-mel meck! This is a very tribal cover of the ultra cool and super rare Camel Walk, finely vibrated from the gut. It has more Middle Eastern belly dance runway sense than just about anything out there. melodic, undulating, and infectiously sleazy.

Dimples dotdotdot
Blues (Instrumental)

John Lee Hooker twango thump... a solid blues instro for the dimly lit corner bar.

The Wedge dotdotdotdot
Surf (Instrumental)

Dick Dale's classic reconstitution of A Run For Life, with round dribbling double picking. Solid Surf from the fingers of the "champion of cheap guitars." The arrangement is based on the one Dick used on the "Tigers' Loose" album.

Teisco Redentor dotdotdot
Blues (Instrumental)

From the bowls of Cristo Redentor comes a delicate guitorgan blues groan. It's almost suffering as it plays, like "St. James Infirmary" always does.

You're Gonna Miss Me dotdotdot
Near Surf (Instrumental)

Roky Erickson, guiding light of the 13th Floor Elevators, and resident crazy (like a fox), penned this magnificent punk epic in '66. By the time it got to Teisco Del Rey, it became a melodic near-surf instro. Intense, driving, and none too soon. A bit fuzzy, driven, and cool.

Los Surf dotdotdotdot
Surf (Instrumental)

Melodic, fluid, and slightly sad, the melody has the feel of a Paul Johnson tune, while remaining true to the more reverby surf. Nicely played, and with a friendliness in the melody. Excellent.

Pier Pressure dotdotdot
Surf (Instrumental)

"Pier Pressure" is not as surfy as the title might imply, but it definitely rates as cool. Glissandoes fly, notes splash, and the general bent is rolling break. Quite nice.

I Almost Lost My Mind dotdotdot
Blues (Instrumental)

A strollin' blues, with a raspy sax lead and a grodie guitar chord progression. Saucy, but surfless.

The Hearse dotdotdotdot
Surf (Instrumental)

Done slow and mean, the way Al Casey did it, and likely the way Lee Hazelwood wrote it. This is none too lean. It's heavy, rhythmic, thunderous, and awesome. Mighty fine.

Small Fry dotdotdotdot
Surf (Instrumental)

Paul Johnson's classic from the Good Guys album, this presentation is more surf and quite satisfying. The guitar tone is richly full, and the band is right in the pocket. Highly infectious and energetic. Solid melodic surf.

Storm Warning dotdotdotdot
Dr. John Surf (Instrumental)

A shimmering reverbed blues guitar opening, then a thrashy throbbing vibrato surf and trash wrangling of the Mac Rebenack tune. Chompin' intense stuff here.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Radio Alarm Clocks - Wake Me When It's Overdotdotdot
artworkRadio Alarm Clocks were a mighty obscure outfit, issuing one lone album, which contained one instro with surf sensibilities. The album includes two instros (one surf), and vocals ranging from eighties pop to upgrade garage, with titles like "In The Midnight Hour," "Time Is On My Side," "Psycho," "Sex Dimension," and "Downshift Breakout Ride." The band was from Cleveland, Ohio. This album was issued in 1983.
Picks: Synthetic Weekend, Alone In Flat B

Track by Track Review


Synthetic Weekend dotdotdotdotdot
Biker Fuzz (Instrumental)

Not only is this one of the biggest covers of this Henry Mancini classic detective theme, it is marvelously punctuated with the delightful "Baby Elephant Walk" in the middle - an idea so twisted, it is PERFECT! Huge, magnetic, and grodie as Hell!

Alone In Flat B dotdotdot
Surf Wave (Instrumental)

This is a very unusual track, melodic and surfy in structure, but not sound. It employs surfable progressions, but is tonally and ambiently dry, and lies somewhere between eighties pop and the California beaches. It flows, has rhythmic elements of surf, and dances on your senses like surf tunes should. Like it says on the album jacket, "Mike (Metoff) wrote this without the help of Dick Dale."

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Rake and the Surftones - Surfers Drive Woodiesdotdotdotdot
artworkYou know, when I first reviewed this CD, I was pretty luke warm about it. But I've found that I've played it a lot on my show, and underneath it all, this is a pretty darn good CD.

Aurally, this CD hints of Richie Allen and the Pacific Surfers / the Devons.

Rake and the Surftones are a group of seasoned studio players, all of whom were in local surf bands during the sixties as mere teens. It was the music they cut their teeth on. The orientation seems to be more a reverbed Ventures than a Lively Ones approach. Most tracks are smooth and polished, and the pace is moderate. The other element here is that the nostalgia bit of recreating their teenage roots, recording the record they never did then, adds an air of family and friends.

All or most of these tracks were written for this album, and being a quick project, some of it borrows from the more familiar hits of the days of old when reverbs were bold. Some verge on derivative, others are brilliant. Almost all are infectious, and all are played with extreme talent. There are lots of elements brought together, from Mar-Kets or Challengers structures, keyboard instros a la B. Bumble and the Stingers or Ernie Freeman, surf movie incidental lounge jazz, and a few Beach Boys - Jan and Dean vocals. This rates 4 stars, and would rate 5 if it were all instro. This is an honest record, partly because it shows hope for mainstream studio players to "get it" about surf music, partly because there are some really nice numbers here, and partly because these guys are very talented.

The CD release party for this album was an amazing event. Read about it in Malibu Bar Bee.

In some ways, I think Jay Graydon was about two years ahead of the curve, foreshadowing the pristine surf work now emerging from the Seattle grunge backlash scene (the Deep End and King Of Hawaii) and some quarters of the East Coast (the Human Tornados).
Picks: Gotta Woodie Today, Undertow, Run Don't Walk, The Lonely Wave, For Sandi Grill and The Sea Cups, My Woodie, Malibu Pier, Surfin' Drums, The Rake Mystery, Bach Goes Surfin', Minute Wave, October In Oxnard, Gettin' Air, Blue Lights, Hot Fat Boogie, Surfers Toe Jam

Track by Track Review


Gotta Woodie Today dotdotdotdot
Surf (Instrumental)

From the first stingers, this track moves right along, with a real trad sound, somewhere between the ventures and the Chantays. The electric piano is very tasty, and the tones are good. It has a solid melody, and basic surf beat. A solid tune. The organ is not my fave, but it is subdued in the mix, and appears for just the bridge. Very good track.

Undertow dotdot
Surf (Instrumental)

With the organ way down in the background, and a Memphis studio feel, this is a nice instro, though not particularly surfy. More sixties R&B jam than surf, though the surfbands of old played plenty of songs like this along with a plethora of versions of "Shout" and "Louie Louie."

Run Don't Walk dotdotdotdot
Surf (Instrumental)

Using the "Walk, Don't Run" intro chords as a basis, this track is at once familiar and new. The new melody line is very good, leaves you humming. I would have preferred an electric piano to the organ, but otherwise, this is really nice. maybe more lead guitar presence would be a plus, but the overall effect of the track is quite superior.

The Lonely Wave dotdotdot
Surf (Instrumental)

A fifties slowdance cadence supports this melodic and pretty track. It is very smooth, romantic, and rings with touches of the Polynesian archipelagos. Nice track.

For Sandi Grill and The Sea Cups dotdotdot
Surf (Instrumental)

A progression, a bit of the Joey Dee and the Starlighters R&B club chops, some tasty surf guitar, and you get a hybrid not unlike some of the tracks that were common at the teen band surf hops of the sixties, and also graced some of the better known surf albums between "Pipeline" and "Miserlou" covers. Very nice instro, jam based, and infectious, but not to surfy. The electric piano is really nice.

My Woodie dotdotdot
Surf (Instrumental)

Honky, choppy, R&B / Rock instro with cries of "My Woodie" injected. Structurally, it is a lot like some of the Vegas strip club instros issued 30 years ago, but more melodic and much better played. I'd say they had a lot of fun with it. I didn't care for it much, though.

Malibu Pier dotdotdot
Surf (Vocal)

The lyrics are hilarious, and hint at an incident with Ben Varene some years back. A slow romantic flowing song.

Surfin' Drums dotdotdot
Surf (Instrumental)

Drum featured track, sorta like Sandy Nelson and Richie Podolor used to cut, but with a close variation on Ron Wilson's "Wipe Out" drum cadence, and maybe touches of Preston Epps "Bongo Rock" for good measure. The drumming is exceptional, but then so are all the players on this CD. Cool track.

The Rake Mystery dotdotdotdot
Surf (Vocal)

With a tango-like backtrack, and the distant harmonies accompanying the intro and bridge, this track is very friendly. The guitar tones are strong, mostly emitted from the low-E. Very melodic and moody. I like this track a lot. The story narrated is hilarious, delivered by a Surf Punk voice and lingo. Great fun.

Bach Goes Surfin' dotdotdotdot
Surf (Instrumental)

Classical wonderment. This is based on the same melody that the Baronics do such a nice job with. If young master Bach had been a surfer and had a Fender Jaguar, he would probably have written this to be played this way. Great track.

Minute Wave dotdotdotdot
Surf (Instrumental)

The "Minute Waltz" as heard through the ears of the Big Kahuna as he shoots through the barrel racing just ahead of the close-out. Really fun! the dribbling guitar is priceless!

October In Oxnard dotdotdot
Surf (Instrumental)

Another vocal. Now, even though I usually stay away from these things, there is something totally ludicrous about sweet harmonies being related to Oxnard. You have to pay respect to talent able to write and sing so beautifully about such a place. It either seethes with optimism, or oozes denial. Either way, it's quite a trip. Amazing.

Gettin' Air dotdotdotdotdot
Surf (Instrumental)

Really surfy number, great melody, a lot of the "Penetration" back track and bridge. Really solid, great playing, and very infectious. The evil sax is perfect. I've played this numerous times on my show.

Blue Lights dotdotdotdot
Surf (Instrumental)

Cool low down low-E guitar lead, whammy action, and a simple melody with ample reverb. Very nice track, I must say. The whammies are intense and moody, while the lead guitar is somewhat menacing.

Hot Fat Boogie dotdotdot
Surf (Instrumental)

Boogie is right, but with energy and a certain ominosity. More R&B than surf, a bit of the Southern Culture On the Skids and "Wipe Out." Cool.

Surfers Toe Jam dotdotdot
Surf (Instrumental)

This is a participation track, with a billion friends guesting on leads
interspersed through out. A basic jam, with a lot of added infusion from a wide
variety of players. Fun, but not killer.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Ramonetures - S/Tdotdotdot
artworkWhat'dya say 'bout great fuzzy Ventures style variations of the Ramones? This is a mostly solid set of Ventures style covers of Ramones songs, arranged with reverence for both bands. The whole idea of imitating the chameleons of rock covering one of rock's originals is inspired. Mel Bergman (Phantom Surfers, Go Nuts) conceived this project, and Davie Allan plays sometimes inspired fuzz on the sessions. The down side for me is that most of it was a one-time listen. While it's well done, the novelty wore off quickly, and it ended up on the shelf, except for the handful of great tracks more in Davie Allan's style than the Ventures.
Picks: Glad To See You Go, Rockaway Beach, Blitzkrieg Bop, She's The One, Babysitter, Rock and Roll High School, She's A Sensation, Today Your Love, Tomorrow The World, Do You Remember Rock and Roll Radio?, I Wanna Be Well, Carbona Not Glue, The KKK Took My Baby Away, Cretin Hop, Oh Oh I Love Her So, I Wanna Be Sedated, Pet Sematary

Track by Track Review


Glad To See You Go dotdotdot
Fake Ventures (Instrumental)

Fast and furious, with the restrained assault as the Ventures would use. Compressed chunk.

Rockaway Beach dotdotdot
Fake Ventures (Instrumental)

This is more like it, though the melody line is slim. The feel of lesser fuzz and pounding garage.

Blitzkrieg Bop dotdotdot
Fake Ventures (Instrumental)

This is the fuzz highlight of the disc. It includes the chorus chant. Like many Ramones songs, it's not melodic enough to stand without lyrics, yet this is pretty fun to listen to.

She's The One dotdotdot
Fake Ventures (Instrumental)

Two chord wonder, with twangy whammy lead guitar carrying the day. It's more surfy than most here, and also more melodic.

Babysitter dotdotdot
Fake Ventures (Instrumental)

Another of the more melodic tunes, delivered with a warmer lead guitar. It's got a real sixties feel, and a nice riff. The lead work is very nicely played.

Rock and Roll High School dotdotdot
Fake Ventures (Instrumental)

Too much like many of the Ventures' covers... not very melodic. It does work OK in the bridge, but the main theme is just so-so.

She's A Sensation dotdotdot
Fake Ventures (Instrumental)

This is a nice melodic piece, with a solid beat and groovy fuzz lead. The arrangement is a bit too one dimensional, but it works OK.

Today Your Love, Tomorrow The World dotdotdotdot
Biker Fuzz (Instrumental)

Ultra fuzz, some ugly feedback, and some nasty tones. The lead is pure Davie Allan fuzz monster. Biker fuzz deluxe.

Do You Remember Rock and Roll Radio? dotdotdot
Fake Ventures (Instrumental)

After a scan across the dial, and some sampled Ventures, the cheer leader drums come in, and the track launches into the riff. The vocal chorus is retained, which is of coarse a Ventures trick.

I Wanna Be Well dotdotdotdot
Fake Ventures (Instrumental)

Slow dance coolness with Davie Allan playing in a tone much like some of his early pre-fuzz sides, like on the Skaterdater soundtrack. This is tasty and smooth.

Carbona Not Glue dotdotdot
Fake Ventures (Instrumental)

Dirty garage fuzz, Davie Allan's lead licks, and some nice playing. It works well, with a bit of drive and some excellent whammy.

The KKK Took My Baby Away dotdotdot
Fake Ventures (Instrumental)

Ugly chunka chunka, and a moderately interesting guitar line. The playing is great, but the melody is just so-so.

Cretin Hop dotdotdot
Fake Ventures (Instrumental)

Mighty chunky chop and roll, with an OK lead riff, well played but based on too little melody. It doesn't really get past the backtrack sound.

Oh Oh I Love Her So dotdotdot
Fake Ventures (Instrumental)

Another tune that doesn't stand on instruments alone.

I Wanna Be Sedated dotdotdot
Fake Ventures (Instrumental)

If it weren't for the lyrics, this wouldn't work at all... wait, there are no lyrics. Too thin and without a focus.

Pet Sematary dotdotdotdot
Bike Fuzz (Instrumental)

Thick biker fuzz, great grimy guitar, round sustained Davie Allan signature coolness. Great track, more grodie than most here, and worth the price of admission. Out past the fade out is a marvelous Davie Allan guitar grind over rumbling bass and rambling drums. Very cool way to close out the disc.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rapiers - The Return Of The Rapiersdotdotdot
artworkThis is a reunion CD issued in 1991 from England's Rapiers. their sound is based heavily on the Shadows, as you might expect. There are many vocals here, and some really nice instros too.
Picks: Return Of The Rapiers, Jack's Good, Breakfast At The Ace, Cuban Heels, Jazz At Jones', Shadowland, Early Morning Twist, Lynch Mob

Track by Track Review


Return Of The Rapiers dotdotdot
Rock (Instrumental)

This tune has a very vintage British sound, with the Echoplexed lead guitar and strong backtrack. The melody line is also strong, and the energy is high. It could fit into a surf set nicely.

Jack's Good dotdotdotdot
Rock (Instrumental)

This track is cool from a bass action view point, and the guitar whammies are stingingly hot. It has an unusual melody line that seems to sneak into your subconscious. Fun track.

Breakfast At The Ace dotdotdot
Hot Rod (Instrumental)

After a long and drawn out session of hot rod sounds, this track finally gets moving with a decent melody line and good energy. The guitar is intense enough, and the rhythm is moving enough. It is just a bit too repetitious for me to rate a 4.

Cuban Heels dotdotdot
MOR (Instrumental)

A slower gentler instro with a soothing round guitar sound and a pleasant melody. Pretty and quite MOR.

Jazz At Jones' dotdot
Rock (Instrumental)

A pretty standard guitar jazz thing, nicely played but uninspiring.

Shadowland dotdotdot
Shadows (Instrumental)

Soft and slow, "Shadow Land" displays an almost island mystique as it lightly flows. Most of the piece is played with dual note guitar. Very pretty.

Early Morning Twist dotdotdot
MOR (Instrumental)

A pleasant MOR melody, mid tempo instro. Nothing special, yet it is more than listenable. The melody is nicely developed and the military beat quite spunky.

Lynch Mob dotdotdot
Rock (Instrumental)

A Faster track, very much like Hank Marvin might do it. It is an interesting melody, intensely played. Lots of energy.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raunch Hands - Learn To Whap-A-Dang with the Raunch Handsdotdotdot
artwork
Picks: Upset Her, Tube City, Exotic

Track by Track Review


Upset Her dotdot
Fifties (Instrumental)

Crunchy noisy fuzzy riffola rock.

Tube City dotdotdotdot
Surf (Instrumental)

This is a very strong cover of the Trashmen's wonderful vintage surf tune. This recording is very high intensity, really rips, and sounds as though it will rip through your speakers any moment now. Solid.

Exotic dotdotdotdot
Surf (Instrumental)

Totally cool. This is a rockin' variation on the Ray Beats' version of the Rhythm Kings' pachuko soul classic. This is major powerful, a hot performance, and very energetic.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raunch Hands - NYC's Kings Of Sleazedotdotdot
artworkNew York's mostly vocal club sleazoids with a propensity for really good surf covers in a very well interpreted deviation from the norm. This is a strong CD, with several powerful surf numbers.
Picks: Thunderbird, Upset Her, Tube City, Exotic

Track by Track Review


Thunderbird dotdotdot
Fifties (Instrumental)

A "Moovin' & Groovin'" kinda tune from the annals of pre-surfistry, played with high energy and a nifty sax imposed over the top, plus the obligatory "what's the word... THUNDERBIRD" shouts from the fifties cheap wine ads.

Upset Her dotdot
Fifties (Instrumental)

Crunchy noisy fuzzy riffola rock.

Tube City dotdotdotdot
Surf (Instrumental)

This is a very strong cover of the Trashmen's wonderful vintage surf tune. This recording is very high intensity, really rips, and sounds as though it will rip through your speakers any moment now. Solid.

Exotic dotdotdotdot
Surf (Instrumental)

Totally cool. This is a rockin' variation on the Ray Beats' version of the Rhythm Kings' pachuko soul classic. This is major powerful, a hot performance, and very energetic.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raunch Hands - Paydaydotdotdot
artworkThe Raunch Hands play a hard edged rock 'n' roll,and occasionally do an amped up surf instro. In this case, it's "The Victor."
Picks: The Victor

Track by Track Review


The Victor dotdotdotdot
Surf (Instrumental)

Damn, this is one fiery performance. The lead guitar drives fast and hard for the finish line, with no shortage of energy and flair. It's a straoight arrangement, but with major edge and power. Great!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raybeats - Guitar Beatdotdotdotdot
artworkThis is the first CD issue from the legendary early eighties guitar instro band the Raybeats. This line up features a post Overtones guitarist and bassist by the name of Danny Amis, whom you know from Los Straitjackets. This CD is the Guitar Beat album plus a few singles. There's a variety of instro material here, from Danny's first ever instro come classico "Calhoun Surf" to the sassy redefinition of "B Gas Rickshaw" (originally from Jan & Dean's studio band). All I can say is, it's about time! It's only partly a surf disc, but the legacy of this instro band is not to be denied. Great listening, a must have. Yet to be issued is the incredible It's Only A Movie album.
Picks: Tight Turn, Big Black Sneakers, Tone Zone, International Operator, Calhoun Surf, Guitar Beat, Searching, Piranha Salad, Holiday Inn Spain, Andy's +1, The Backstroke, B-Gas Rickshaw, Cocktails

Track by Track Review


Tight Turn dotdotdotdot
R&B (Instrumental)

Screeching tires and crash boom. This gnarly sax lead R&B number is quite the low-down nasty tune.

Big Black Sneakers dotdotdot
Martini Surf (Instrumental)

Cool tune with nicely ringing guitar lines. Very simple, rhythmic, and heavily drum oriented. A great track! There's something very Mancini about the writing.

Tone Zone dotdotdotdot
Guitar (Instrumental)

The keyboard leads off this eerie number with tortured guitar notes and less than sane sound.

International Operator dotdotdotdot
Espionage (Instrumental)

Placing that long distance call before direct dial, MCI, or One Eight Hundred Collect used to require actually talking to an AT&T international operator, and that was always an adventure, not unlike entering the espionage game. This has that air of spies on the line and stalking in the shadows. Great track!

Calhoun Surf dotdotdotdotdot
Surf (Instrumental)

This is the first song Danny Amis ever wrote. He originally recorded it with his band the Overtones, and issued it as the flip to "Red Checker Wagon." This version is big, and very cool. It has a different character than either the first recording or the Los Straitjackets version. This recording has been covered several times, including by the Thrusters and the Neon Spores.

Guitar Beat dotdotdot
Guitar (Instrumental)

A slow chunka chunka tune with big clean guitar lead. Quite nice, and relaxing.

Searching dotdotdotdot
R&B (Instrumental)

Major drum action, and plenty of cool R&B Vegas coolness in the low down sax and guitar twin melody lines. The jazz influences are strong, and the rhythm is quite tasty.

Piranha Salad dotdotdotdot
Las Vegas (Instrumental)

Finally, a lunch that bites back! The keyboards are quite unsettling, and the dissonant melody line is irritating in an endearing way. Las Vegas cool sleazy sound.

Holiday Inn Spain dotdotdotdotdot
Surf (Instrumental)

A non-LP single added to the CD that is very melodic and fun. The melody is infectious, with it's cool hooks and splashy feel. The sound is very pleasing. You could almost hear the Aqua Velvets doing this. It is one of my favorite Ray Beats tracks. Very pretty.

Andy's +1 dotdotdotdot
Lounge (Instrumental)

And then there was need for an organ lead tune with a quirky pop feel. Suddenly, in popped Andy and his plus one on the guest list... swell tune with a weird and crafty sound.

The Backstroke dotdotdotdot
Jazz Surf (Instrumental)

The sun is baking the pre-melanoma dermis, the kids have gone back to their rooms, and you're floating face up slowly cruising the length of the pool at Motel 6. A very pleasant afternoon to you sir! Cool funky number for a lazy afternoon dip.

B-Gas Rickshaw dotdotdotdotdot
Surf (Instrumental)

One of only two covers of this Jan and Dean instrumental. Unlike the J&D version, this is poundy and cool. The tom toms do the hot rod motor honors. Nice track!

Cocktails dotdotdotdot
Exotic Rhythm (Instrumental)

The exotic rhythm and the cool melody pre date the lounge ethic of the nineties. This is a swell number.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raybeats - Guitar Beatdotdotdotdot
artworkFrom the Guitar Beat album, this single is another fine example of the early eighties attempt to bring instrumentals back into the mainstream. While they were legends in their time, they never actually bridged the lyric gap in terms of the mainstream.There is too much kick drum in the mix.
Picks: Guitar Beat, Calhoun Surf

Track by Track Review


Guitar Beat dotdotdot
Guitar (Instrumental)

A slow chunka chunka tune with big clean guitar lead. Quite nice, and relaxing.

Calhoun Surf dotdotdotdotdot
Surf (Instrumental)

This is the first song Danny Amis ever wrote. He originally recorded it with his band the Overtones, and issued it as the flip to "Red Checker Wagon." This version is big, and very cool. It has a different character than either the first recording or the Los Straitjackets version. This recording has been covered several times, including by the Thrusters and the Neon Spores.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raybeats - Guitar Beatdotdotdotdot
artworkThe line up of the Raybeats on this release features a post Overtones guitarist and bassist by the name of Danny Amis, whom you know from Los Straitjackets. There is a variety of instrumental material on this album. It is all also on the Guitar Beat CD. It's only partly a surf disc, but the legacy of this instro band is not to be denied. Great listening, a must have.
Picks: Tight Turn, Big Black Sneakers, Tone Zone, The Backstroke, B-Gas Rickshaw, International Operator, Searching, The Calhoun Surf, Piranha Salad, Cocktails, Guitar Beat

Track by Track Review


Tight Turn dotdotdotdot
R&B (Instrumental)

Screeching tires and crash boom. This gnarly sax lead R&B number is quite the low-down nasty tune.

Big Black Sneakers dotdotdot
Martini Surf (Instrumental)

Cool tune with nicely ringing guitar lines. Very simple, rhythmic, and heavily drum oriented. A great track! There's something very Mancini about the writing.

Tone Zone dotdotdotdot
Guitar (Instrumental)

The keyboard leads off this eerie number with tortured guitar notes and less than sane sound.

The Backstroke dotdotdotdot
Jazz Surf (Instrumental)

The sun is baking the pre-melanoma dermis, the kids have gone back to their rooms, and you're floating face up slowly cruising the length of the pool at Motel 6. A very pleasant afternoon to you sir! Cool funky number for a lazy afternoon dip.

B-Gas Rickshaw dotdotdotdotdot
Surf (Instrumental)

One of only two covers of this Jan and Dean instrumental. Unlike the J&D version, this is poundy and cool. The tom toms do the hot rod motor honors. Nice track!

International Operator dotdotdotdot
Espionage (Instrumental)

Placing that long distance call before direct dial, MCI, or One Eight Hundred Collect used to require actually talking to an AT&T international operator, and that was always an adventure, not unlike entering the espionage game. This has that air of spies on the line and stalking in the shadows. Great track!

Searching dotdotdotdot
R&B (Instrumental)

Major drum action, and plenty of cool R&B Vegas coolness in the low down sax and guitar twin melody lines. The jazz influences are strong, and the rhythm is quite tasty.

The Calhoun Surf dotdotdotdotdot
Surf (Instrumental)

This is the first song Danny Amis ever wrote. He originally recorded it with his band the Overtones, and issued it as the flip to "Red Checker Wagon." This version is big, and very cool. It has a different character than either the first recording or the Los Straitjackets version. This recording has been covered several times, including by the Thrusters and the Neon Spores.

Piranha Salad dotdotdotdot
Las Vegas (Instrumental)

Finally, a lunch that bites back! The keyboards are quite unsettling, and the dissonant melody line is irritating in an endearing way. Las Vegas cool sleazy sound.

Cocktails dotdotdotdot
Exotic Rhythm (Instrumental)

The exotic rhythm and the cool melody pre date the lounge ethic of the nineties. This is a swell number.

Guitar Beat dotdotdot
Guitar (Instrumental)

A slow chunka chunka tune with big clean guitar lead. Quite nice, and relaxing.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raybeats - Holiday Inn Spaindotdotdotdotdot
artworkThis single is from the same sessions as their first album. It is a long-gone and priceless glimpse into the Raybeats humor and sense of melody, and predicts the rise of Danny Amis' current band, Los Straitjackets. The sound is that early eighties too much kick drum mix, but otherwise quite clear.
Picks: Holiday Inn Spain, Cocktails

Track by Track Review


Holiday Inn Spain dotdotdotdotdot
Surf (Instrumental)

A non-LP single added to the CD that is very melodic and fun. The melody is infectious, with it's cool hooks and splashy feel. The sound is very pleasing. You could almost hear the Aqua Velvets doing this. It is one of my favorite Ray Beats tracks. Very pretty.

Cocktails dotdotdotdot
Exotic Rhythm (Instrumental)

The exotic rhythm and the cool melody pre date the lounge ethic of the nineties. This is a swell number.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raybeats - Inland Cleanagedotdotdotdot
artworkThis is a CD-R of most of the vinyl issues of the legendary early eighties band the Raybeats. Their music was very important is shaping the instro storm of the nineties, a decade away when these tracks were recorded.
Picks: Searching, Rise And Fall Of Flingel Bunt, Tight Turn, Tone Zone, Holiday Inn Spain, Big Black Sneakers, The Backstroke, B-Gas Rickshaw, International Operator, Calhoun Surf, Piranha Salad, Cocktails, Guitar Beat, Jack The Ripper, Banzai Pipeline, Instant Twist, The Sad Little Caper, Jelly Bread, Buddy Lonesome, Soul Beat / Intoxica (Intoxico), It's Only A Movie, Doin' The Dishes

Track by Track Review


Searching dotdotdotdot
R&B (Instrumental)

Major drum action, and plenty of cool R&B Vegas coolness in the low down sax and guitar twin melody lines. The jazz influences are strong, and the rhythm is quite tasty.

Rise And Fall Of Flingel Bunt dotdotdotdot
Bachelor Surf (Instrumental)

An inspired rendition of this classic surf targeted number, with tongue planted firmly in cheek. Bouncy, and utterly fun.

Tight Turn dotdotdotdot
R&B (Instrumental)

Screeching tires and crash boom. This gnarly sax lead R&B number is quite the low-down nasty tune.

Tone Zone dotdotdotdot
Guitar (Instrumental)

The keyboard leads off this eerie number with tortured guitar notes and less than sane sound.

Holiday Inn Spain dotdotdotdotdot
Surf (Instrumental)

A non-LP single added to the CD that is very melodic and fun. The melody is infectious, with it's cool hooks and splashy feel. The sound is very pleasing. You could almost hear the Aqua Velvets doing this. It is one of my favorite Ray Beats tracks. Very pretty.

Big Black Sneakers dotdotdot
Martini Surf (Instrumental)

Cool tune with nicely ringing guitar lines. Very simple, rhythmic, and heavily drum oriented. A great track! There's something very Mancini about the writing.

The Backstroke dotdotdotdot
Jazz Surf (Instrumental)

The sun is baking the pre-melanoma dermis, the kids have gone back to their rooms, and you're floating face up slowly cruising the length of the pool at Motel 6. A very pleasant afternoon to you sir! Cool funky number for a lazy afternoon dip.

B-Gas Rickshaw dotdotdotdotdot
Surf (Instrumental)

One of only two covers of this Jan and Dean instrumental. Unlike the J&D version, this is poundy and cool. The tom toms do the hot rod motor honors. Nice track!

International Operator dotdotdotdot
Espionage (Instrumental)

Placing that long distance call before direct dial, MCI, or One Eight Hundred Collect used to require actually talking to an AT&T international operator, and that was always an adventure, not unlike entering the espionage game. This has that air of spies on the line and stalking in the shadows. Great track!

Calhoun Surf dotdotdotdotdot
Surf (Instrumental)

This is the first song Danny Amis ever wrote. He originally recorded it with his band the Overtones, and issued it as the flip to "Red Checker Wagon." This version is big, and very cool. It has a different character than either the first recording or the Los Straitjackets version. This recording has been covered several times, including by the Thrusters and the Neon Spores.

Piranha Salad dotdotdotdot
Las Vegas (Instrumental)

Finally, a lunch that bites back! The keyboards are quite unsettling, and the dissonant melody line is irritating in an endearing way. Las Vegas cool sleazy sound.

Cocktails dotdotdotdot
Exotic Rhythm (Instrumental)

The exotic rhythm and the cool melody pre date the lounge ethic of the nineties. This is a swell number.

Guitar Beat dotdotdot
Guitar (Instrumental)

A slow chunka chunka tune with big clean guitar lead. Quite nice, and relaxing.

Jack The Ripper dotdotdotdotdot
Surf (Instrumental)

Simply one of a handful of versions of this classic Link Wray track that are essential listening. This is tight, intense, aggressive, tribal, and without remorse. The band's approach is both fresh and reverent. This is definitive Raybeats perfection.

Banzai Pipeline dotdotdotdot
Martini Surf (Instrumental)

With a jazzy mix, and an eye on Henry Mancini's martini, the Raybeats deliver an unusual and inspired version of this most quirky surf classic. Fine playing, and a beat generation bachelor pad ethic merge into a stunningly infectious track.

Instant Twist dotdotdot
Piano Drama (Instrumental)

Immediate and infectious, this track has a fanciful air about it. The guttural piano intro is pretty scary. It's bluesy and soulful, and a tad mean, with a melodic drama underneath.

The Sad Little Caper dotdotdotdot
Back Street Jazz (Instrumental)

Almost James Bond like, in a back street jazz kinda way, with an ominous and chunky bass line, and a guitar line that forewarns of Reventlos to come. Quite cool.

Jelly Bread dotdotdot
R&B (Instrumental)

Suave variations of the Booker T. & the MG's classic single. Nice, but not particularly remarkable.

Buddy Lonesome dotdotdot
Bluesy (Instrumental)

Semi funky, blues harmonica and rhythmic backtrack soul.

Soul Beat / Intoxica (Intoxico) dotdotdotdot
Postmodern Lowrider Suave Surf (Instrumental)

This is the best post sixties treatment of the surf sub genre of Pachuko Soul (and its accompanying dance the Soul). It has all the Latino fluidity without the East LA car club ethic. Filtered in part through the Central California Luau Exotica variety of surf, this is alluring and magical. Postmodern lowrider suave.

It's Only A Movie dotdotdot
Balcony Rock (Instrumental)

Hinting of black and white horror films and sticky floors, this is an inventive idea and a suave track.

Doin' The Dishes dotdotdot
Haunting (Instrumental)

Slowly thumped drums, a rumbling bass, effects of mysterious origin, and a distant haunting guitar line combine to create a track with an undeniable element of the unknown. Spooky and fluid.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raybeats - It's Only A Moviedotdotdotdot
artworkThis incredible album has yet to be issued on CD. It is very well produced, and sports some incredibly powerful tracks. It is markedly different from their other output in character and energy. Highly worthwhile.
Picks: Jack The Ripper, Banzai Pipeline, Instant Twist, The Sad Little Caper, The Big Country, Jelly Bread, Buddy Lonesome, Soul Beat / Intoxica (Intoxico), It's Only A Movie

Track by Track Review


Jack The Ripper dotdotdotdotdot
Surf (Instrumental)

Simply one of a handful of versions of this classic Link Wray track that are essential listening. This is tight, intense, aggressive, tribal, and without remorse. The band's approach is both fresh and reverent. This is definitive Raybeats perfection.

Banzai Pipeline dotdotdotdot
Martini Surf (Instrumental)

With a jazzy mix, and an eye on Henry Mancini's martini, the Raybeats deliver an unusual and inspired version of this most quirky surf classic. Fine playing, and a beat generation bachelor pad ethic merge into a stunningly infectious track.

Instant Twist dotdotdot
Piano Drama (Instrumental)

Immediate and infectious, this track has a fanciful air about it. The guttural piano intro is pretty scary. It's bluesy and soulful, and a tad mean, with a melodic drama underneath.

The Sad Little Caper dotdotdotdot
Back Street Jazz (Instrumental)

Almost James Bond like, in a back street jazz kinda way, with an ominous and chunky bass line, and a guitar line that forewarns of Reventlos to come. Quite cool.

The Big Country dotdotdot
Country (Instrumental)

A solid tune, with a country influence and a fanciful sense of humor.

Jelly Bread dotdotdot
R&B (Instrumental)

Suave variations of the Booker T. & the MG's classic single. Nice, but not particularly remarkable.

Buddy Lonesome dotdotdot
Bluesy (Instrumental)

Semi funky, blues harmonica and rhythmic backtrack soul.

Soul Beat / Intoxica (Intoxico) dotdotdotdot
Postmodern Lowrider Suave Surf (Instrumental)

This is the best post sixties treatment of the surf sub genre of Pachuko Soul (and its accompanying dance the Soul). It has all the Latino fluidity without the East LA car club ethic. Filtered in part through the Central California Luau Exotica variety of surf, this is alluring and magical. Postmodern lowrider suave.

It's Only A Movie dotdotdot
Balcony Rock (Instrumental)

Hinting of black and white horror films and sticky floors, this is an inventive idea and a suave track.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raybeats - Roping Wild Bearsdotdotdotdot
artworkTheir first release was this four song twelve inch EP. It foretold the great Guitar Beat album, which was licensed out to PVC from Don't Fall Off The Mountain. Their impact was immense in terms of laying down the foundation for the expanding instro world we surf in today. Danny Amis and Jody Harris left their mark here.
Picks: Searching, Rise And Fall Of Flingel Bunt, Tight Turn, Tone Zone

Track by Track Review


Searching dotdotdotdot
R&B (Instrumental)

Major drum action, and plenty of cool R&B Vegas coolness in the low down sax and guitar twin melody lines. The jazz influences are strong, and the rhythm is quite tasty.

Rise And Fall Of Flingel Bunt dotdotdotdot
Bachelor Surf (Instrumental)

An inspired rendition of this classic surf targeted number, with tongue planted firmly in cheek. Bouncy, and utterly fun.

Tight Turn dotdotdotdot
R&B (Instrumental)

Screeching tires and crash boom. This gnarly sax lead R&B number is quite the low-down nasty tune.

Tone Zone dotdotdotdot
Guitar (Instrumental)

The keyboard leads off this eerie number with tortured guitar notes and less than sane sound.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raymen - Garbaged, Littered and Totally Destroyed 1984 - 1999dotdotdot
artworkThe Raymen first came to my attention back in the eighties when I came across a 12 inch EP. The cover was cool, so I took a chance. They were like a demented version of a band half way between the Cramps and Turkey Bones and the Wild Dogs, with murky dark reverb sound and low down vocals. This CD collects a bunch of rarities, and includes a really trashy version of "Wipe Out."
Picks: Wipe Out

Track by Track Review


Wipe Out dotdotdot
Psycho Warehouse Surf (Instrumental)

In the Raymen's murky style, they slaughter and monsterize this venerable old hit from the Surfaris. Huge power, bit wall of mud, ultra trashy warehouse surf. Very cool.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reactions - I Want You c/w Frenzieddotdotdotdot
artworkThis is a solid single from 1986. Chuck Wagner's guitar work is heavy and strong post garage chunk, and when combined with Brian McCafferty's bass and Dave Swanson's drums, the effect is mighty powerful.
Picks: Frenzied

Track by Track Review


Frenzied dotdotdotdot
Surf (Instrumental)

This is a monster track. Its reverb laden distorted guitar shreds over the top of a strong heavy backtrack. It's a fairly long surf instro, clocking in at 4 minutes, and it's much more chunk dependent than melodic, but if grabs you instantly, and holds you until it's ready to release you. A fine track.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Ready Men - Get Ready!!dotdotdot
artworkThe Ready Men were a garage surf combo from Minneapolis, who have been legendary ever since their rabid version of "Shortnin' Bread" emerged on "Surfin In The Midwest Volume One". While that was a "Surfin' Bird"-like vocal, they also recorded some mighty screaming surf instros. At first sight, this CD ran my blood cold with anticipation of an hour's worth of their vintage vault purge from '64. Well, that's sorta what's here. There are 5 studio tracks, including "Shortnin' Bread" plus another Midwest traditional frat song "Wine Wine Wine", and 3 cool instros. As for the rest, they are all really crude recordings, half being from a department store event, and the other a rehearsal, both sounding like ambient recordings, amateur at best. I'd rather hear the history badly than not at all. The liner notes are really good, lots of trivia & quotes & pix.
Picks: Disintegration, Surfer Blues, Baja, Wipe Out, Miserlou, Pipeline, Jack The Ripper, Moon Dawg, Walk, Don't Run, What'd I Surf, Disintegration #2

Track by Track Review


Disintegration dotdotdotdot
Surf (Instrumental)

The Readymen were another Minnesota band that played a lot of Surf instros. "Disintegration" is a raver that remained unreleased until last year. Their writing was good, and their performances were spirited. The main riff is a basic surf progression, with jam-like break action. It's rhythmic and energetic, but not very melodic. Raw primal teen surf.

Surfer Blues dotdotdotdot
Surf (Instrumental)

Steve Douglas' great tune, amped up for the end of the millennium. Whammy twang, infectious melody, and very strong guitar work.

Baja dotdotdotdot
Jazz Surf (Instrumental)

Opening with the sounds of shorebreak, a dive siren, and sonar pings, this ominous number rumbles into action with a huge sound from the horns and organ grumbling under Jimmy Redgate's guitar. This is quite spiffy. It's a mean R&B based number with no shortage of growl and punch. The break is wobble board accompanied and spy flick spoofed. Trevor Ramsay's sax is mean and nasty! Too cool!

Wipe Out dotdotdotdot
Jazz Surf (Instrumental)

Screeching tires eventually give way to a groovy progression and a moody atmosphere, with a distant James Bond appeal and a near loungie chorus. Very cool and playful, with a melodic lilt. The progressive break is more than intriguing, it's downright Steppenwolf. Great ending.

Miserlou dotdotdotdot
Jazz Surf (Instrumental)

The wind, like the sounds from Laurel & Hardy's "Haunted House," bells tolling for the risk-takers, and a rolling bass line under a spooky and enticing guitar line. This is both scary and beautiful. The sax repeats the guitar lines in alternate verses. The song is so strong!!! Really nice, and very unusual, like the Beacon Street Union's "The Clown Died In Marvin Gardens" instrumentally interpreted. Great track.

Pipeline dotdotdotdot
Jazz Surf (Instrumental)

A long pick slide decays into harsh feedback, before a nasty sax over a nearly calliope sound warns of danger below. Very mean and hazardous.

Jack The Ripper dotdotdotdot
Jazz Surf (Instrumental)

A big howling swirl slithers into a sixties prog variation that hints of the Spencer Davis Group (Stevie Winwood period) at a Riverside jazz session at the beach wearing baggies. Sounds strange, I know, but it works really well. very suave.

Moon Dawg dotdotdotdot
Jazz Surf (Instrumental)

Samba suave, smooth, swimming with flowing white dresses and pretty girls. This is a beautiful track, infectious and lustrous.

Walk, Don't Run dotdotdotdot
Jazz Surf (Instrumental)

Fluffy jazz fun, inviting frolicking at the beach, playful up tempo life without care. Jet setting to Club Med to meet and greet the fair sex. Deluxe fun.

What'd I Surf dotdotdotdot
Jazz Surf (Instrumental)

Rich tones, low down sax, atmospheric trappings, and lonely detective under a streetlight visuals collide here, just before the super intoxicating exotic melody, with its middle eastern and Latin influences. Like Kraan on the Riviera.

Disintegration #2 dotdotdotdot
Jazz Surf (Instrumental)

Aren't they all... "Femme Fatales" that is. melodic and slightly mysterious, breezy and slightly spaghetti. This is a very unusual tune, reminding me slightly of some of Chris Shahin's work. My goodness, this is a good track.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Red Elvises - Surfing In Siberiadotdotdot
artworkFour Russian lads blending their homeland folk styles with surf and pop and rockabilly. A pretty unusual mix. Very fun. Highly entertaining.
Picks: Surfing In Siberia [Miserlou], Hungarian Dance #5, Love Pipe, Ukrainian Dance #13

Track by Track Review


Surfing In Siberia [Miserlou] dotdotdotdotdot
Russian Surf (Instrumental)

Totally bitchin elongated version of thee surf classico, with some really cool balalaika noodling, and ample angst. Their approach is a blend of surf and Russian trad folk styles. It's very refreshing to hear something really different done with this song.

Hungarian Dance #5 dotdotdot
Folkabilly (Instrumental)

Traditional melody, tasty guitar instro until about half way through, when the lads come in with the "la-la-la's" and more funage. Very infectious performance.

Love Pipe dotdotdotdot
Siberian Surf (Instrumental)

Big tom-tom driven number with really cool guitar lines. There's a bit of "The Munsters" in the mix, and a taste of the rockabilly. The folk dance beat is totally infectious. Wow!

Ukrainian Dance #13 dotdotdot
Folkabilly (Instrumental)

Slowly building, with excited shouts of "Hoiy!," and cool guitar tones. Infectious and fascinating. It reminds me of something Rick Escobar of the Woodies might have surfed up. No, not surf, but too fun!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Red Elvises - I Wanna See You Bellydancedotdotdot
artworkThe Red Elvises hit with another fine album of their unusual Russian surf-rockabilly-ska-kitchen sink blend. This time out, we only get two instros, but both are great, one surf, one soft and islandic. The band is Zhenya - guitars, Avi - drums, Igor - guitar, and Oleg - bass. This is a band to see.
Picks: El Nino, After The Carnival

Track by Track Review


El Nino dotdotdotdot
Surf (Instrumental)

This is a mighty spirited "Miserlou" influenced number, with ample Russian rhythm and surf melody. The double picked lead is quite tasty, and the playful nature of the song is very infectious. It's a long track, but the blend of twin leads, Russian rhythms, surf, and pure fun keep the interest up throughout. Melodic and magnetic.

After The Carnival dotdotdot
(Instrumental)

This is one smooth tune, gentle and romantic without being MOR or wimpy. It sports a simple but effective melody line, and a smooth tone. This slow tune flows with an island feel, a sense of swaying skirts and soft breezes. The recording is quite clean.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Red Elvises - Grooving To The Moscow Beatdotdot
artworkThis band's first CD foretells of the Russian rockabilly to come in the vocals, but doesn't even issue a whiff of the future surf influenced instros. This is a pretty cool band, but I like their surf work the best (of course).
Picks: Shoobah-Doobah [Elvis' Vacation], Elvis and Bears

Track by Track Review


Shoobah-Doobah [Elvis' Vacation] dotdotdot
Rock (Instrumental)

This is a melodic play-toy kinda instro, designed to fill a space without demanding too much attention. Not up to their later instro power or stylized surf, but still worth a spin.

Elvis and Bears dotdotdot
Rock (Instrumental)

This is a lumbering Cat Mother and the Allnight News Boys sorta citified countrification of a rock instro, a little too predictable and a little too unchanging.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Red Elvises - Your Favorite Banddotdotdot
artworkThe Red Elvises have moved away from instros on their last few releases, but this live set includes two, each opening one of the discs. At 76 minutes, I wonder why two discs were used. The recordings are from the Great American Music Hall in San Francisco on March 26, 1999.
Picks: El Nino, Love Pipe

Track by Track Review


El Nino dotdotdotdot
Surf (Instrumental)

Opening the show is this mighty spirited "Miserlou" influenced number, with ample Russian rhythm and surf melody. The double picked lead is quite tasty, and the playful nature of the song is very infectious. It's a long track, but the blend of twin leads, Russian rhythms, surf, and pure fun keep the interest up throughout. Melodic and magnetic.

Love Pipe dotdotdotdot
Siberian Surf (Instrumental)

Big tom-tom driven number with really cool guitar lines. There's a bit of "The Munsters" in the mix, and a taste of the rockabilly. The folk dance beat is totally infectious. Wow!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Red Guitars - Music For Misguided Angelsdotdotdot
artworkAin't no surf here, but really smooth country flavored twango with excellent melodies and a gentle air. It seldom strays into MOR country, but it also doesn't really rock. Just really well played guitar instrumentals for an easy afternoon. Quite an enjoyable CD. The CD comes with no artwork at all, but with track titles screened onto the CD.
Picks: Taxi To Toronto, The Man Who Wasn't There, Crown Of Thorns, Pasta La Vista, Greenpeace, Red Guitars, A Face In The Sand, Heaven, Crickets, Playing In The Minors, Dumb Blond, Talk Show

Track by Track Review


Taxi To Toronto dotdotdot
Country Rock (Instrumental)

A Liverpool sound to a country twango, melodic and smooth. Guitar lead, harmonica accompaniment, and a coastal feel. This is quite smooth, and very enjoyable, and straddles the line between country and the Ventures.

The Man Who Wasn't There dotdotdot
Country Rock (Instrumental)

Slow fluid and floating, this is a very delicately played piece with a smooth delivery and a pretty, slightly sad, slightly optimistic melody. Very nice track.

Crown Of Thorns dotdotdot
Country Rock (Instrumental)

Acoustic second guitar under a low note lead, with a bit too serious feel. It's a pretty piece, nowhere near the Paul Johnson end of the spectrum, but an easy listen.

Pasta La Vista dotdotdotdot
Spaghetti Western (Instrumental)

Whistling spaghetti western fun, with warm guitar and rolling percussion. This is a very nice piece, smooth and entertaining. It's well put together, with a very friendly sound.

Greenpeace dotdotdot
Country Rock (Instrumental)

Polite melodic and fluid, this is restrained and pleasing, without an edge, but with picturesque imagery and warmth. Enjoyable and smooth.

Red Guitars dotdotdotdot
Country Rock (Instrumental)

Namesake songs often don't really convey the band sound, and to some degree, that is also true here. It's more bouncy and country than most others here, but it does retain their smooth twang. Quite catchy and fun, with energy and polish.

A Face In The Sand dotdotdotdot
Country Rock (Instrumental)

Mid tempo melodic fluid and open air feeling. The melody riff is quite appealing, and the delivery quite smooth and friendly. The playing is very good.

Heaven dotdotdot
Country MOR (Instrumental)

The wah-wah guitar and the lightweight delivery reminds me of "More" from the Challengers, a bit frothy and too light to go beyond MOR. Quite pretty, but unremarkable.

Crickets dotdotdot
Country Rock (Instrumental)

Damped picking, hinting at crickets with a happy melody line, and a restrained delivery. Very pretty, fit for an afternoon excursion. It rolls along like a wayfaring stranger looking for a new beginning. Excellent.

Playing In The Minors dotdotdot
Country MOR (Instrumental)

Country twang, slightly sad, a bit film score like, moody, and really nice. MOR undercuts it, yet the "bah-bah-bah" chorus fits that description.

Dumb Blond dotdotdot
Country Funk (Instrumental)

Cowbell cowboy funk, with harmonica and excellent deliberate percussion. The melody riff is smooth and fluid, while the grins are apparent. Very suave.

Talk Show dotdotdotdot
Country Rock (Instrumental)

A bit of a ska rhythm, harmonica sadness, and an optimistic guitar line, over a full bass. This is quite picturesque, well developed, and very enjoyable.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Les Reed - Girl On A Motorcycle [Soundtrack]dotdot
artworkThis soundtrack is not unlike a hundred others of the day. The imagery of Mod girls running the streets and all that was often accompanied by cheesy orchestral jazz that really wanted to be Henry Mancini, but seldom rose above the backdrop level. This album is all that and less - except for an odd track that pours life and danger, and even has a tenuous surf connection. Dig the picture of Marianne Faithful on the cover!
Picks: Big Bare Beat

Track by Track Review


Big Bare Beat dotdotdot
Rock (Instrumental)

This is a track at odds with the rest of the soundtrack. The cheesy orchestral jazz is MIA, replaced by loud rock with rock guitar and horns, and a big drum kit. The connection to surf is in the occasionally double picked damped bass - yes bass - which takes on an almost lead-guitar like roll. It's very unusual, nut not at all essential - more a curiosity. The song is really in two parts separated by a reverse gong.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Los Relampagos - S/Tdotdotdot
artworkIf you're only interested in surf, stop here. If it don't rock, you don't like it, go away. If, on the other hand, you are open to unusual things in areas of music you might otherwise ignore, then this just might peak your interest. This 1990 CD release of a 1980 compilation by Spain's Los Relampagos [the Lightnings] contains both of their mid sixties LP's. It is not really surf related, but it is a solid instrumental album with some excellent material. The soundscapes often blend flamenco, carnivals, dementia, Shadows guitar, sometimes lush keys, even orchestral accompaniment. While some tracks are truly MOR, much of this borders on brilliant in the arrangement area, and most of the music is melodic, memorable and fun. Cross Country Joe & the Fish with Paul Murriat at Cherry Blossom Clinic on Prozac, and well, this just might be it.
Picks: Nit de Llampecs, Dulcinea, El Arlequin de Toledo, La Santa Espina, Brazo de Gitano, Recuerdos de la Alhambra, Seguidillas, Cordoba, Danza del Fuego, Bailarina de España, Granada, Danza del Molinero, El Baile del Bufon, El Torneo, Noches de Andalucia, Dos Cruces, Sevilla, Alborada Gallega, El Himno de las Galaxias, Sonido del Mediterraneo

Track by Track Review


Nit de Llampecs dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

This is a time-warped piece, with near "Telstar" keyboard sounds and hints of "Washington Square" at the ends of the riffs, and excellent almost surf delayed lead guitar with a shimmering feel. It's a slow and almost military number with a cool melody.

Dulcinea dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

"Dulcinea" opens with a serious version of the narration style used in the Treble Spankers' "Araban," and features an almost calliope melody and feel. It's playful, slightly twisted, and quite fun. The dulcimer tone is tasty.

El Arlequin de Toledo dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

"El Arlequin de Toledo" (Harlequin of Toledo) is mighty fun. This prances with a military beat, a surfy guitar tone, a 17th century feel, and mucho fun.

La Santa Espina dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

This tune reminds me of Country Joe and the Fish' "Section 43" behind a spaghetti western... it's playful and weird, sorta psycho, sorta wistful.

Brazo de Gitano dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Acoustic flamenco guitar, MOR arranging, and a floating feel with distant chorus... it lies somewhere between an elevator and a dreamy beach villa afternoon, with definite vacation overtones.

Recuerdos de la Alhambra dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Hmmm... this is an odd one. It's very smooth and slow, and quite MOR in structure. It employs a mall organ sound and great damped guitar plucking. I can't decide if I dig the suaveness or dismiss the slushiness.

Seguidillas dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Like a sideshow flamenco, this prances with precision military timing and a fluid melody, castanets, and way too much fun.

Cordoba dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Moody spatial keyboard fluffed swirl, soundtrack lushness, and an endless foggy morning bay scene... it takes a while to break into a soft and fluid sub-Shadows sounding number with excellent arranging. Not the least bit harsh, and almost MOR, but definitely suave. Like what might happen if Focus or Camel were to discover the beach.

Danza del Fuego dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Sci-fi weirdness, surfish delayed guitar, ominous organ, relentless percussion, and a progression that pulls you further in with each verse. If you are already gone, you'll be right at home. If not, you'll want to hang onto your sanity carefully. Excellent and original. Just watch out for the boys in the white coats.

Bailarina de España dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Another slightly Shadows influenced tune, like maybe the Challengers might do it, but cleaner sound and more authentic flamenco influences, plus a minuet overlaid for the shear contrast. Quite interesting.

Granada dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Tuxedo promenade accompaniment, with an eerie carnival edge that makes you wonder just what they meant... like a Peter and the Wolf for the twentieth century, it is lushly accompanied with strings and interesting production. If Lawrence Welk actually arranged seriously without the bubble machine for film scores, he still wouldn't quite come up to this most unusual track.

Danza del Molinero dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

"Danza del Molinero" [de "El Sombrero de Tres Picos"] floats on a the surf, enjoying the flamenco dancers on the deck of a passing cruise ship while waiting for the swells to rise. If that's not clear enough for you, just dig the sensual black lace groove.

El Baile del Bufon dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

To paraphrase Jim Morrison, weird scenes inside a tube... jaws harp, carnival dementia organ, a "Let's Go" cheerleaders stomp beat, and a tasty richly tones Duane Eddy guitar tone. The blend could only happen in the mind's ear of a recent guest of the Cherry Blossom Clinic. Amazing.

El Torneo dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

With a definite MOR edge, and excellent guitar, this cross between a pre Victorian minuet and a Paul Mauriat lush orchestral is really unusual. Like some of the soundtrack stuff that Hollywood placed behind sixties drug movies, but more complex.

Noches de Andalucia dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Acoustic flamenco guitar and fluid organ, this loungy number floats across the mind with a peaceful sub-Shadows feel and a commercial air. Quite nice.

Dos Cruces dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

"Dos Cruces" opens with the "Walk Don't Run" rhythm, but then graduates to a very Shadows style, with the requisite deep whammy. The airy slushy keyboards are a strange contrast. The melody is mature and wistful, but also supports some surfability.

Sevilla dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Spanish themes with cheesy organ and playful pluckery. This is pretty cool, but definitely for the restrained among you. The Shadowsy guitar mid-tune is very nicely played.

Alborada Gallega dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Almost hinting of very early Pearls Before Swine aurally, this makes for a strange semi carnival backdrop, more than a wash of scenery, less than a main focus. It is strangely magnetic, in an off balance kinda way.

El Himno de las Galaxias dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Think pre percussion "Slpoosh" (Ozric Tentacles) with off duty military malingerers, or maybe an open road from a helicopter... it's pretty smooth and interesting.

Sonido del Mediterraneo dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

With a nod to Hot Butter, this percussive piece plays with your mind, balancing between that "Popcorn" sensibility and lush soundtrack ethics. It's quite unique.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Reno - Gerry's Wavedotdotdot
artworkHere's a completely different approach to surf. Well, that's not quite right. It's not really surf. The only elements of surf present are shallow reverb, and an abundance of quick whammy dips. It's a solo guitar workout by Canadian artist Reno. He obviously can play the guitar. It doesn't quite have the surf feel, but it is a very interesting collection of tunes. 9 tracks, all instrumental, all solo guitar. Some are quite similar, others are quite unique. Being out on a limb like it is, you'll have to decide for yourself how surf worthy it is. For me, I'll play it and like it just fine. It's nice to hear new interpretations.
Picks: Gerry's Wave, The Pelican Strut, Tidal Wave, Big City Surf, The King's Lament, Mediterranean Surf, Steel Town Surf, Wha' Cha' Doin', Glazed In

Track by Track Review


Gerry's Wave dotdotdot
Surf Jazz (Instrumental)

"Gerry's Wave" is a jazzy solo guitar exercise with some reverb and damped rhythms. The feel is more jazz dementia than surf, and the tone is reverbed rock. The melody is not surf, not is the rhythm exactly, but the affect of the is to conjure images of a vintage player jammin' on the pier. Tasty.

The Pelican Strut dotdotdot
Surf Jazz (Instrumental)

Played a little slower, this would be real pretty. At this pace, it prances a bit too much for the melody. The whammy is very interesting, giving the impression of a drunken pelican. Pretty cool.

Tidal Wave dotdotdot
Tequila Surf (Instrumental)

Using similar guitaristry to the whammy riffs in "The Pelican Strut," this is much more surfy and much more twisted. I found myself coming back to this cut, and not quite knowing why. It has a warmth and playfulness that opens it to easy access. A frolic in the froth of shore break after a bit too much Tequila.

Big City Surf dotdotdotdot
Surf (Instrumental)

More reverb and more surf and choppy fun. This is one cool track, unlike anything else. "Big City Surf" is bluesy and swimming with shortboard cutbacks and granny tube shoots. The writing is a little Paul Johnson-ish without being derivative. There's even some dribbling double picking and some real flair. Pretty darn cool.

The King's Lament dotdotdot
Sparkling Surf (Instrumental)

Shimmering vibrato, flowing notes, a sad melody line, and a dusk departure seem all too close for comfort. "The King's Lament" is slowish, but not exactly relaxing. It is a flat surf kinda tune, but more sun dancing on the swells than peaceful lagoon. Pretty nice.

Mediterranean Surf dotdotdotdot
Spanish Main Surf (Instrumental)

While there are some Mediterranean elements here, there's more of the Moors and Spanish señoritas than Greeks bearing gifts. The fingering is excellent. I'd say this shows that Reno knows his way around the neck.

Steel Town Surf dotdotdot
Rusty Surf (Instrumental)

Can't say there's any surf here, except for the reverb, but this is one odd tune, colored with warble and strained through a burlap curtain. It's the sort of thing that leaves you unsure of the difference between up and down.

Wha' Cha' Doin' dotdotdot
Jazz Surf (Instrumental)

Wha wah, jazzy doings on the guit, chunk on the neck, and a sorta back alley soul feel as "Wha' Cha' Doin'" meanders through the corridors of your hangover. Quite unusual.

Glazed In dotdotdot
Jazz Surf (Instrumental)

Based on the same riff as "Wha' Cha' Doin'," "Glazed In" is more reverby and with less intrusive effects. Just as nice... just different.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Retroliners - Raybans, Roadtrips and Reverbdotdotdot
artworkThe Retroliners make a nice blend of country accented with some surfisms. This CD is all instrumental, and all original. It's written pretty well. The orientation is country of the Nashville variety, with delay in lieu of reverb, and alfalfa in lieu of kelp. Enjoyable, with hints of surf.
Picks: Downshift, Rumble In The Stratosphere, Monica, Steve McQueen, Gatorbait, Shelby County Line, The Transylvania Twist, Sioux City Surf, Banshees and Bombardiers, Velvet Lounge, The Average Wedding Band, Jackson Street Stroll, In Cognito, Allen Wrench, Front Porch Blues, Private Dick, Sally Sue, Java Bustante

Track by Track Review


Downshift dotdotdot
Country Semi-Surf (Instrumental)

Echoplexed fifties styled melody, with shimmering guitar tones, and an infectious vibrating feel. It's a little one dimensional, but still quite nice. Not surf here, just a good rockin' instro.

Rumble In The Stratosphere dotdotdotdot
Country Semi-Surf (Instrumental)

A minimal tune with a rhythmic gentle backtrack, and Link Wray-like sparsely placed lead guitar notes. This works really well. It doesn't change much, but the vibrating shimmer is most endearing, and the happy melody worms it's way into your being. Very nice track.

Monica dotdotdotdot
Country Semi-Surf (Instrumental)

This is a gent track, delicately played, with images of quiet lagoons, sunset drives, and wahines. Very nice track, easy to listen to, and pretty. Shimmering fluidity. Among the better recent releases in the slow and pretty mold.

Steve McQueen dotdotdot
Country Semi-Surf (Instrumental)

With great expectations, I started this track, expecting to hear a shimmering biker-edged instro oozing the screen persona of Steve McQueen, but alas I was greeted by a fifties rockabilly boogie kinda number, with a fairly thin sound, and not much of a melody.

Gatorbait dotdotdot
Country Semi-Surf (Instrumental)

Vibrato shiny with an unusual melody that features really quick sequences of notes at the top of each line that seem just barely there. It's mostly jam oriented, but quite fun.

Shelby County Line dotdotdot
Country Semi-Surf (Instrumental)

Country pickin', gentle gingham esthetics, and picnic ham flavor.

The Transylvania Twist dotdotdotdot
Country Semi-Surf (Instrumental)

A stroll for the undead, a vibrato lurk for the evil ones, a shimmering mirror of no reflection for Renfield's return. This is a delightful track, rockin' with joyous vibrato and shimmer.

Sioux City Surf dotdotdot
Country Semi-Surf (Instrumental)

Echoed chord slams don't equate to surf, but the track is very good. The semi Indian toms are cool, the imagery is good, and the over all vibes are enjoyable.

Banshees and Bombardiers dotdotdot
Country Semi-Surf (Instrumental)

Some almost double picking, low-E leads, rhythmic nearsurfisms, and too much dependence on a progression. That's not necessarily bad, but it doesn't seem to go anywhere. It has some bright moments, particularly in the break, but it doesn't stand out much. Great title.

Velvet Lounge dotdotdot
Country Semi-Surf (Instrumental)

Silky bachelor pad mentality, sleepy dinner shimmer, vibratoed accents, and a somehow big sound for a small place. Minimal, soulful, soothing environment creating mood pulsing instro fun.

The Average Wedding Band dotdot
Country Semi-Surf (Instrumental)

Well, if the average wedding band is melody free, and the sound is disconnected from reality, then this is it. Like Captain Beefheart Funk played by accountants. I think that's the point. Funny little number.

Jackson Street Stroll dotdotdot
Country Semi-Surf (Instrumental)

Countrified almost folk guitar riffs, and a Nashvillian melody, with shimmering tones and a gentle lilt.

In Cognito dotdotdotdot
Country Semi-Surf (Instrumental)

Cool tune, closer to surf than others here. This sports a rolling drum cadence, shimmering vibrato, surfish melody, and dramatic flair. It's still pretty simple, and there's plenty of plaid tablecloth and overalls, but the wave visions are also quite prominent. I like this track the best. It will fit well into a surf set.

Allen Wrench dotdotdot
Country Semi-Surf (Instrumental)

Twango de la Nashville con back alley, spunky, rolling sensible beat, and jam based progressions. Blues and corndawgs.

Front Porch Blues dotdotdot
Country Semi-Surf (Instrumental)

Like the title says, it's a plucky suburban Southern afternoon at grandpa's kinda tune, a jam for the pickin' uncles and neighbors.

Private Dick dotdotdot
Country Semi-Surf (Instrumental)

With homage to Harlem Nocturne and Surf Tracy, this is a fine track, with shimmer, pulsating imagery, and minor drama. A bit tedious at times, but mostly pretty damn good.

Sally Sue dotdotdot
Country Semi-Surf (Instrumental)

Country funk and pass the pickles Mable.

Java Bustante dotdotdot
Country Semi-Surf (Instrumental)

Chunky percussive, vibrating, and dramatic. This is among the more interesting jam based tracks here, if only for the chunka chunka rhythm guitar.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Revelaires - In Orbitdotdotdotdot
artworkThe Revelaires hail from Belgium. This is the first release I've seen from them. the guitar work is exceptionally precise. While all four tracks are covers, the arrangements display a sense of humor and the fun of playing the music. Very cool release.
Picks: Journey To The Stars, Fugitive, Theme From Star Trek, The Good, The Bad, and the Ugly

Track by Track Review


Journey To The Stars dotdotdotdot
Space Surf (Instrumental)

Totally solid performance of the Ventures' tune. Played with clarity and precision, it's almost too perfect. Twangy, thumpy, and ringing with guitar pleasure. The slow glissandoes are quite precise.

Fugitive dotdotdot
Ventures (Instrumental)

Ventures' number is delivered with edge and precision, but nothing really unusual. Just a solid performance and a good listen.

Theme From Star Trek dotdotdot
Sci-Fi Theme (Instrumental)

Moody intros, stinging guitar insanity, then... that silly Alexander Courage melody. It's punctuated with samples from the TV series. The glissando is all that connects it to surf. Too silly to take seriously.

The Good, The Bad, and the Ugly dotdotdotdot
Spaghetti Surf (Instrumental)

This might be the most precise guitar work I've heard on this Enio Morricone classic. The percussion is reminiscent of the Hellbenders, the two guitars split the duty with fluidity. The guitar tones move between vintage and modern. The bridge from Cream's "White Room" is a marvelous inclusion. Excellent.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Revells - The Go Sounds Of The Slotsdot
artworkIf you're into vintage Hot Rod vocals, this is really good. If you're looking for vintage Surf/Hot Rod instros, there's just one here, "Hon-Da Beach". The album is a typical Gary Usher production. The band was essentially the earliest version of the Hondells, which means that the guitarista is my fave Richie Podolor.
Picks: Hon-Da Beach

Track by Track Review


Hon-Da Beach dotdotdotdot
Surf (Instrumental)

This Gary Usher tune is well delivered by Richie Podolor in the style of the best Super Stocks sessions. Originally issued in 1964, it is rhythmic, twang driven, and most memorable. This was originally issued as the B-side of a single on Warner Brothers as by the Wheel men.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Revels - Intoxicadotdotdot
artworkThe Revels recorded Church Key and created an instro standard covered by the minions. They were a Central Coast band, with a decidedly frat orientation, and not very dissimilar from the the Pacific Northwest bands of their day, except for the overlay of the surf lifestyle on what they did. Their recording range from downright cool and fun to modestly interesting. Their impact on the music scene far outweighed their own success, and the legend lives on. They were pioneers of sorts, and definitely figure in the early history of developing surf.
Picks: Intoxica, Sano, The Monkey Bird, Church Key, Vesuvius, It's Party Time, Revellion, Comanche, Tough Soul, Soft Top, [Like] Tequila, Rampage, Good Grief, Six Pack, Long Board, Vesuvius, Church Key, Good Grief, Six Pack

Track by Track Review


Intoxica dotdotdot
Alcohol Drenched Rock (Instrumental)

This track sports the same sort of laughter and brew sounds that "Church Key" sports, but is less interesting. It's a fine tune, of course, but this is a pretty slow version, and relatively uninspired, though the sax if quite hot.

Sano dotdotdot
Alcohol Drenched Rock (Instrumental)

Sano is slang for sanitary, as in clean, as in spiffy, as in buff... This is a basic progression number, R&B based, and without much unique character, though it does have a certain frat bash meanness. It's primal and chunky, and quite typical of period frat instros.

The Monkey Bird dotdotdot
Alcohol Drenched Rock (Instrumental)

Exotica buffed up for the rockin' frat crowd, like a precursor to the limbo/luau trend. It's soulful, sexy, and tribal. In some ways, it's similar to Tequila. Quite a nice track.

Church Key dotdotdotdot
Surf (Instrumental)

The Revels had been playing for quite a while before laying down the classic slang-for-can-opener titled "Church Key" with producer Norman Knowles' girl friend Barbara Atkins giggling away. Danny Darnold is the lead player here, and Norman does duty on the sax. If you're impressed with their edgy energy.

Vesuvius dotdotdotdot
Alcohol Drenched Rock (Instrumental)

This has long been a fave of mine. The Sentinals' version is totally killer. This is more raw, more primal. Chunky, rhythmic, and mean. The damped guitar work is too cool.

It's Party Time dotdotdot
Alcohol Drenched Rock (Instrumental)

Frat house R&B party rock. Nothing special.

Revellion dotdotdot
Surf (Instrumental)

A less melodic more stompic "Church Key"-like tune. Very mean R&B rant.

Comanche dotdotdotdot
Surf (Instrumental)

This is the tune that wailed in Pulp Fiction. Howling honking sax Indian flavored "Navaho Trail" kinda tune with major edge. San Luis Obispo's Revels cut "Comanche" with more guts and danger than just about anything else in their repertoire.

Tough Soul dotdotdot
Alcohol Drenched Rock (Instrumental)

Stereo version of the tune so many bands recorded back then. It lies somewhere between the Pachuko Soul trend and the Central Coast R&B surf thing.

Soft Top dotdotdot
Alcohol Drenched Rock (Instrumental)

A follow up to "Church Key," much in the same vein, with a two note melody. Just a drinking song without a purpose.

[Like] Tequila dotdotdot
Alcohol Drenched Rock (Instrumental)

This is a very cool combination of "Church Key" and "Tequila" with the best of each held together in an infectious way. The melody is "Church Key," while the style is "Church Key." Quite a refreshing arrangement.

Rampage dotdotdot
Alcohol Drenched Rock (Instrumental)

Screaming kids, fifties sax riffs, and fifties wow-wow guitar stuff, with Bill Haley-isms and dance party themes. No melody, just an "In The Mood" kinda track.

Good Grief dotdot
Alcohol Drenched Rock (Instrumental)

This is a fifties instro, with everything that implies, no melody, sax noises, and screams. It's from vinyl sources, and shows a lot of distortion at the high end.

Six Pack dotdotdot
Alcohol Drenched Rock (Instrumental)

Chunky rhythmic track with cool piano in a jam format with no melody to speak of.

Long Board dotdotdot
Alcohol Drenched Rock (Instrumental)

A cool riff and rhythm, but without a lead line, it's just a backdrop.

Vesuvius dotdotdotdot
Alcohol Drenched Rock (Instrumental)

This has long been a fave of mine. The Sentinals' version is totally killer. This is more raw, more primal. Chunky, rhythmic, and mean. The damped guitar work is too cool.

Church Key dotdotdotdot
Alcohol Drenched Rock (Instrumental)

Yet another fine version of this, their only "hit." This is minus the annoying vocal overdubs from Barbara Adkins, and is very clean. Hot track!

Good Grief dotdot
Alcohol Drenched Rock (Instrumental)

This is a fifties instro, with everything that implies, no melody, sax noises, and screams. It's from vinyl sources, and shows a lot of distortion at the high end.

Six Pack dotdotdot
Alcohol Drenched Rock (Instrumental)

Chunky rhythmic track with cool piano in a jam format with no melody to speak of.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reventlos - Essential Reventlodotdotdotdot
artworkWhat's that lurking in the weeds along the side of the road... looks like a bunch of normal geeks having some kind of twisted identity crisis... why, that must be... The Reventlos! From the worn club-ways of the city of angels come four veterans in search of relief. Doing the hang at a Hellecasters show, Gregg & Matt detected a twinge joy creeping across their collective brow when they discovered it was all right not to have a singer, and not do be playing morbid & depressed songs. "Hey, we could do that!" echoed somewhere in the gray matter. Having no particular pigeon hole they wanted to fill, and having played in every kind of band that ever was, they went for sound capsules instead of a formulaic sound. Every song tells it's own story with it's own sound, so variety becomes the watchword. There's no mistaking it's the Reventlos, it's just every tune is a new and different experience. There's Death Surf, Turnip Truck Twang, Space Invader Bottleneck Tweaked Soundtrackage, ConFusion, SludgeProg, Heavy Surf Sludge, Spoken Kraut Rock, Cry Baby Wah Wah, Floating Mood Rock, Flowing Tropical Funk, Cow Pop Church Key Whammy Bar, Scenic Polynesian MoodScape, Sludge-O-Metal Death Grunge Drama Scope, and Major Mondo Metal Drudge Monster Movie Soundscape. All in all, mighty big entertainment. I've heard a couple of stories about the origin and/or meaning of the band's name. The earliest tale was that they named themselves after a fashion designer named Reventlo because they could. The second was recently posted on Cowabunga, and is more fun.

"The most often heard remark at any Reventlo show is "Hey, you guys aren't a surf band!" The second most is "what the hell is a Reventlo anyway?" No one knows for sure, but one story has the band borrowing the name from legendary playboy/race car driver Lance Reventlow, heir to the Woolworth fortune (and once married to a Mouseketeer), who lived fast and died young. Reventlow was the last man to share a brew with James Dean before Dean was sent to hell on a lonely California road (you can look it up). There are other equally murky stories, but the bottom line is that they had to call themselves something, and the Swingin' Johnsons was already taken."
Picks: Death Of A Reventlo, Reventlo Hayride, Planet Reventlo, Two Roys, Over The Falls, Pass The Gow (I Think I'm Chet Baker), El Pendejo, Persephone, Andromeda Sex Lounge, Western Stars, (Theme From) Maj Wood, Girl From Colonet, Meet Mr. Reventlo, King Kong

Track by Track Review


Death Of A Reventlo dotdotdotdotdot
Surf (Instrumental)

Death Surf riseth! A new and viable concept finds acceptance in the guise of splendidly dark and twisted necrosurf. The most amazing blend of death metal sensibility and surf foundations works really well here.

Reventlo Hayride dotdotdotdot
Turnip Truck Twang (Instrumental)

With tongue planted firmly in cheek, these dry whited humor mongers develop their own bumpkin surf genre accompany you on your next town doings when you partake of the "Reventlo Hayride," making for fun and corn dogs. A great concept.

Planet Reventlo dotdotdotdotdot
Surf Space (Instrumental)

There is no more unique a band on earth! When these guys called and said "we wanna play on your show," I'd never heard of them. They sent me their CD, and that was that! Their story is simple. They were a vocal band, saw the Tail Gators, said we can do better than that, fired their singer, and became monsters. If any band today can be classed as different than all the rest, it's them, with their warbly guitars and transitional mixtures of surf and space and metal and country and... every song is a capsule, an island unto itself. This was recorded in the pit in November of '95.

Two Roys dotdotdotdot
Roy du Surf (Instrumental)

The Reventlos pay homage to Roy Buchanan & Roy Orbison in reverent bow to the two Roys of rock.

Over The Falls dotdotdotdot
ConFusion (Instrumental)

Unnatural mergers of style are the trademark of the Reventlos, and they certainly have used it wisely here, creating "ConFusion" with "Over The Falls."

Pass The Gow (I Think I'm Chet Baker) dotdotdotdot
SludgeProg (Instrumental)

Venturing into thick plodding progressive melody bending seemed to be the order of the day when they created this little number. The Chet Baker references aren't lost, lest you be unaware on Mr. Baker.

El Pendejo dotdotdotdotdot
Heavy Surf Sludge (Instrumental)

Right from the Quadraverb drenched initial surf chordage, there's no mistaking the dynamite power of this unusual surf track. It's as big and powerful as that double overhead you failed to take notice of before it had you for lunch.

Persephone dotdotdotdotdot
Mythological Kraut Rock Surf (Vocal)

The Reventlos set about raising the daughter of Zeus & Demeter from the endless sleep with spoken word over a Kraut Rock (a la Kraan) prog bed with Cry Baby wah wah rhythms. This is the most amazing sojourn into the mythological world ever put forth in surf (if not the only one).

Andromeda Sex Lounge dotdotdotdot
Floating Mood Rock (Instrumental)

Atmospheric flowing mood swing in a very Phil Manzanera / 801-ish piece. It leaves you rested and fulfilled.

Western Stars dotdotdotdot
Surf (Instrumental)

There's no more unusual or enjoyable band than the Reventlos. They ride out at the edge of the surf universe, drafting every lick they've collectively used in past bands, and they do so using a splendid sense of juxtaposition and art. This appealing track flows with a tropical feel over a funky bed. Very nifty.

(Theme From) Maj Wood dotdotdotdot
Cow Pop Church Key Whammy Bar (Instrumental)

Riding out the cattle drive successfully with guitars in hand, we find the cow pop mentality blended with "Church Key" influenced whammy bar action for a solid, if bovine effect. That last time the Herefords had this much fun was when the herd (sp) the Suburbs' absurd paean to the hooved ones "Cows" or the Chaps' exquisite Scot-ization of "Rawhide."

Girl From Colonet dotdotdotdot
Scenic Polynesian MoodScape (Instrumental)

The boys use imagery to create scenic Polynesian mood scapes. Quite a nice track.

Meet Mr. Reventlo dotdotdotdotdot
Sludge-O-Metal Death Grunge Drama Scope (Instrumental)

The Reventlos employ the full range of their styles, contrasting a from whimsical epic play prancery into a sludge metal death grunge drama. For the changes alone, this is a must have.

King Kong dotdotdotdotdot
Major Mondo Metal Drudge Monster Movie Soundscape (Instrumental)

This huge lumbering monster track stands head and shoulders above anything their predecessors have ever done. It is stunning, and extremely powerful. From it's metal drudge monster movie soundtrack homage to it's twangy guitar leads and speed-picked melody, "King Kong" simply pummels! The track time displays as over 11 minutes, but it is actually only 3:30, with a couple of backwards bits at -1:30 & -:18.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reventlos - Essential Reventlo (re-issue)dotdotdotdot
artworkThis is the reissue of the original Red Raven Entertainment release of one of the most remarkable albums of the nineties. What's that lurking in the weeds along the side of the road... looks like a bunch of normal geeks having some kind of twisted identity crisis... why, that must be... The Reventlos! From the worn club-ways of the city of angels come four veterans in search of relief. Doing the hang at a Hellecasters show, Gregg & Matt detected a twinge joy creeping across their collective brow when they discovered it was alright not to have a singer, and not do be playing morbid & depressed songs. "Hey, we could do that!" echoed somewhere in the gray matter. Having no particular pigeon hole they wanted to fill, and having played in every kind of band that ever was, they went for sound capsules instead of a formulaic sound. Every song tells it's own story with it's own sound, so variety becomes the watchword. There's no mistaking it's the Reventlos, it's just every tune is a new and different experience. There's Death Surf, Turnip Truck Twang, Space Invader Bottleneck Tweaked Soundtrackage, ConFusion, SludgeProg, Heavy Surf Sludge, Spoken Kraut Rock, Cry Baby Wah Wah, Floating Mood Rock, Flowing Tropical Funk, Cow Pop Church Key Whammy Bar, Scenic Polynesian MoodScape, Sludge-O-Metal Death Grunge Drama Scope, and Major Mondo Metal Drudge Monster Movie Soundscape. All in all, mighty big entertainment.
Picks: Death Of A Reventlo, Reventlo Hayride, Planet Reventlo, Two Roys, Over The Falls, Pass The Gow (I Think I'm Chet Baker), El Pendejo, Persephone, Andromeda Sex Lounge, Western Stars, (Theme From) Maj Wood, Girl From Colonet, Meet Mr. Reventlo, King Kong

Track by Track Review


Death Of A Reventlo dotdotdotdotdot
Surf (Instrumental)

Death Surf riseth! A new and viable concept finds acceptance in the guise of splendidly dark and twisted necrosurf. The most amazing blend of death metal sensibility and surf foundations works really well here.

Reventlo Hayride dotdotdotdot
Turnip Truck Twang (Instrumental)

With tongue planted firmly in cheek, these dry whited humor mongers develop their own bumpkin surf genre accompany you on your next town doings when you partake of the "Reventlo Hayride," making for fun and corn dogs. A great concept.

Planet Reventlo dotdotdotdotdot
Surf Space (Instrumental)

There is no more unique a band on earth! When these guys called and said "we wanna play on your show," I'd never heard of them. They sent me their CD, and that was that! Their story is simple. They were a vocal band, saw the Tail Gators, said we can do better than that, fired their singer, and became monsters. If any band today can be classed as different than all the rest, it's them, with their warbly guitars and transitional mixtures of surf and space and metal and country and... every song is a capsule, an island unto itself. This was recorded in the pit in November of '95.

Two Roys dotdotdotdot
Roy du Surf (Instrumental)

The Reventlos pay homage to Roy Buchanan & Roy Orbison in reverent bow to the two Roys of rock.

Over The Falls dotdotdotdot
ConFusion (Instrumental)

Unnatural mergers of style are the trademark of the Reventlos, and they certainly have used it wisely here, creating "ConFusion" with "Over The Falls."

Pass The Gow (I Think I'm Chet Baker) dotdotdotdot
SludgeProg (Instrumental)

Venturing into thick plodding progressive melody bending seemed to be the order of the day when they created this little number. The Chet Baker references aren't lost, lest you be unaware on Mr. Baker.

El Pendejo dotdotdotdotdot
Heavy Surf Sludge (Instrumental)

Right from the Quadraverb drenched initial surf chordage, there's no mistaking the dynamite power of this unusual surf track. It's as big and powerful as that double overhead you failed to take notice of before it had you for lunch.

Persephone dotdotdotdotdot
Mythological Kraut Rock Surf (Vocal)

The Reventlos set about raising the daughter of Zeus & Demeter from the endless sleep with spoken word over a Kraut Rock (a la Kraan) prog bed with Cry Baby wah wah rhythms. This is the most amazing sojourn into the mythological world ever put forth in surf (if not the only one).

Andromeda Sex Lounge dotdotdotdot
Floating Mood Rock (Instrumental)

Atmospheric flowing mood swing in a very Phil Manzanera / 801-ish piece. It leaves you rested and fulfilled.

Western Stars dotdotdotdot
Surf (Instrumental)

There's no more unusual or enjoyable band than the Reventlos. They ride out at the edge of the surf universe, drafting every lick they've collectively used in past bands, and they do so using a splendid sense of juxtaposition and art. This appealing track flows with a tropical feel over a funky bed. Very nifty.

(Theme From) Maj Wood dotdotdotdot
Cow Pop Church Key Whammy Bar (Instrumental)

Riding out the cattle drive successfully with guitars in hand, we find the cow pop mentality blended with "Church Key" influenced whammy bar action for a solid, if bovine effect. That last time the Herefords had this much fun was when the herd (sp) the Suburbs' absurd paean to the hooved ones "Cows" or the Chaps' exquisite Scot-ization of "Rawhide."

Girl From Colonet dotdotdotdot
Scenic Polynesian MoodScape (Instrumental)

The boys use imagery to create scenic Polynesian mood scapes. Quite a nice track.

Meet Mr. Reventlo dotdotdotdotdot
Sludge-O-Metal Death Grunge Drama Scope (Instrumental)

The Reventlos employ the full range of their styles, contrasting a from whimsical epic play prancery into a sludge metal death grunge drama. For the changes alone, this is a must have.

King Kong dotdotdotdotdot
Major Mondo Metal Drudge Monster Movie Soundscape (Instrumental)

This huge lumbering monster track stands head and shoulders above anything their predecessors have ever done. It is stunning, and extremely powerful. From it's metal drudge monster movie soundtrack homage to it's twangy guitar leads and speed-picked melody, "King Kong" simply pummels! The track time displays as over 11 minutes, but it is actually only 3:30, with a couple of backwards bits at -1:30 & -:18.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reventlos - Songs Of The Golden Westdotdotdotdot
artworkIt's about time! I'd begun Reventlo withdrawal. As with their wonderful first CD, the Reventlos have made more excellent music with multiple personalities, and not just song to song, but within each piece. Their knack for transposing sounds that should by rights be kept apart, and making them harmonize is unsurpassed. There are a couple of vocals here as well. "Haunted Valley" is a dandy narrative number over a sorta Captain Beefheart / Captain Kopter & the Fabulous Twirlybirds kinda thing that keeps you wondering if there are any normal people out there, and all the while hoping there aren't. "Greed and Lust" is a vocal very slightly like "Persephone" from the first CD. Funky and fun, spooky and mystical. No, this is not a surf CD. It is an excursion into intro land where only Reventlos go!
Picks: Fun Zone, Spahn Ranch Rodeo, Stan Orlow, Crawl To The Reventlos, Mondo Reventlo, Groove Part I, Hey Andy, Crankheads Of Elsinore, Dildale Girls, Veronica, 2227-A Pomona Avenue

Track by Track Review


Fun Zone dotdotdot
Deliverance (Instrumental)

Cowboy banjo surf, deliverance breakdown beach trauma... totally fun.

Spahn Ranch Rodeo dotdotdot
Deliverance (Instrumental)

A short burst of surf and grodie parlor haunting. Would be a cool tune if fleshed out.

Stan Orlow dotdotdot
Imaginative Demented (Instrumental)

Playful humpin' jive, a nifty rhythm, warm chords, and a spiffy tight performance make this unusual tune stay with you.

Crawl To The Reventlos dotdotdotdot
Imaginative Demented (Instrumental)

Gotta have those Reventlos titles... and, as before, it foretells of an introspective view of the what it's like to be a Reventlo... a man with many faces, all competing for the front of the head, none able to stay there for long enough to produce a singular view. "Crawl To The Reventlos" meanders between several differently textured movements, all of which compliment each other. Excellent!

Mondo Reventlo dotdotdot
Spaghetti Western (Instrumental)

Kettle drums and haunting spaghetti western melody on a fine sounding guitar. Short, but worth a listen.

Groove Part I dotdotdot
Spaghetti Western (Instrumental)

This is a surfy pounder, with heavy metal lead licks and cool grodie bass lines. A nice blend of incongruous sounds.

Hey Andy dotdotdotdot
Country Fun (Instrumental)

This is a great outtake from their album. It's a happy nearly acoustic country bumpkinesq song inspired by Andy Griffith, and that should give you an idea of it's sound. Very fun track. No surf to it, but wonderful listening. This is among the most unusual bands around, and a fave of mine.

Crankheads Of Elsinore dotdot
Techno Surf (Instrumental)

When Joe Meek conceived "Telstar," he could not have possibly imagined this. Thin techno fluff, orbiting around the musical planet, just waiting to dismay the unwary. "Telstar" cries out for creative covers, but unlike "Pipeline," it has mostly attracted the unbelievably tame. Casios at twenty paces would be an improvement.

Dildale Girls dotdotdot
Imaginative Demented (Instrumental)

Bluesy chicken ranch country, or maybe it's a Tom T. Hall party at the Y? It's not really important, when the Reventlos break out the fried chicken, it's a barn dance with checkered table clothes and sultry pigtailed ladies.

Veronica dotdotdot
Pachuko Soul (Instrumental)

The Pachuko Soul variety of surf is very evident here, from the obvious influences of the Rhythm Kings' "Soul Beat" to Jim Waller & the Deltas and their Central Valley cohorts Jim Duval & the Gauchos. This is a highly Jim Waller influenced tune, with Dave Myers' "Laguna Limbo Luau" leanings. It, none the less, rises above mere sound alike with it's energetic honkin' and squealin' sax work.

2227-A Pomona Avenue dotdotdot
Pachuko Soul (Instrumental)

Slow groovin' "Hernando's Hideaway" backtrack and a saucy sax. Dramatic Latin heat flows through the sensual tones.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Paul Revere and the Raiders - Like Long Hairdotdotdot
artworkAbout a million years ago, when I was but a mere lad, I bought a Paul Revere and the Raiders album of tracks that predated their Columbia contract. Frank Compoy at Record City advised against the purchase, but I went ahead. I've never been sorry. It's not that it was anything like the great sides we all know and love, but there were a few great instros on it, and I'm a sucker for the historical roots of bands. I've played "Moon Dawg" to the astonishment of many a punter over the years. There's not a whit of surf here, though there are a couple of pre-surf or peripheral tracks. None the less, it's about time this stuff saw the light of day again, even if it is from vinyl sources.
Picks: Like Long Hair, Orbit (The Spy), Sharon, Swinging Shepherd Blues, Groovey, The Last Mile, Road Runner, Moon Dawg, Beatnik Sticks, Midnite Ride, Like Charleston, All Night Long, Summer Time, Tall Cool One, Wabash Blues, Concert In "F" Sharp

Track by Track Review


Like Long Hair dotdotdot
Piano Boogie (Instrumental)

Influenced by the success of B. Bumble & the Stingers, Paul Revere and Mark Lindsey laid down this piano boogie beat tune. The great piano lines come from Paul Dick. "Like Long Hair" is based on Rachmaninov's "Prelude In C-Sharpe Minor" It's quite infectious and cool. Kim Fowley was the producer.

Orbit (The Spy) dotdotdot
Space (Instrumental)

The "Boss" guitar intro, the spacy sfx, and the low-E guitar grind make this a really nice side trip in the annuls of pre-surf. Mostly a grindy progression, but very ominous. Most unlike what you'd expect from the Columbia period PR&R.

Sharon dotdot
Pop-n-roll (Vocal)

Maudlin teenage sadness, a fast Fendermen guitar riff, and, well, vocals.

Swinging Shepherd Blues dotdotdot
R&B Sax (Instrumental)

A shallow version of the Viscounts arrangement of this ancient standard. Sax dominated.

Groovey dotdot
R&B (Instrumental)

Plucky R&B with a vengeance, like in the bars in Vegas just off the strip.

The Last Mile dotdot
Strip Runway (Instrumental)

Speaking of the strip, this slow R&B grind is designed for the take-it-off ramp crowd, complete with the shouts of anticipation as ever so slightly more anatomy is gradually exposed.

Road Runner dotdotdot
PNW R&B (Instrumental)

A slightly less powerful cover of the Wailers chunky instro. Stilted and less energetic, but the guitar is a but reverbed.

Moon Dawg dotdotdotdot
Pre-Surf (Instrumental)

Almost perfect delivery of the Gamblers' classic rage. Very powerful and true. Great twangy guitars and pumping piano. Really good.

Beatnik Sticks dotdotdot
Piano (Instrumental)

"Chop Sticks" and piano boogie woogie. Nifty.

Midnite Ride dotdotdot
Namesake (Vocal)

Clip clop horse hooves and silly words from a voice almost identical to early Dick Dale... I wonder... nah, couldn't be. Still, it's funny how easily this could have been an "Oh Wee Marie" or "Peppermint Man" sorta tune.

Like Charleston dotdot
Piano Roll Boogie (Instrumental)

More in the vein of the oldsters piano romp. Just so-so.

All Night Long dotdot
R&B (Instrumental)

The R&B classic. Nothing special.

Summer Time dotdotdot
Viscounts (Instrumental)

Huge Viscounts arrangement, with the dramatic piano tinkles and savage sax, but not quite as hot.

Tall Cool One dotdotdot
PNW R&B (Instrumental)

Nowhere near as interesting as the Wailers original. Just good old R&B

Wabash Blues dotdot
Viscounts (Instrumental)

The Viscounts arrangement of the big band standard.

Concert In "F" Sharp dotdotdot
Piano & Sax (Instrumental)

Hokey piano rhythm and boogie woogie boy oh boy. A fun track, but not particularly memorable.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Revtunes - The Twompdotdotdot
artworkThe Revtunes are one of the "house bands" that back Jan & Dean on their fairgrounds tours these days. Their surf vision is a blend of surf pop, eighties pop, and ? and the Mysterions rhythmic organ. This single was issued in 1987. The group included Ken Dresher - drums, Ray Dahl - bass, and Dave Elrod - guitar, and Gerry Dahl - guitar.
Picks: Free Fall

Track by Track Review


Free Fall dotdotdot
Fuzz (Instrumental)

This ? and the Mysterions-like instro is swell. It pumps and flows, has a most unique character, and fits into a surf set well enough. The melody is simple, with the track depending on flying drums behind a pumping keyboard and a round tones guitar. It's really a fun track, catchy like a TV commercial. Suave.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Jody Reynolds - Endless...dotdotdotdot
artworkJody Reynolds was accompanied by an impressive list of players on his records, including the great Al Casey, Jimmy Bryant, Les Paul, Howard Roberts, Bobbie Gentry, Ed Black, Greg Eckler, Hal Blaine, and Plas Johnson. His music was often primal, and his tone pure big guitar. Right from the opening lines "The night was black, rain fallin' down...," you knew he was different. His band the Storms cut a few instros, which are included here alongside an impressive 53 tracks on two CD's.
Picks: Makin' Out, Out Of Nowhere, Five Fingers, Shot Down, Thunder, Tarantula

Track by Track Review


Makin' Out dotdotdotdotdot
Big Guitar (Instrumental)

Whoa! This is major pre surf twang. It's nastier than the Storms single, more rhythmic and pumped, less rich. It's downright sensual. Yikes! Makes you wanna go in the back seat with your baby... Plas Johnson plays sax with the Storms on this track.

Out Of Nowhere dotdotdot
Suave Guitar (Instrumental)

The suave playing of Les Paul and Jimmy Bryant are featured on this track. I'd guess that Les is playing lead. It's a soft and squishy and very jazzy guitar piece, pretty in every way.

Five Fingers dotdot
Suave Guitar (Instrumental)

This track is a choppy jazz number with Jimmy Bryant taking leads while Les Paul backs him up. It's intricate, and displays significant playing skill, but not much interest.

Shot Down dotdotdotdot
Surfabilly (Instrumental)

Like a Mexican cantina that features cannelloni, this very pretty number reminds me of some of the Farina brothers' writing, a bit of the Buddy Merrill styling, and slinky Latin quarter sensuality. A nice tune, moody, mystical, and smooth. Like a Jim Thomas construction, this moodily meanders through some interesting guitar tones and shimmering delicate melody ideas, displaying island visions and wahine sway.

Thunder dotdotdotdot
Surf (Instrumental)

With the manic energy if a less than correctly wired board rider in storm surf, this track angrily disorients the listener with a defined reality filter. Intense and nervous. "Thunder" was one of the singles that inspired the first generation of surfbands, from Paul Johnson onward.

Tarantula dotdotdotdot
Pre Surf (Instrumental)

This is Jody Reynolds' band. Their most familiar instro is "Thunder," which is a pretty straight Duane Eddy-Al Casey styled number. "Tarantula" is much more moody, with that same low-E guitar grumble and a nasty sax in the break. Excellent pre-surf from 1959

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Jody Reynolds - Endless Sleepdotdotdotdot
artworkIn 1954, Jody Reynolds (guitar and vocals), Billy Ray (country vocals and guitar) and Al Casey (lap steel) teamed up as Billy Ray and the Red Wagon Boys. Jody heard Elvis, and ditched the country sound for rock 'n' roll. He wrote "Endless Sleep" in 1956, but didn't release it until 1958 on the Demon label. He also issued the fantastic "Thunder" c/w "Tarantula" single as the Storms. It was with Al Casey that his sound evolved, and it was Al's big guitar that later influenced Duane Eddy's tone as well. It's debatable whether Al developed his sound with the Storms or Duane Eddy, since they were contemporaries and Al worked with both. What's clear is that Al Casey behind Jody Reynolds was an unbeatable combination. His sound was mean and haunted, tortured and honest. Like a low down Duane Eddy with vocals. This is a great release, one that I've been waiting for decades.
Picks: Thunder, Tarantula, Makin' Out, Shot Down

Track by Track Review


Thunder dotdotdot
Surf (Instrumental)

With the manic energy if a less than correctly wired board rider in storm surf, this track angrily disorients the listener with a defined reality filter. Intense and nervous. "Thunder" was one of the singles that inspired the first generation of surfbands, from Paul Johnson onward.

Tarantula dotdotdotdot
Pre Surf (Instrumental)

This is Jody Reynolds' band. Their most familiar instro is "Thunder," which is a pretty straight Duane Eddy-Al Casey styled number. "Tarantula" is much more moody, with that same low-E guitar grumble and a nasty sax in the break. Excellent pre-surf from 1959

Makin' Out dotdotdotdotdot
Big Guitar (Instrumental)

Whoa! This is major pre surf twang. It's nastier than the Storms single, more rhythmic and pumped, less rich. It's downright sensual. Yikes! Makes you wanna go in the back seat with your baby... Plas Johnson plays sax with the Storms on this track.

Shot Down dotdotdotdot
Surfabilly (Instrumental)

Like a Mexican cantina that features cannelloni, this very pretty number reminds me of some of the Farina brothers' writing, a bit of the Buddy Merrill styling, and slinky Latin quarter sensuality. A nice tune, moody, mystical, and smooth. Like a Jim Thomas construction, this moodily meanders through some interesting guitar tones and shimmering delicate melody ideas, displaying island visions and wahine sway.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rhythm Rockers - Soul Surfin'dotdotdot
artworkThese guys were early birds in the nest of surf. Not much of what we now think of as surf, but some really fine vintage tracks. Some East LA soul influences and some standard dance influences, but overall, a really solid album. They were influences on fledgling bands like the Lively Ones. They were a tough act in their day.
Picks: Surfin' At Mazatlan, Rendezvous Stomp, Ramrod, Nine Toes, Moondawg, Wipeout, Breakfast At Tressles, Moovin' N' Groovin', Get It On, Caravan, The Breeze and I, You Can't Sit Down, The Slide, Garbage Cans

Track by Track Review


Surfin' At Mazatlan dotdotdot
Surf (Instrumental)

Opening with a Spanish run in bull fight seriousness, "Surfin' At Mazatlan" becomes a thick reverby rhythm based track without much of a melody. Progression is the order of the day. It's definitely extra chunky frat surf rock in a fifties structure with surf guitar added.

Rendezvous Stomp dotdotdot
Surf Stomp (Instrumental)

This is what I always think of when the term "stomp" comes up in surf conversation. It has a similar sound and feel to Bruce Johnston's "Original Surfers Stomp," but it's instro of course, and much more authentic. You can just see a line of surfers and bunnies doing the surfers stomp. Spunky.

Ramrod dotdotdot
Surf (Instrumental)

This is a reverby version of Al Casey's "Ramrod." It's way powerful from a frat surf point of view. You can almost feel the beer and under class girls. A Real party smash.

Nine Toes dotdotdot
Surf R&B (Instrumental)

This reverbed number is basically an R&B jam, like "Night Train" or "Last Night." It has that standard beat, the walking bass line, and a wailing sax jamming on a riff.

Moondawg dotdotdotdot
Surf (Instrumental)

This is a pretty strong rendition of the Gamblers' 1960 single. The damped reverb rhythm and the ultra twang lead are really cool here. It doesn't break any ground, but it definitely pleases. Dig the rhythm.

Wipeout dotdotdot
Surf R&B (Instrumental)

Neither the Surfaris or the Impacts, "Wipeout" is much closer to the Yardbirds arrangement of Bo Diddley's "I'm A Man" than surf. It's a jammin' number with a sax lead. Solid jam, just not special or unique.

Breakfast At Tressles dotdotdot
Surf (Instrumental)

More raw and rhythmic than reverbed, they were a dance band with a solid following. "Breakfast At Tressels" is from their lone album, and exemplifies them. This sports a cool title I've always liked. The basis of the tune is a fifties boogie, with reverbed guitar and lots of twang. No melody, but quite infectious.

Moovin' N' Groovin' dotdotdot
Surf (Instrumental)

Lee Hazelwood's groover played on a damped reverbed guitar as if the rhythm is the whole thing. The sax is nasty, and it does sport quite a chunk. Nice.

Get It On dotdotdot
Frat Surf (Instrumental)

"Get It On" seems influenced by Dick Dale's "Take It Off" in the first bar, but soon after, it becomes a party groove, a soulful riff with a swirling organ break.

Caravan dotdotdot
R&B Surf (Instrumental)

With all the James Brown they can muster, they deliver Caravan like it was Night Train with a shimmering vibrato lead, and a saucy sax break. It's pretty cool.

The Breeze and I dotdotdot
Prom Surf (Instrumental)

Nothing at all like any of the other surf covers of this Ernesto Lacuoña tune, this is saucy and slow, with a prom feel to it. The lead guitar gently and dryly plays the melody with subtlety and style, giving way to a suave sax duet break with a real sense of pretty rock. The piano lines are very cool too!

You Can't Sit Down dotdot
Surf R&B (Instrumental)

The Dartells' "You Can't Sit Down" played in a relatively straight fashion, given the differences in line up.

The Slide dotdot
Surf R&B (Instrumental)

Groovin' rhythm and blues for the hop. The horn duet is smooth, but the groove is way too trite.

Garbage Cans dotdotdot
Blues (Instrumental)

A sultry slow blues piano roll, with a slow walking bass line, and brushed drums. The effect here is late night smoky bar.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Jonathan Richman and the Modern Lovers - 23 Great Recordings By Jonathan Richman and the Modern Loversdotdotdot
Jonathan Richman is one of those natural performers that finds a branch in your family tree to hook, leaving you not caring that he can't sing. Unpretentious honest homespun childlike lyrics and humor. Then, there's one of the best non-surf instros anywhere... "Egyptian Reggae."
Picks: Egyptian Reggae

Track by Track Review


Egyptian Reggae dotdotdotdotdot
Surf (Instrumental)

Yeah, well I know it ain't a surf tune, but if you play surf guitar and want to do a really cool Caribbean / Middle Eastern instrumental, just rearrange this into your favorite surf configuration and viola! Perfect haunting fun surf monster. This is just plain fun, with it's blocks, reggae rhythms, Egyptian theme, acoustic lead guitar, and big gongs. It just grabs and holds you. Surf or not, if you like instros, this track is a must have.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Riddlers - Blast Off With The Gothamcity Go Sound. It's The Riddlersdotdotdot
artworkThis 4 song ep features 3 solid instros and one vocal called "Surf Bunny Beach." The band is pretty solid, and while the original writing is a little basic, it surely pleases and fits the genre. The cover of Randy Holden's "Everybody Up" is excellent.
Picks: Everybody Up, S. X. Appeal, The Riddler

Track by Track Review


Everybody Up dotdotdotdot
Surf (Instrumental)

Heavy duty ultra reverbed delivery of the Fender Four classic, with excellent glissandoes and excited shouts. Powerful, rich, and with ample drive.

S. X. Appeal dotdotdot
Surf (Instrumental)

Motors rev up and tires peel out as the vibrato throbs. The riff is pretty basic, but the vibrato gives if a warbly feel, and the surf glissandoes add a real sense of the shore. The keyboards whistle slightly in the background for a tasty ambiance. Quite powerful in the postsurf hot rod era way. Great track.

The Riddler dotdotdot
Surf (Instrumental)

Dribbling double picked surf leads, somewhere between the narrow spectrum of "The Victor" and a more melodic rant. It's infectious, and pretty darn solid surf, with distant shouts of "the Riddler."

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Riddlers - Tune In to The Gotham City Go Sounddotdotdot
artworkThis six song cassette sports four instros and two vocals. The vocal stuff is quite amateur, while the instros show promise and spunk. A nice surf find.
Picks: S. X. Appeal, Everybody Up, Hang On, The Riddler

Track by Track Review


S. X. Appeal dotdotdot
Surf (Instrumental)

Motors rev up and tires peel out as the vibrato throbs. The riff is pretty basic, but the vibrato gives if a warbly feel, and the surf glissandoes add a real sense of the shore. The keyboards whistle slightly in the background for a tasty ambiance. Quite powerful in the postsurf hot rod era way. Great track.

Everybody Up dotdotdotdot
Surf (Instrumental)

Heavy duty ultra reverbed delivery of the Fender Four classic, with excellent glissandoes and excited shouts. Powerful, rich, and with ample drive.

Hang On dotdotdot
Surf (Instrumental)

Heavy crunch chord surf riffology, less interesting than the others here. It's just too repetitious.

The Riddler dotdotdot
Surf (Instrumental)

Dribbling double picked surf leads, somewhere between the narrow spectrum of "The Victor" and a more melodic rant. It's infectious, and pretty darn solid surf, with distant shouts of "the Riddler."

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Riddlers - LIVE's a Beach!dotdotdot
artworkWhile the sound on this live cassette is marginal, it is stereo and it does display the band's potential and drive. Surf instros with one vocal.
Picks: Everybody Up, S. X. Appeal, Men From U. N. C. L. E., Surf Party

Track by Track Review


Everybody Up dotdotdotdot
Surf (Instrumental)

Heavy duty ultra reverbed delivery of the Fender Four classic, with excellent glissandoes and excited shouts. Powerful, rich, and with ample drive.

S. X. Appeal dotdotdot
Surf (Instrumental)

Motors rev up and tires peel out as the vibrato throbs. The riff is pretty basic, but the vibrato gives if a warbly feel, and the surf glissandoes add a real sense of the shore. The keyboards whistle slightly in the background for a tasty ambiance. Quite powerful in the postsurf hot rod era way. Great track.

Men From U. N. C. L. E. dotdot
Surf (Instrumental)

Over reverbed vibrato throbbed spy surf. The muddiness makes this tune even less interesting than it already is.

Surf Party dotdotdot
Surf (Instrumental)

This is a thick power drive version of the Astronauts' films score. It's got plenty of drive.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rincon Surfside Band - The Surfing Songbookdot
artworkThis is a repro of a bad idea gone to seed. The idea? Make a buck by cutting backtracks for the Beach Boys' and Jan and Dean's hits, and pawning the whole thing off as a sing along of your favorite surf pop vocals. What's the point? I suppose in this day and age of Karaoke, this is not so far off the mark. Still, it leaves me flat. The musicians were among the usual suspects of the day, including Phil Sloan and Steve Barri, Tommy Tedesco, and Hal Blaine. This project was cut at Western Recorders on May 21st, 1965.
Picks: Surfin' Safari, Surfer Girl, Sidewalk Surfin', Surfin' U.S.A., Surfin', Ride The Wild Surf, Hawaii, Drag City, Little Deuce Coupes, Honolulu Lulu, Surf City, Skateboard Craze

Track by Track Review


Surfin' Safari dot
Karaoke Surf (Instrumental)

Chorus and all, this is much like a repro without the lead vocals. The high point is the damped reverbed lead guitar that's playing with such low energy.

Surfer Girl dot
Karaoke Surf (Instrumental)

Beach Boys harmonies less lead vocals, which were replaced by a restrained guitar. Pretty darn sappy.

Sidewalk Surfin' dotdot
Karaoke Surf (Instrumental)

The lead is better here than on most of the other tracks on this album, but aside from a credible tone, it's quite restrained and low key.

Surfin' U.S.A. dot
Karaoke Surf (Instrumental)

The lead here is played on the low registers for a semi surfy sound, but as elsewhere, the lack of energy doesn't bring it to life.

Surfin' dotdotdot
Karaoke Surf (Instrumental)

This is probably the most interesting cover here. Almost all of the barbershop/doo wop is replaced with vibrato and reverb guitar gently shimmering with great restraint. It almost rises to the level of good.

Ride The Wild Surf dot
Karaoke Surf (Instrumental)

The Leslie effected lead is kinda carnival, while the life and fire of the Jan and Dean hit is nowhere in sight.

Hawaii
Karaoke Surf (Instrumental)

Soft rock for soft people... shiny and non intrusive, this elevator interpretation just doesn't make it.

Drag City dot
Karaoke Surf (Instrumental)

Is that a twelve string? Listen to the T-Bones instead.

Little Deuce Coupes dot
Karaoke Surf (Instrumental)

Low register lead guitar played like it's in a library and no one should hear is balanced against the gentle rhythms and chorus... texturally nice, but uninspired.

Honolulu Lulu dot
Karaoke Surf (Instrumental)

The Leslie lead is cute, but it doesn't capture any of the fire of the hit.

Surf City
Karaoke Surf (Instrumental)

Never mind the arguments about which city is surf city, if this tepid session is its theme, it's not worth the trip anyway. Lawrence Welk used more energy than this.

Skateboard Craze dotdotdot
Karaoke Surf (Instrumental)

"On Top Of Old Smokey" morphed into a rhythmic track with actually quite nice lead guitar nearly makes the grade, but alas, the chorus holds it back.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Chuck Rio - The Tequila Mandotdotdot
artwork This CD is collected cross section of Tequila man Chuck Rio's output, from solo sessions under his real name Danny Flores, to the entire Persuaders' "Surfer's Nightmare" album, plus some singles and a few Champs' tunes, including "Tequila." The liner notes are excellent, full of detailed tidbits, pictures, and plenty of historical data. The thing I found most rewarding here was the inclusion of the Persuaders' album. This rare release has long eluded me, so finding all of the tracks here was a major plus. These sessions vary from Champs oriented to the outskirts of surf, some of which are down right cool. So, while not essential surf, this is a fine release worth seeking out.
Picks: Margarita, Midnighter, Surfin' Blues, Tequila, El Rancho Rock, Bruce, Antonillo, C'Est La Vie, The Whip, TNT, Mama Inez, Wildman, Persuasion [Let's Go Surfin'], Taking Off On A Wall, Hanging Ten, Surfer Strip, Surfer's Lullaby, Gremmie Bread, Kreshendo Stomp [Kahuna Stomp], Toes On The Nose, Caught In The Soup, Surfer's Nightmare, The Raid

Track by Track Review


Margarita dotdotdot
Latin R&B Rock (Instrumental)

Much like "Tequila," Chuck Rio & the Originals delivered "Margarita" based more on fifties dance party themes, this is a good fun party sax tune, well worth a blast at the next frat bash.

Midnighter dotdotdot
Latin R&B Rock (Instrumental)

Raw sax R&B based rock, pumpin' a party jam, drivin' the poodle dress crowd nuts. Fine jammin' dance tune from Champs.

Surfin' Blues dotdotdot
Latin R&B Rock Surf (Instrumental)

After Chuck Rio left the Champs, he was involved in a studio project band called the Persuaders aka the Hollywood Persuaders, which issued the famous Surfer's Nightmare album as Persuaders featuring Chuck "Tequila" Rio. This is a slow dramatic sax marauder, with tribal drums and ominous dockside tone. Quite a nice track.

Tequila dotdotdotdot
Latin R&B Rock (Instrumental)

This is their BIG HIT!. It is a sax based number that was probably the frat house standard, long before "Louie Louie" was. The spoken "Tequila" at the end of the lines has become a standard of Latin party rock. Very infectious.

El Rancho Rock dotdotdot
Latin R&B Rock (Instrumental)

"El Rancho Grande" saxed up like "Tequila" with lotsa fun damped guitar rhythm work, and a honkin' good sax performance.

Bruce dotdotdot
Latin R&B Rock (Instrumental)

This is a muddy session, a sorta R&B jam for a back ally brawl. Quite a fifties knife fight kinda track, with a grooving bass. So, why is it called "Bruce?" Issued in 1964 as by Danny Flores & the Fans. Danny Flores was Chuck Rio's real name.

Antonillo dotdotdot
Latin R&B Rock (Instrumental)

Like a San Antonio rose garden, this bouncy Chuck Rio solo coulda been amped up by Herb Alpert. It's quite fun and melodic.

C'Est La Vie dotdotdot
Latin R&B Rock (Instrumental)

Chuck Rio & the Originals issued this MOR track in 1959. It predates "Tequila," and hints at it slightly, but has none of the adventurous flair.

The Whip dotdotdot
Latin R&B Rock (Instrumental)

The Originals issue this in '58. It's very playful, but not very imaginative.

TNT dotdotdot
Latin R&B Rock (Instrumental)

This is an unissued Champs track from 1963. It's quite a nice number, more melodic and bouncy than many. The "TNT" chorus lines are kind of a drag, but otherwise it's just a stones throw from a choppy damped mariachi thing. Pretty cool track.

Mama Inez dotdotdot
Latin R&B Rock (Instrumental)

Chuck Rio cut this is unissued track in the early sixties. More mambo than rock, it is fun and all, but not very catchy.

Wildman dotdotdot
Latin R&B Rock (Instrumental)

This is scary! I mean SCARY! The Contenders' "Wildman" is a basic track with adolescent high school chorus lines, and, well, just too silly for me.

Persuasion [Let's Go Surfin'] dotdotdot
Latin R&B Rock (Instrumental)

Pumpin' piano, party sax, and honkin' riffs tinkle their way into your living room as The Persuaders featuring Chuck "Tequila" Rio jam.

Taking Off On A Wall dotdotdot
Latin R&B Rock (Instrumental)

Big surf a la Bruce Johnston's "Pajama Party" album, with heavy influences from Mickey and Sylvia. Odd, and quite far from center stage.

Hanging Ten dotdotdot
Latin R&B Rock (Instrumental)

The Persuaders were also the Creshendoes with Chuck Rio. "Hanging Ten" is way more jam-riff than song. It's plinking piano and bluesy progression tell tales of studio filler.

Surfer Strip dotdotdot
Latin R&B Rock (Instrumental)

Another Persuaders track, this time leaning heavily on David Rose's "The Stripper" and bluesy riffs, with piano and sax honkery.

Surfer's Lullaby dotdotdotdot
Dangerous Surf (Instrumental)

"Surfer's Lullaby" is a slow and shimmering track, lead by vibrato guitar and backed by saucy sax. Not exactly melodic, but really cool. The mood is obvious, the sultry looks cutting, and the danger imminent. Yikes!

Gremmie Bread dotdotdot
Latin R&B Rock (Instrumental)

The title gives it away... "Mama's Little Baby Loves Shortnin' Bread" comes flowing from the childhood gray matter while the boys do a rockin' sax version of the ancient folk tune.

Kreshendo Stomp [Kahuna Stomp] dotdotdot
Latin Surf R&B Rock (Instrumental)

Stinging whammy and R&B riffs, shiny aural probes, and raspy sax break lines... a pretty cool track.

Toes On The Nose dotdotdot
Latin Surf R&B Rock (Instrumental)

Jammin' guitar riff rock, nearly watery, and driven, but not even remotely like the Eddie & the Showmen tune that shares the title. Squeelin' sax break, and intense guitar plucking. There's even some damped reverb after the sax snarl.

Caught In The Soup dotdotdot
Latin Surf R&B Rock (Instrumental)

"Caught In The Soup" is a slightly surfy riff rockin' tune, nifty in a rock jam sorta way. Not a standout, but groovy enough. The surf guitar just past the break brings the breakwater into focus.

Surfer's Nightmare dotdotdot
Latin Surf R&B Rock (Instrumental)

Another jam, surfy guitar tone, and squonkie sax, with cool piano, and a definite groove.

The Raid dotdotdot
Latin Surf R&B Rock (Instrumental)

"The Raid" is much faster than the others here. It's got more of a manic surf rant style, though it relies on the sax honkin' backtrack like the Crossfires, but without their intense low-E guitar rage. Groovy piano and soulful sax and a riff.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rip Chords - Three Window Coupedotdot
artworkThe Rip Chords were one of projects of Bruce Johnston and Terry Melcher. They were in the Beach Boys / Jan and Dean bag of California Music. Of the fifteen tracks here, only one is an instro. It's a short blast of studio surf well worth a spin.
Picks: Big Wednesday

Track by Track Review


Big Wednesday dotdotdotdot
Surf (Instrumental)

At 1:26, this short surf blast shimmers with a tasty vibrato lead and relentless drums. The great whammy chords and Catalinas style bongos make it stand out. and This is a pretty decent surf instro as studio concoctions go. The session was taped on May first, 1964. Specific musicians are hard to determine, but guitarists may have included any of Tommy Tedesco, Billy Strange, Carol Kaye, Jerry Cole and/or Glen Campbell.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rip Chords - Hey Little Cobra and Other Hot Rod Hitsdotdot
artworkThis is the first Rip Chords album. Of the fifteen tracks here, only two are instros, neither of which is much more than a backtrack, one being based on the "El Loco Cha Cha / Louie Louie" riff.
Picks: '40 Ford Time, Bunny Hill

Track by Track Review


'40 Ford Time dotdotdot
Backtrack (Instrumental)

This is essentially an undubbed backtrack to "Little Deuce Coupe" with a fuzz lead inserted in spots. Mostly a progression that never really gets off the ground.

Bunny Hill dotdotdot
Surf (Instrumental)

Not bad... a progression based on "Louie Louie" and a moderately interesting lead here and there. Sure sounds like a backtrack, yet it's interesting enough to work as is. The chunky rhythm and carries the day.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Johnny Rivers - Meanwhile Back At The Whiskey A Go Godotdotdot
artworkYou might be wondering about Johnny Rivers as a surf artist... well, there's one instro here that straddles the country-surf line. Besides that, it's an infectious live album, full of folk based electric rock and roll produced by the legendary Lou "Folk Rock" Adler.
Picks: Un-Square Dance

Track by Track Review


Un-Square Dance dotdotdot
Country (Instrumental)

This is a short but rousing version of Chet Atkins' "Wildwood Flower," cut live with an immediate sound. At 45 seconds long, it's barely enough to get a-hold of, yet it shouldn't be any longer. Country guitar and sub-surf energy.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rivieras - California Sundotdot
artworkThis CD is from vinyl sources, sounds muddy, and compiles the work of the Rivieras, who were not a very good band, except for their garage surf frat anthem "California Sun." The instros are not very inspired, played with little feeling or energy, and the sound is generally amateur and muddy. All of the vocals are of no more than neighborhood garage band quality, except for their lone hit, and the followup retry "California Sun 65." This is of historical interest, but not very listenable or enjoyable, unless you think the teenagers down the street were just as good as Led Zeppelin.
Picks: Church Key, H. B. Goose Step, Battle Line, Bug Juice, Church Key Part II

Track by Track Review


Church Key dotdot
Surf (Instrumental)

This is a pretty pedestrian performance of the Revels' classic hit. The Rivieras seem uninspired, and the organ is too overbearing in the mix. The drum arrangement is a lot like the Dave Myers & the Surftones version, but that's where the comparison ends.

H. B. Goose Step dotdot
Organ (Instrumental)

This is a Johnny & the Hurricanes inspired track, with a whistling organ lead, a sorta "Rockin' Goose" melody. It's a cool organ instro, but lacks the variations and spirit of it's mentor band's creations.

Battle Line dotdot
Surf (Instrumental)

The "Battle Hymn Of The Republic," played with a vibrato lead, and a moderate pace, and little energy. It's an interesting variation on this ancient number, but not terribly vibrant.

Bug Juice dotdotdot
Organ (Instrumental)

This is another organ lead number, less Johnny & the Hurricanes inspired, but still pretty derivative of their sound. The guitar break is simple, but is also a pleasant change from the relatively staid sound of the rest of the track.

Church Key Part II dotdotdot
Surf (Instrumental)

Better than the prior track, the guitar dominates, and is pretty edgy. The playing is quite mechanical, and still there is little feeling present.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rivieras - California Sundotdot
artworkThis CD compiles the work of the Rivieras, who were not a very good band, except for their garage surf frat anthem "California Sun." The instros are not very inspired, played with little feeling or energy, and the sound is generally amateur and muddy. All of the vocals are of no more than neighborhood garage band quality, except for their lone hit, and the followup retry "California Sun 65." The sound is much better than the release on Request Sound Of Yesterday. This is of historical interest, but not very listenable or enjoyable, unless you think the teenagers down the street were just as good as Led Zeppelin.
Picks: Church Key, H. B. Goose Step, Battle Line, Bug Juice, Church Key Part II

Track by Track Review


Church Key dotdot
Surf (Instrumental)

This is a pretty pedestrian performance of the Revels' classic hit. The Rivieras seem uninspired, and the organ is too overbearing in the mix. The drum arrangement is a lot like the Dave Myers & the Surftones version, but that's where the comparison ends.

H. B. Goose Step dotdot
Organ (Instrumental)

This is a Johnny & the Hurricanes inspired track, with a whistling organ lead, a sorta "Rockin' Goose" melody. It's a cool organ instro, but lacks the variations and spirit of it's mentor band's creations.

Battle Line dotdot
Surf (Instrumental)

The "Battle Hymn Of The Republic," played with a vibrato lead, and a moderate pace, and little energy. It's an interesting variation on this ancient number, but not terribly vibrant.

Bug Juice dotdotdot
Organ (Instrumental)

This is another organ lead number, less Johnny & the Hurricanes inspired, but still pretty derivative of their sound. The guitar break is simple, but is also a pleasant change from the relatively staid sound of the rest of the track.

Church Key Part II dotdotdot
Surf (Instrumental)

Better than the prior track, the guitar dominates, and is pretty edgy. The playing is quite mechanical, and still there is little feeling present.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Roadhouse Rockers - He's My Tigerdotdotdotdot
artworkOne of the best of the current crop of Rockabilly bands, these three have created a sound and style that is both highly energetic and edgie, and polished like fine rockabilly pop of four decades ago, underpinned by the subtlety and power of Link Wray, and the harmonies of the darling duets of that bygone era. What Tony does with his guitar and vocals is matched verbatim with the sweetness delivered by Mickey Rae's bass and satin voice. This is a fine trio. Beyond the glorious occasional instros touted here, vocals like Jimmy Jam are unparalelled in style and perfection. This is a band to see.
Picks: Fiebre' Del Rey, HanginÕ Ten With Tut, Back Beat

Track by Track Review


Fiebre' Del Rey dotdotdotdot
Guitar (Instrumental)

An excellent tribal beat backs up a dangerous and dramatic melody line over sultry walking bass lines. This is infectious and rhythmic, and just plain fun! Edgie guitar and cool chops, and spiffy percussion. Yeow!

HanginÕ Ten With Tut dotdotdotdot
Big Guitar Surf (Instrumental)

Can you spell T-H-R-O-B? This is a menacing Link Wray inspired piece with no shortage of coastal flair and big surf danger. Brilliant dark instro work from the most effective rockabilly trio out there. When they do things like this, they redefine surfabilly.

Back Beat dotdotdotdot
Guitar (Instrumental)

Super spiffy rockabilly slab bass and military drum cadence under a big guitar wham. "Back Beat" is one infectious number, more fun than a barrel of surf bunnies, and it demonstrates the power of the simple riff well defined. Minimal can be more. Originally cut by the Rondels.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Roadhouse Rockers - Feel Like Rockin'dotdotdot
artworkThis is the first release for Santa Barbara's Roadhouse Rockers, now called the Cadillac Angels. Issued in 1994, it's sound is solid and the band, while still gathering their chops, have a groove and an obvious budding talent. Tony Balbinot sings and plays the guitar, Micky Rae sings and plays the upright bass, and John Palmer is the drummer.
Picks: Roadhouse Rockin' / Torture / Rumble, Rampage

Track by Track Review


Roadhouse Rockin' / Torture / Rumble dotdotdotdot
Guitar (Instrumental)

Part one of this track is a solid rockabilly vocal, but then with 2:46 remaining, it moves into a medley of Link Wray's "Rumble" surrounded by the Fendermen's "Torture." Instrumentally, this is infectious and unique. Originally, "Torture" was the B-side on "Mule Skinner Blues" and was recorded when the Fendermen were a duo, just two Fender guitars. "Torture" is bit more reverby here, and with drums added, it takes on a more dynamic quality. "Rumble" is less stark and more throbby here than when Link Wray did it in 1957. It's still an awesome mean number, but is played more in line with its surroundings. Very infectious.

Rampage dotdotdot
Guitar (Instrumental)

Using the same drums beat as the "Superjet Rumble," this fine cover is full of spunk and flair. Micky Rae's excellent walking upright bass lines are superb. Not very melodic, but double picked jammin' solid!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rockin' Rebels - Tom Shannon Presents...dotdotdot
The Rockin' Rebels were Buffalo's most famous act in the early sixties, as instros go anyway. Their sound was a pre-surf R&B based sax-guitar sound. Some of their tracks were hot, others were down right tame. s CD collects a whole slab of their tracks, including their entire LP plus singles, and other rare items.
Picks: Wild Weekend, Rockin' Crickets, Whole Lotta Shakin' Goin' On, Another Wild Weekend (Loaded Dice), Rumble, Hully Gully Rock, Flibbity Jibbity (Boss Action), Honky Tonk, Happy Popcorn, Monday Morning, Sweet Little Sixteen, Buffalo Blues, Tequila, Wild Rebel, The Third Man Theme, Wild Weekend Cha Cha, Ram-Bunk-Shush, Telstar, Donkey Walk, The Stripper, Coconuts, Loaded Dice (Another Wild Weekend), Happy Popcorn, Anyway You Want Me, Theme From The Rebel

Track by Track Review


Wild Weekend dotdotdotdot
Rock (Instrumental)

This is the one. This is the song everyone thinks of with this band. It was cut originally as a theme for the Tom Shannon Show on Buffalo, New York's legendary WKBW, from whence came free form progenitors Tom Donahue, Bob Mitchell, and Peter Trip. This is growly, dark, evil, chunky, melodic, and features near-surf rhythm guitar behind a raw R&B sax. A great and necessary track.

Rockin' Crickets dotdotdot
Pre-Surf Rock (Instrumental)

This track has been done a few times by others. This take features great behind the bridge through an echoplex guitar work, and that raw sax sound that is their trademark. Simple and unpretentious pre-surf fun.

Whole Lotta Shakin' Goin' On dotdot
MOR Rock (Instrumental)

A sax lead instro version of the Jerry Lee Lewis standard. It's energetic, but unremarkable.

Another Wild Weekend (Loaded Dice) dotdot
Rock (Instrumental)

A Perez Prado "Patricia"-like bit of fluff.

Rumble dotdotdot
Pre-Surf Rock (Instrumental)

Vibrato lead guitar, ominous slowness, and a decent delivery, more like the Viscounts than Link Wray. Not special, but definitely worth a spin. Dramatic and big.

Hully Gully Rock dotdot
R&B (Instrumental)

"Fanny Mae" goes instro, with a no-melody riff lead.

Flibbity Jibbity (Boss Action) dotdot
R&B (Instrumental)

Lightweight, keyboard driven, R&B fluff. Nothing boss about it, and no action to be discerned.

Honky Tonk dotdot
R&B (Instrumental)

A pedestrian cover of Bill Dogget's great R&B standard.

Happy Popcorn dotdot
Rock Fluff (Instrumental)

Take the Marathons' "Peanut Butter," add Billy Joe & the Checkmates' "Percolator," and some brooding sax, and you get this fun but unremarkable track.

Monday Morning dotdotdot
Pre-Surf Rock (Instrumental)

Similar to "Wild Weekend,' but slower, less powerful, but still interesting. The sax is less dominant.

Sweet Little Sixteen dotdot
Fifties Rock (Instrumental)

I'm sure Chuck didn't intend this. It's just a pedestrian fifties instro.

Buffalo Blues dotdotdot
Fifties Mean (Instrumental)

"the Way I Walk Is Just The I Walk" sorta backtrack and growling sax. Mean R&B growler. Cool fifties grind.

Tequila dotdotdot
Pre-Surf Rock (Instrumental)

A nice treatment of the Chuck Rio classic. Slightly different than the pack, and infectious too.

Wild Rebel dotdotdot
Pre-Surf Rock (Instrumental)

"You Can't Sit Down" and a surf backtrack and a growly sax. Not very melodic, but interesting anyway.

The Third Man Theme dotdotdot
MOR (Instrumental)

Holy cow, how MOR can we get?

Wild Weekend Cha Cha dotdotdotdot
Pre-Surf Cha Cha (Instrumental)

I've always liked this variation the best. It's funny how much difference a cha cha near ska backtrack can make to a song. It's not as powerful as the original, but it's so cool.

Ram-Bunk-Shush dotdotdot
R&B (Instrumental)

The R&B standard is done with little feeling or panache.

Telstar dotdot
Supermarket Rock (Instrumental)

Yeah, right. Think for a minute what lounge singers do to rock hits. That what the sax player does to this usually intense and powerful song. It is a totally unique arrangement, but then it's only fit for the supermarket.

Donkey Walk dotdot
Novelty Rock (Instrumental)

As the sax cries "E-Or," the band plays a nothing backtrack. It's a novelty song.

The Stripper dotdot
Lounge Rock (Instrumental)

How can you take a wailing Vegas strip anthem and make it fit for the aisles at K-mart? Simple, play it like you don't want to wake anybody up, and backtrack it with jazzy chords a,d shimmer. Jeepers, what a loungie load...

Coconuts dotdotdot
R&B (Instrumental)

Pretty standard R&B Champs-like instro fair.

Loaded Dice (Another Wild Weekend) dotdotdot
Club Rock (Instrumental)

Yet another variation on the theme, even more laid back this time. Smokie club stuff here.

Happy Popcorn dotdot
Rock Fluff (Instrumental)

Take the Marathons' "Peanut Butter," add Billy Joe & the Checkmates' "Percolator," and some brooding sax, and you get this fun but unremarkable track.

Anyway You Want Me dotdot
Prom Rock (Instrumental)

Slow dance prom rock fluff for the last dance. Who will remember?

Theme From The Rebel dotdotdot
Pre-Surf Rock (Instrumental)

Johnny Yuma was a rebel. This was his TV theme. No, not this version, that's where the song comes from. Odd guitar sound, but a lot more edgy than any of their other stuff. Cool.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rockin' Rebels - Wild Weekenddotdotdot
The Rockin' Rebels were Buffalo's most famous act in the early sixties, as instros go anyway. Their sound was a pre-surf R&B based sax-guitar sound. Some of their tracks were hot, others were down right tame. This is a repro of their LP. Not as good a buy as the Ace CD.
Picks: Wild Weekend, Rockin' Crickets, Tequila, The Stripper, Ram-Bunk-Shush, Honky Tonk, Whole Lotta Shakin' Goin' On, Wild Rebel, Telstar, Hully Gully Rock, Sweet Little Sixteen, Rumble, Wild Weekend Cha Cha

Track by Track Review


Wild Weekend dotdotdotdot
Rock (Instrumental)

This is the one. This is the song everyone thinks of with this band. It was cut originally as a theme for the Tom Shannon Show on Buffalo, New York's legendary WKBW, from whence came free form progenitors Tom Donahue, Bob Mitchell, and Peter Trip. This is growly, dark, evil, chunky, melodic, and features near-surf rhythm guitar behind a raw R&B sax. A great and necessary track.

Rockin' Crickets dotdotdot
Pre-Surf Rock (Instrumental)

This track has been done a few times by others. This take features great behind the bridge through an echoplex guitar work, and that raw sax sound that is their trademark. Simple and unpretentious pre-surf fun.

Tequila dotdotdot
Pre-Surf Rock (Instrumental)

A nice treatment of the Chuck Rio classic. Slightly different than the pack, and infectious too.

The Stripper dotdot
Lounge Rock (Instrumental)

How can you take a wailing Vegas strip anthem and make it fit for the aisles at K-mart? Simple, play it like you don't want to wake anybody up, and backtrack it with jazzy chords a,d shimmer. Jeepers, what a loungie load...

Ram-Bunk-Shush dotdotdot
R&B (Instrumental)

The R&B standard is done with little feeling or panache.

Honky Tonk dotdot
R&B (Instrumental)

A pedestrian cover of Bill Dogget's great R&B standard.

Whole Lotta Shakin' Goin' On dotdot
MOR Rock (Instrumental)

A sax lead instro version of the Jerry Lee Lewis standard. It's energetic, but unremarkable.

Wild Rebel dotdotdot
Pre-Surf Rock (Instrumental)

"You Can't Sit Down" and a surf backtrack and a growly sax. Not very melodic, but interesting anyway.

Telstar dotdot
Supermarket Rock (Instrumental)

Yeah, right. Think for a minute what lounge singers do to rock hits. That what the sax player does to this usually intense and powerful song. It is a totally unique arrangement, but then it's only fit for the supermarket.

Hully Gully Rock dotdot
R&B (Instrumental)

"Fanny Mae" goes instro, with a no-melody riff lead.

Sweet Little Sixteen dotdot
Fifties Rock (Instrumental)

I'm sure Chuck didn't intend this. It's just a pedestrian fifties instro.

Rumble dotdotdot
Pre-Surf Rock (Instrumental)

Vibrato lead guitar, ominous slowness, and a decent delivery, more like the Viscounts than Link Wray. Not special, but definitely worth a spin. Dramatic and big.

Wild Weekend Cha Cha dotdotdotdot
Pre-Surf Cha Cha (Instrumental)

I've always liked this variation the best. It's funny how much difference a cha cha near ska backtrack can make to a song. It's not as powerful as the original, but it's so cool.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Rodney and the Blazers - The Complete Recordings 1660 - 1964dotdot
artworkFive instros lie between the frat house vocals on this CD. They musta been a rockin' band at the party... Reasonable sound, authentic attitude, and even some surfable ideas.
Picks: Summertime Rock, Warpaint, Oriental Nightmare, Dumbell, Long Walk Home

Track by Track Review


Summertime Rock dotdot
Pre Surf (Instrumental)

1960 pre-surf madness, with the guitar playing low-E ultra vibrato, the piano tinkling, and then, the pace doubles and the sax wails. Gershwin's tune has seen many a reworking. Here, Rodney and the Blazers give it the raucous treatment, and it's a great vehicle a for budding surf band yet to be.

Warpaint dotdotdot
Rock (Instrumental)

Vibrato and Indian tom toms, a rockin' throbbin beat, and a raw sax. Mostly like a jam, it does drip authentic rock and roll.

Oriental Nightmare dotdotdot
Rock (Instrumental)

Overworked far east themes here and there, but mostly it's a throbbing vibrato bruiser. Nasty and crude, big in a small town way, "Oriental Nightmare" is a mighty cool bit of obscurity.

Dumbell dot
Rock (Instrumental)

Cheesy organ Las Vegas Grind kinda stuff... a riff and a walking bass line.

Long Walk Home dotdotdot
Rock (Instrumental)

This is a slow strollin' number backed by a soft sax. Nice melody and shimmering lead guitar. Very pretty in a bluesy kinda way. Even the chorus is OK.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Romans - You Only Live Oncedotdotdotdot
artworkThis album doesn't look like a surf album, but it sports some very nice surf instros, and is well worth seeking out. You'll find tracks from this release on my playlists going back almost two decades. The sound is enduring, and the melodies catchy. The band is Mikey Borens (Monitor) - guitar, Pat Delaney (Deadbeats) - sax, Juan Gomez (Human Hands) - guitar, Keith Mitchell (Mazy Star) - drums, and Michael Uhlenkott (Tikis) - bass.

Vocals include: "Tuned Out," "Small World," "(I'm So) Happy," and "Big Neck."
Picks: Runway, Iron Cross, Shorebreak, Birdbrain, Nazarene, Blob, Motu Tapu, What Gives (Jan's Theme), You Only Live Once

Track by Track Review


Runway dotdotdotdotdot
Surf (Instrumental)

"Runway" sports an infectious melody line, with an almost sparking sound, like the brighter moments for the Wedge, but with a more light hearted feel. This is just plain fun, and the melody strays with you long after the track is gone. Surf tones, glissandoes, and a snappy beat. A must have eighties surf instro track.

Iron Cross dotdotdot
Surf (Instrumental)

A little more on the downer side, "Iron Cross" features a chunky post-punk chunka rhythm and an ominous bad-day-at-Mavericks kinda feel. Hard driving and melodic, and powerful too.

Shorebreak dotdotdotdot
Surf (Instrumental)

This is an unusual track. It floats gently in and out in the "Shorebreak." It's infectious, and more than that, it holds your attention. The progression seesm to circle around, and the sound of the surf is everywhere. Fascinating.

Birdbrain dotdotdotdot
Surf (Instrumental)

Somewhat dissonant, a little off the beaten path, and just inside the walls of the asylum, "Bird Brain" portrays a slightly surf image of a can short of a six pack holiday. Unusual and intriguing.

Nazarene dotdotdotdot
Surf (Instrumental)

Dramatic and sporting discordant tonality, "Nazarene" is menacing and tribal, tom tom laden and edgy like fingernails on the blackboard of life. Intense and rumbly.

Blob dotdotdot
Surf (Instrumental)

An eighties bouncy beat carries the "Blob" across the monitors with all the chunka chunka it can muster. Riffologically driven, with great drums and cool moody sax.

Motu Tapu dotdotdotdot
Surf (Instrumental)

On the edge of the atoll, "Motu Tapu" drives for the lip without cutting back. Optimistic and spunky, with a sense of shortboard exhilaration. Action and adventure, fun in the sun.

What Gives (Jan's Theme) dotdotdot
Surf (Instrumental)

On the jazzy side, "What Gives (Jan's Theme)" is a groover, a sax and guitar jammer with a slight funk and a watery edge. Slightly mean, on the cool side.

You Only Live Once dotdotdotdot
Surf (Instrumental)

Big thundering drums, menacing sax, angry bass, and driving guitars cut through the chop with abandon. The danger is clear, but so is the courage, or at least the disregard for the risk. Out front with fast shortboard action.

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Romeo Void - White Sweater c/w Apachedotdotdot
artworkIt's the late seventies. San Francisco is all a-buzz with the sounds of the new wave. Chief among the hipsters is Romeo Void, which included Debora Iyall, Benjamin Bossi, Frank Zincavage, and John Stench. They cut an unusual version of Apache, found here. This single was released in 1981.
Picks: Apache

Track by Track Review


Apache dotdotdot
New Wave Surf (Instrumental)

This is reverent, without being at all a copy. The thick bass and drums track is entirely new wave, and the guitar has that late seventies (on the clean side) sound, intense and dry-dry-dry. very interesting,m and a pleasant side trip down retro lane.

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The Roof Dogs - Having A Rave Up With The Roof Dogsdotdotdot
artworkThe Roof Dogs may have been from Portland. Their garage instro attack is energetic and edgy, and a ton of fun. Who were the Roof Dogs? Maybe an alter-ego or side project of the Surf Trio (just a guess), given their common home base, and somewhat similar sounds and song lists. This ep was issued in 1991.
Picks: Cannon Beach, Christmas, Down 1-5, High School Drifter, Out Of Limits, Red Tide, Reptile

Track by Track Review


Cannon Beach dotdotdot
Surf (Instrumental)

Super garaged cover of Cannon Beach, with eighties guitar twang, and a ton of edge. The sound is something like the Surf Trio's first ep, thumpy and demo-like. Lots on energy and enough power, and a solid performance.

Christmas dotdotdot
Fuzz (Instrumental)

This is close to Robert Calvert's Ejection, at least the rhythm guitar is. The chord progression is right on the money. The melody is not the same, but the strength of the rhythm is overwhelming. Edgy ugly space surf.

Down 1-5 dotdotdot
Fuzz (Instrumental)

The Surf Trio did this years ago. This is a fine version, with a different take on the textures and energy. This is more subtle, more ringing, much smoother and more sustained. It makes a world of difference.

High School Drifter dotdotdotdot
Fuzz (Instrumental)

Hmm... Is High School Drifter really High Planes Drifter? Pomp and circus pants, as a former Seattle used to say. This is thick and dark, and very late eighties club band sounding. Interesting enough, but kinda unremarkable and derivative.

Out Of Limits dotdotdot
Fuzz (Instrumental)

This is a fast and furiously pumped garage arrangement of the Mar-Kets' studio hit. I didn't like this much on first listen, but I found that it grew on me as I wrote this review. It has a grodie edge, and is different enough, but it wasn't that that sucked me in. It was the haunting ambiance of the break, the organ eeriness, the ghostly air of danger. The faster pace of the signature guitar run during that part reminds me of police sirens. Very cool.

Red Tide dotdotdotdot
Fuzz (Instrumental)

This is a swell cover of the Impact V's single,all grunged out, and seared at the edges. The fuzz gives this a completely different feel. The arrangement is original, and the energy is intense. Fine hot double picking with extra compressed intensity.

Reptile dotdotdot
Fuzz (Instrumental)

This grodie rumbler evilly stalks the innocent from the the dark corners of the room after too much pizza for dinner. Thick, fuzzed, brooding and threatening, this is a grand example of how mean simplicity can be. The whistling organ is subtly low in the mix, adding a haunted air to this scary track.

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The Rosebloods - Anthem Of The Sundotdotdot
artworkThis band issued this single in 1986 with a vocal called "Uptight" on the A-side. I have no information at all about the band.
Picks: Anthem Of The Sun

Track by Track Review


Anthem Of The Sun dotdotdotdot
Surf (Instrumental)

This is a very nice instro. Its warm guitar tones are slightly country, while its melody is upbeat and beachy. The sun surely shines in this track. Excellent writing and a crisp production give this a solid sound. Optimistic and afternoon drive down PCH pleasant.

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Rover - Surf Meets Che Guevaradotdotdot
artworkPolitically correct surf? It seems an odd thing, given the generally conservative surf culture and demonstrated failure of socialism around the world. Titles don't make or break the tune. The frequent samples are mostly political and superfluous to the music, and in some cases, an annoyance. The writing is good, and there has been quite a bit of time spent mixing. Sean Rush played all the instruments and wrote all the music. It's a solo project. The music is instrumental rock, but there is not really much that relates to surf music directly or by feel exactly. The liner notes are extensive and limited to anti Republican political statements about the subjects of the songs. Sean is a good writer. I'd like to hear more, but let's leave the politics at home.
Picks: My Fellow Americans, The Cherry Pie Three, Panama's Root Canal, Spanish Imposition (Prisoner Pinochet), I Have an Honor Student at the School of Americas... and So Do You!, Giuliani Get Your Gun

Track by Track Review


My Fellow Americans dotdotdot
Rock (Instrumental)

The melody of "My Fellow Americans" borrows from classics in spots. The tone is distortion, not reverb, and the second guitar is dry. It's a nice track, with more energy than you'd expect from a totally solo effort.

The Cherry Pie Three dotdotdot
Rock (Instrumental)

Semi crisp tone echoed for sustain playing a bit of a spy based riff. Solid twango, with a round and full sound. I'm not sure about the title.

Panama's Root Canal dotdotdot
Rock (Instrumental)

Double picked surf with a sorta tropical feel to the melody, along with some drama. It's short and to the point, with a solid drive and fluid flow. The samples interfere with the song.

Spanish Imposition (Prisoner Pinochet) dotdotdot
Rock (Instrumental)

Not much about this is Spanish. It sports an interesting riff, and a kind of nervous edge. The composition is solid.

I Have an Honor Student at the School of Americas... and So Do You! dotdotdot
Rock (Instrumental)

"I Have an Honor Student at the School of Americas... and So Do You!" is a flowing number with no sense of the title, but the feel of an open road in the distance. Somewhat dramatic, somewhat fanciful, and with the Sergio Mendez chorus, somewhat weird. It's an interesting composition, but also seems a little contrived.

Giuliani Get Your Gun dotdotdot
Rock (Instrumental)

Keyboard boing boing for 40 seconds, and just about when you think it's all over, the song comes in. "Giuliani Get Your Gun" is a fluid number with twangy whammy second guitar, and a melody line just east of surf. Quite a nice composition, actually.

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The Royal Flairs - Surfin With The Royal Flairsdotdotdot
artworkThis little seven inch holds all but the one single release by the Royal Flairs. They were from Council Bluffs, Iowa. They set up shop in 1961 as a backup band for local legend Dick Hodge, but by '62 they were on their own. Four of the tracks on this disc are recorded live at the Molrose Ballroom on a 7-1/2 ips reel-to-reel tape deck. While primitive are primitive, they give us a rare glimpse into the Midwestern bands that prominently featured surf instros in their sets. The band was fronted by Brad Starr - lead guitar and Dave Krivolavek - rhythm guitar. This e.p. was issued in 1984.
Picks: Baja, Pipeline, Sniper, Surf Sight, Let's Go

Track by Track Review


Baja dotdotdot
Surf (Instrumental)

This is a competent cover of the Astronauts' interpretation of Lee Hazelwood's finest moment. Garage surf with an honest approach. Historical, but not otherwise significant.

Pipeline dotdotdot
Surf (Instrumental)

The Chantays' classic is performed with Midwest flair and reverb. A small combo sound, but without the delicacy of the original.

Sniper dotdotdot
Surf (Instrumental)

"Sniper" was written following the assassination of President John F. Kennedy. It's a decent original, melodic enough and surfy too. It doesn't invoke Lee Harvey Oswald's mug, but then I suppose it's just one more part of the lone gunman myth.

Surf Sight dotdotdot
Surf (Instrumental)

Hmm. More surf riffery, issued from the garage and captured on the home recorder. Interesting, but more historic than groundbreaking.

Let's Go dotdotdot
Surf (Instrumental)

This was cut in mid 1962, and released on SAM Records in October of that year. It is very similar to the Routers' release of the same name, and predates it.

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The Royal Knightmares - Surf's Up! Vol. 3: Sounds From The Ocean Sidedotdot
artworkThese Italians don't seem to have a handle on surf instros. It's in the melody guys, not just the rhythms and reverb. Beyond that, the recordings are so bad that you have to be a die-hard surf instro fan to listen, or you have to employ that trash-consciousness you cultivated in the early eighties when it was cool to spit on people at shows. Crap is crap, and these tracks were crappily recorded. However, the first track is quite good, and if the Royal Knightmares can see their way clear of the crap studios and demo mills, maybe they could wow the world after all.
Picks: Sullen Road By The Ocean, Surf Date, Ol' Woody Stomp, Crashin' Wave

Track by Track Review


Sullen Road By The Ocean dotdotdot
Surf (Instrumental)

Great moderately paced vibrato tune. Would be great recorded properly in a good studio.

Surf Date dotdotdot
Surf (Instrumental)

"Surf Date" is a moderately paced Eddie and the Showmen-like song. It's a gentle melodic surf number with ocean sounds featuring nice picking, good interplay between lead and rhythm, and an over all pleasant sound.

Ol' Woody Stomp dot
Surf (Instrumental)

The lead is almost totally lost in the "mix." It's a bit like "Moon Race."

Crashin' Wave dot
Surf (Instrumental)

Just a so-so riff with no direction.

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The Rubinoos - Paleophonicdotdotdot
artworkThe Rubinoos have long been a Bay Area fave. With their reemergence and new CD, the tradition of brilliant pop and humor continues on full force. The band on this release is Jon Rubin, Tommy Dunbar, Donn Spindt (Aqua Velvets), and Al Chan, enabled and enhanced by Scott Mathews and others. Aside from their splendid normal fare, the lads conjure up a demented and oh-so-sequined surf morphing of the theme to Star Trek.
Picks: Surf Trek

Track by Track Review


Surf Trek dotdotdot
Campy Surf (Instrumental)

Brilliant! Only the Rubinoos could blend credible surf and Swingle Singers cheese in a cover of Alexander Courage's classic theme to Star Trek. All the silliness of the TV theme, the absurdity of the Swingles, and the glissandoes and drive of surf coexist in this campy morphing. The only word that fits is "suave."

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The Rumblers - Bossdotdotdot
artworkThis band still demands that you not call them a surf band. They did some cool surf, and quite a bit of cool R&B, and were mostly an instro band. Their big hit "Boss" was followed by "Boss Strikes Back," "Son Of Boss," and "Tootenanny" as further attempts at the charts. The drummer was Adrian Lloyd, whose other band Adrian & the Sunsets were a surf band. This CD is their album, plus some tracks, but not all of their output appears here.
Picks: Rumblers' Wild Weekend, Boss, Wiggle Wobble, Rumbling, Boss Strikes Back, It's A Gass, Slippin', Son Of Boss, Boss Drums, All Night Long, Pack Rat, Waimea [The Angry Sea], Summertime Blues, Sweet Potato, Roll Off, Bashful, The Hustler, Maid 'N Japan, High Octane, Night Scene, Night Train, Harlem Nocturne

Track by Track Review


Rumblers' Wild Weekend dotdotdot
Surf (Instrumental)

This is much surfier than the Rockin' Rebels' original, chunkier too. They had a knack for ominous sax and chunky sound.

Boss dotdotdotdot
Surf (Instrumental)

This is the Rumblers lone national hit, and was the basis for their follow up singles "Boss Strikes Back," "Son of Boss," and "Boss Drums." Heavily R&B based, rhythmic and grumbly, its catchy thump and honkin' grodiness are essential listening for ant fan of the genre.

Wiggle Wobble dotdotdot
R&B (Instrumental)

A pedestrian version of Les Cooper's hit.

Rumbling dotdotdot
R&B (Instrumental)

Tribal drums, chunky rhythms, and an R&B feel. It's the kinda thing that the Las Vegas bands did while the strippers did the bump and grind.

Boss Strikes Back dotdotdotdot
Surf (Instrumental)


It's A Gass dotdotdotdot
R&B (Instrumental)

Another followup single that didn't make it. A sax driven surfy rod-based number. Way too fun.

Slippin' dotdotdot
Surf (Instrumental)

Cool tribal saxy moody primal. Naturally, it's the Rumblers. Not like "Boss," but not dissimilar either. A progression for the sweaty. Previously unreleased.

Son Of Boss dotdotdot
R&B (Instrumental)

Yet again, they worked hard to follow the success of Boss, but alas it wasn't to be. This is a marginally interesting R&B based number.

Boss Drums dotdotdotdot
Surf (Instrumental)

This is the Rumblers lone national hit, and was the basis for their follow up singles "Boss Strikes Back," "Son of Boss," and "Boss Drums." Heavily R&B based, rhythmic and grumbly, its catchy thump and honkin' grodiness are essential listening for ant fan of the genre.

All Night Long dotdotdot
R&B (Instrumental)

This perennial party favorite rant from the fifties sees new life here, if not new ideas. Frat band standard in a frat band arrangement.

Pack Rat dotdotdot
Surf (Instrumental)

One of the most surfy instros the Rumblers ever cut. It has a simple progression, a whining sax in the background, and a "Let's Go" drum cadence. This has a staying power that transcends it's simpleness. "Pack Rat" also called "Surf Rat."

Waimea [The Angry Sea] dotdotdotdot
Surf (Instrumental)

This highly unusual track features the ugliest grodiest bass ever - mostly sounding like cabinet rattle without the bass notes... really cool! It's choppy, dark, brooding, and angular. A great track to augment a surf set.

Summertime Blues dotdotdot
R&B (Instrumental)

It starts out with a cool jazz intro, but quickly evolves into a pretty straight ahead instro cover. Not inspiring, just rare. Previously unreleased.

Sweet Potato dotdotdot
R&B (Instrumental)

R&B based sax lead number with a little white soul, but not much else. Mostly just a jam kinda thing.

Roll Off dotdotdot
R&B (Instrumental)

Screaming fun, R&B jammin' energy, and a fifties progression. tasty party fun, but not very interesting.

Bashful dotdotdot
R&B (Instrumental)

Slow sleazy soul, sax seasoned romantic jackknife music. The salsa rhythms are pretty cool.

The Hustler dotdotdot
R&B (Instrumental)

Using the Night Train riff, this doesn't really transcend that intro. A sax noodles overhead, but never lands.

Maid 'N Japan dotdotdot
Surf (Instrumental)

This is a cutesy number, based on trite oriental melody styles, but the arrangement is quite unusual, and the effect is a nifty period piece. Cool track.

High Octane dotdotdot
R&B (Instrumental)

Energetic Jimmy Crack Corn progression and soulful horns. Just so-so.

Night Scene dotdotdotdotdot
R&B Surf (Instrumental)

Simply the best damn tune the Rumblers ever laid down! It is slow, moody, saxy, and has a cool cadence. The Eliminators cover this extremely well. One hell of a great track. Magnetic.

Night Train dotdotdot
R&B (Instrumental)

James Brown's classic, R&B sax ground, hanky squirty, cool.

Harlem Nocturne dotdotdot
R&B (Instrumental)

Earl Hagen wrote this classic, and the Viscounts introduced it to the rock audience. This is a variation on their arrangement. It has that On The Waterfront foggy coolness. Nice track.

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The Rumbles Limited - The Wildest Christmas c/w Santa Claus Is Coming To Towndotdotdot
artworkRich Clayton and the Rumbles issued some cool surf instrumentals in the sixties. After Rich's departure, they became the Rumbles, Ltd. They issued this vocal holiday single, among other things.
Picks: The Wildest Christmas

Track by Track Review


The Wildest Christmas dotdotdot
Surf (Vocal)

"The Wildest Christmas" has some references to surf in the lyrics... Santa bring Sex Wax, that sort of thing. This 7 inch single is available almost never, but you might find it at some record swaps, rare record stores, or collectibles shops.

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Rupa U Zidu - Laku Noc Pacijentidotdotdotdot
artworkThis Bosnian punkabilly thrash band is remarkably strong. They played throughout the war, testifying to the importance of music in their lives. This cassette was recorded live on June 28, 1996 at Hoticu kod Litije na dvodnevnom Rock Festivalu ZGAGA.
Picks: Misirlou

Track by Track Review


Misirlou dotdotdotdot
Surf Punkabilly (Instrumental)

The performance is remarkably powerful. It won't soothe the savage beast, but it will make for a stompin' good time. Great arrangement, with added new runs and big sound.

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Paul Revere and the Raiders - Mojo Workoutdotdotdot
artworkBesides from maybe Doug Clark and his Hot Nuts, Paul Revere and the Raiders were the consummate party band, defining what frat rock could rise to. Born of the Northwest cauldron of the early sixties, PR&R moved from rockin' instros into anthemic party stomps before graduating to pop rock masterpieces. A handful of instros from their Columbia period appeared as B-sides and album tracks. This release captures them at full tilt live in the Columbia studios in 1964 before an invited audience and at rehearsal, plus on released studio sides. Overall, this is pure party... and instrumentally, it's highlighted by a half-dozen rockers with some decent guitar work... not surf, but hard rockin'. Oh yeah, and there are two takes of "Louie Louie" and two "Louie - Go Home."
Picks: Night Train, Peter Gunn, Whole Lotta Nothin', You Can't Sit Down, Night Train, Comin' Home Baby, I'll Be There, Blue Fox

Track by Track Review


Night Train dotdotdot
Rock (Instrumental)

This live take from the Columbia studios shows off the band's purest party ethic. Once James Brown had made "Night Train" a standard, it became a nearly mandatory set add-on. Endlessly rockin' this pumped with energy and spirit. The sound is a little less rich, but the drive overcomes that fully.

Peter Gunn dotdotdotdot
Rock (Instrumental)

With the Pacific Northwest hat on tightly, the madmen of rock and roll pump out this sax raspy assault on the temple of "Peter Gunn." This tune has been rocked powerfully by many, from the Pirates (Mick Green) to Davie Allan and the Arrows. Paul Revere and the Raiders give it the party anthem treatment to great effect. The guitar is relegated to a support role beneath the nasty sax, but it surely rocks.

Whole Lotta Nothin' dotdotdot
Rock (Instrumental)

This James Brown styled number romps in a mid tempo rhythm frenzy with false stops and a great walking bass line. Interrupted by great lines like "I'm kinda ugly now, I smell like I'm dead, but I'm gonna try and play my guitar behind my head," this surely musta been a standard break tune. Very cool. It's not the Merced Bluenotes tune.

You Can't Sit Down dotdotdot
Rock (Instrumental)

The Dartells' "You Can't Sit Down" is dramatically introduced before becoming a Dave Lewis styled rocker. Tasty stuff.

Night Train dotdotdot
Rock (Instrumental)

This is the studio version that backed their first Columbia single "Louie Louie." It's pure joy, rich with crisp sound and precision funk. The guitar is very nice, slightly reverbed, and very percussive. Excellent sax work, and as a bonus, the session producer was Roger Hart under the executive guidance of Mitch Mitchell.

Comin' Home Baby dotdotdot
Rock (Instrumental)

This is actually quite a saucy rendition of Herbie Mann's jazz classic. It's from a rehearsal at the Columbia studios. Very cool sax work, and chatter between the musicians enhance the reality of the take.

I'll Be There dotdotdot
Rock (Instrumental)

This very soulful slow dance number reeks of sock hops, cast iron bras, and corsages. It's not particularly special, just a solid glimpse into the pimple years.

Blue Fox dotdotdot
Rock (Instrumental)

Your basic rockin' riff... a little "Night Train" sax, and tasty damped guitar chords, interspersed with "Señor, it's a blue fox?" and more. This tune was standard fare in their set back then... destined for a novelty instro B-side.

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Jimmy Reed - Plays 12 String Guitar Bluesdotdotdot
artworkInspired by the overnight success of Eric Darling's 12 string on the Rooftop Singers' hit "Walk Right In," this album refashions Jimmy Reed's classic blues hits and a few new tunes into ultra smooth rolling rhythms accompanied by his sticky sweet harmonica and funky guitar. In my youth, my brother had this album, and I used to "borrow" it just to hear Jimmy play. After hearing Jimmy Reed on KDIA and KSAN, I had obtained some of the singles, "Big Boss Man," "Baby What You Want Me To Do," "Take Out Some Insurance," and "Bright Light, Big City." About a decade ago, I tracked down a clean stereo copy of this album, but now that it's on CD from the masters, well, I'm just way too happy. There's no surf here, but you broad minded instro fans may well find this rewarding.
Picks: Bright Lights, Big City, St. Louis Blues, Blue Carnegie, New Chicago Blues, Big Boss Man, Hush Hush, Blues For Twelve Strings, Baby What You Want Me To Do, Boogie In The Dark, Take Out Some Insurance, Aw, Shucks, Close Together

Track by Track Review


Bright Lights, Big City dotdotdot
Blues (Instrumental)

Jimmy Reed's classic progression behind a subtle acoustic 12 string lead where once his vocal slid. Easy rolling blues for an afternoon trip uptown.

St. Louis Blues dotdotdot
Blues (Instrumental)

This is a very nicely played rendition of W. C. Handy's "St. Louis Blues," with a single note 12 string lead. Easy, smooth, and gentle.

Blue Carnegie dotdotdot
Blues (Instrumental)

Jimmy's sweet and squeaky harmonica plays out atop his 12 string... this is one easy track, with its rolling rhythm and smooth guitar.

New Chicago Blues dotdotdot
Blues (Instrumental)

"New Chicago Blues" sports a really nice melody line over Jimmy's classic progression. The 12 string has a slightly metallic sound as he uses it here, giving it a folky edge. Quite nice.

Big Boss Man dotdotdot
Blues (Instrumental)

Here are classic Jimmy Reed riffs, tempo, and feeling. The 12 string is very soft in the mix, relegating it more to a part of the rhythm track than a lead exactly, and undermining the potential power.

Hush Hush dotdotdot
Blues (Instrumental)

A very soft 12 string lead gently focuses this pristine performance. Mostly rhythm dominated, it none the less has a friendly appeal.

Blues For Twelve Strings dotdotdotdotdot
Blues (Instrumental)

This track is splendid. "Blues For Twelve Strings" sports a mighty fine Jimmy Reed rhythm track and an infectious and sparkling lead 12 string. The rhythm track is slightly reminiscent of the Champs' "Tequila." This is my fave of the set, bar none.

Baby What You Want Me To Do dotdotdotdot
Blues (Instrumental)

This exceptional Jimmy Reed blues number is a little less plaintiff in instrumental form, but no less listenable. The 12 string lead states his case with eloquence and charm.

Boogie In The Dark dotdotdot
Blues (Instrumental)

"Boogie In The Dark" seems less frivolous in this format, and the take is pretty sparse. Perhaps I'll pass on this one.

Take Out Some Insurance dotdotdot
Blues (Instrumental)

Gentle blues, no frills rolling slow boogie, and that familiar Reed progression. The 12 string is soft, but appropriate for the tune. What I miss on this track is Jimmy's plaintiff cry to "take out some IN-show-wince."

Aw, Shucks dotdotdot
Blues (Instrumental)

This tune always seemed like a summary of his style, maybe even a reduction of his hits into a definitive Jimmy Reed soup. Instrumentally, this is a little less depressed, but it carries the basic feeling.

Close Together dotdotdot
Blues (Instrumental)

I'm not really sure why, but this reminds me slightly of Paul Johnson's blues compositions... not in the writing exactly, more in the phrasing. It's not that joyful blues Paul goes for, but more a rhythmic resignation to reality.

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The Rumblers - Punch Drunkdotdotdotdot
artworkThis is Robert Johnson's post Bottle Ups / pre Punchdrunks band. Overall, melodic rockin' hard drivin' basic rock 'n' roll. 9 vocals and five instros will wear you out as you are pounded by thundering bass and great drums behind very strong Link Wray inspired music.
Picks: Punch Drunk, Have Guitar, Will Travel, Bo Diddley Goes Ape, Speed Limit, Hillside Strangler

Track by Track Review


Punch Drunk dotdotdot
Rock (Instrumental)

Grinding riff rockin' post Link Wray thrash, with non shortage of intense energy and rockin' attitude. Thick guitar distortion displaying articulate picking. At a minute and a half, it's pretty short, but quite satisfying.

Have Guitar, Will Travel dotdotdot
Rock (Instrumental)

Aside from the great title, "Have Guitar, Will Travel" rocks in the rockabilly trash tradition, like a grindy version of the Cadillac Angels, more intense and noisy, but equally cool.

Bo Diddley Goes Ape dotdotdotdot
Rock (Instrumental)

Incredibly fine "Bo Diddley" riffs with a rock solid beat and gutsy guitar sound. The aggressive stance of the track, together with the vibrato throb, make for primal listening. Excellent!

Speed Limit dotdotdotdot
Rock (Instrumental)

Hard drivin' rock 'n' riff grind, like a distorted Eddie Angel kinda tune, only a bit faster. The raw edge and the relentless nature of the tune give it an intense roadhouse feel.

Hillside Strangler dotdotdotdot
Rock (Instrumental)

Majorly Link Wray inspired, with all the raw edge and sustain that implies, along with primal distortion. This is quite a strong track, projecting images of roadside bars with bikers and low riders objecting to one another's presence in their usual way. Great!

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Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Ralph - This Is For The Night Peopledotdotdot
artworkRalph combines the jazz ethics of the soft side of the fifties with the quirk of Rod McKuen lyrics, presented in a home made format destined for a coffee house near you. It's a completely unpretentious romp in the pretense of the fifties. Leave your serious side home and enjoy the suave side of life. Resting among the sidewalk fun are three instros.
Picks: Short Mood, Jazz #1, Jazz #2

Track by Track Review


Short Mood dotdotdotdot
Near Surf (Instrumental)

This 42 second moody guitar number features shimmering surf guitar and a dramatic backtrack. Slow and silky, yet a little menacing, "Short Mood" fills the need. I want more like this!

Jazz #1 dotdotdot
Jazz (Instrumental)

Jazz guitar, delicately laying out a tiny mood... and at 37 seconds, tiny is all you get.

Jazz #2 dotdotdot
Jazz (Instrumental)

Your typical Wes Montgomery school of jazz guitar, against jazz drums for 39 seconds.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Los Relampagos - 1965dotdotdot
artworkLos Relampagos (the Lightnings) was to Spain what the Shadows were to England and much of Europe and the Ventures were to the US and Japan. This disc collects some of the more rockin' sides, with some marvelous arrangements and a nearly surf version of "Miserlou."
Picks: Dos Cruces, Seguidillas, Luna de Espana, Le Leyenda del Beso, Maria Dolores, Babieca, Hay Quien Dice de Jaen, Nit de Llampecs, Limosna de Andalucia, Noches de Andalucia, Dulcinea, Misirlou

Track by Track Review


Dos Cruces dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

"Dos Cruces" opens with the "Walk Don't Run" rhythm, but then graduates to a very Shadows style, with the requisite deep whammy. The airy slushy keyboards are a strange contrast. The melody is mature and wistful, but also supports some surfability.

Seguidillas dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Like a sideshow flamenco, this prances with precision military timing and a fluid melody, castanets, and way too much fun.

Luna de Espana dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Whirling organ over damped guitar present a Mediterranean melody with an ear for slightly splashy pop-rock in an MOR vein.

Le Leyenda del Beso dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

The organ takes the lead on this track. The guitar, bass and drums lay down what could be a great backtrack to a fine guitar instro, and under the organ, it seems to bring more edge and immediacy. The melody is enjoyable, and the overall effect a little like a Joe Meek track.

Maria Dolores dotdotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Spanish chop, warm guitar leads, and a generally Euro sound. At first, this didn't strike me as memorable, but afterwards, I wanted to listen again. Very nicely done.

Babieca dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

A galloping rhythm under a haunted organ lead... makes for a slightly strange mix, especially as the chorus comes in. The arrangement is a little like Joe Meek, but a lot less compressed and full.

Hay Quien Dice de Jaen dotdotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

A bit of the Spanish cowboy, shouts and warm guitar tone, and an infectious rhythm. "Hay Quien Dice de Jaen" may be the coolest track here, just begging for a modern surf cover.

Nit de Llampecs dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

This is a time-warped piece, with near "Telstar" keyboard sounds and hints of "Washington Square" at the ends of the riffs, and excellent almost surf delayed lead guitar with a shimmering feel. It's a slow and almost military number with a cool melody.

Limosna de Andalucia dotdotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

This guitar track is nicely played in lower registers, and crosses between the Shadows sound and something more distinct. It also sports great drums. Solid.

Noches de Andalucia dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Acoustic flamenco guitar and fluid organ, this loungy number floats across the mind with a peaceful sub-Shadows feel and a commercial air. Quite nice.

Dulcinea dotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

"Dulcinea" opens with a serious version of the narration style used in the Treble Spankers' "Araban," and features an almost calliope melody and feel. It's playful, slightly twisted, and quite fun. The dulcimer tone is tasty.

Misirlou dotdotdotdot
Flamenco Based Surfish Soft Rock (Instrumental)

Ah, yes... organ and guitar... The guitar double picks the lead a la Dick Dale, but not as driven. It's a little like some Japanese version from that stand point, but it's also very cool, maybe even a little like the King Loser version of 30 years later. Lots' of fun.

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Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Robert and the Roboters - Demodotdotdot
Robert and the Roboters are German. This CD-R came without track titles or any other credits.
Picks: Untitled, Untitled, Tanz du Luna, Untitled

Track by Track Review


Untitled dotdotdot
Surf (Instrumental)

Bouncy and swimming in whammy, this is more a novelty track with animal noises and lo-brow chants. The jungle surf thing works until the moron chanting comes along.

Untitled dotdotdot
Surf (Instrumental)

Bouncy and swimming in whammy, this is more a novelty track with animal noises and lo-brow chants. The jungle surf thing works until the moron chanting comes along.

Tanz du Luna dotdotdot
Surf (Instrumental)

Vibrato shimmering, odd utterances, and a progression based melody line... The chords in the mid section are very cool despite the vocalizing, which is like Kraan gone sideways.

Untitled dotdotdot
Surf (Instrumental)

Bouncy and swimming in whammy, this is more a novelty track with animal noises and lo-brow chants. The jungle surf thing works until the moron chanting comes along.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Rick Rossano - Instrumental Institutiondotdotdotdot
artworkFlorida based Rick Rossano, backed by fellow Dillengers members Charlie Gonzales and George Anderson cut some awesome instros in the big guitar tradition.
Picks: Rumble, Good Bad and the Ugly, Harlem Nocturne, Surfing Espionage Suite, The Magnificent 7, Goldfinger

Track by Track Review


Rumble dotdotdot
Big Guitar (Instrumental)

Link Wray and his Raymen's "Rumble" gets the compressed drum kit big guitar treatment for a nasty effect. The toughness is obvious, as is the edge. The arrangement is based on Link Wray's LP version, not the single.

Good Bad and the Ugly dotdotdotdot
Big Guitar (Instrumental)

This is a smooth version of Enio Morricone's "The Good, the Bad, and the Ugly," with big sustained guitar, distorted to great effect. The big guitar tone and compressed drums make this an intense experience.

Harlem Nocturne dotdotdot
Big Guitar (Instrumental)

Earl Hagen's masterpiece is based on the Viscounts arrangement strained through a guitar thriller. With guitar replacing the sax, the song takes on a nastier less romantic edge. Quite cool.

Surfing Espionage Suite dotdotdotdot
Big Guitar Spy Surf (Instrumental)

This surf and spy medley is a pleasure. While not particularly original, it is fun and surf worthy. Within, you will find "Pipeline," "A Shot In The Dark," "Peter Gunn," and "James Bond."

The Magnificent 7 dotdotdotdot
Big Guitar Surf (Instrumental)

Al Caiola's "The Magnificent Seven" gets the double pick treatment, and boy does it shine. Gutty, twangy, surfy, and growling. This is a splendid take.

Goldfinger dotdotdotdot
Big Guitar Spy (Instrumental)

Big twang spy theme music, oozing suave and warm chords, and dribbling picking. Quite a nice version.

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Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Johnny Rivers - Meanwhile Back At The Whiskey A Go Godotdotdot
artworkWith lots of Johnny Rivers' material out on CD domestically, it seems strange to me that this Imperial album has remained in the can until now. This French release also includes three bonus tracks. Meanwhile Back At The Whiskey A Go Go is an infectious live album, full of folk based electric rock and roll produced by the legendary Lou "Folk Rock" Adler. Among the gems found on this disc are Rivers' hit The "Seventh Son," "Parchman Farm," Charlie Rich's "Break Up," the TV spy classic "Secret Agent Man," and a rousing performance of 0's "" re-titled "Un-Square Dance."
Picks: Un-Square Dance

Track by Track Review


Un-Square Dance dotdotdot
Country (Instrumental)

This is a short but rousing version of Chet Atkins' "Wildwood Flower," cut live with an immediate sound. At 45 seconds long, it's barely enough to get a-hold of, yet it shouldn't be any longer. Country guitar and sub-surf energy.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Ronny and the Daytonas - Sandydotdotdot
artworkFlorida's Ronny and the Daytonas recorded semi-Beach Boys vocal hits, one of which was the romantic "Sandy." The b-side was the instro backtrack with a lead guitar overdubbed.
Picks: Sandy (Instrumental)

Track by Track Review


Sandy (Instrumental) dotdotdot
Sub Surf (Instrumental)

This is Ronny and the Daytonas' only instro. It's the backtrack to the vocal with a soft guitar overdubbed carrying the melody line. While it's pretty soft, it fits next to the surf envelope. Pretty and melodic, with a beach feel.

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Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rapiers - You're Never Alone With The Rapiersdotdotdot
artworkThis is the first new album in almost a decade from one of Britain's early rock bands. They have retained their credibility and edge very well. The production, while modern and clean, is much as Joe Meek would have done it back in the early sixties. Highly compressed and thick, yet with every detail crisp and clear. 9 excellent instros and 6 vintage rock 'n' roll vocals grace the disc. While well within the British rock instro genre made most familiar by the Shadows, this is fresh and very much the Rapiers own sound. An excellent CD.
Picks: Lynch Mob, The Phantom Stage, Barney's Blues, Captain Scarlet, Robbesque, Spanish Armada, Lauren's Theme, Shady Character, The Lonely Man Theme

Track by Track Review


Lynch Mob dotdotdot
Rock (Instrumental)

A Faster track, very much like Hank Marvin might do it. It is an interesting melody, intensely played. Lots of energy.

The Phantom Stage dotdotdotdot
Rock (Instrumental)

Thick cowboy tinged and adventurous, this Euro instro sports lots of drive and spunk. The thickness of the production has hints of Joe Meek. Quite cool.

Barney's Blues dotdotdot
Rock (Instrumental)

"Barney's Blues" is a soft blues instro with a jazzy edge. A little like something from Chet Atkins or Johnny Smith, this floats through a smooth arrangement of soft sounds and tones.

Captain Scarlet dotdotdotdot
Rock (Instrumental)

Giant compressed drums and space effects power this quirky instro. It's a bit like the poppier side of the Tornados, and heavy handed with compression. It's quite a marvel what the Joe Meek compressors can do. Really cool.

Robbesque dotdotdot
Rock (Instrumental)

This galloping instro is light hearted and adventurous, in a heavier Shadows tradition, with eastern European elements. Quite a nifty track.

Spanish Armada dotdotdot
Rock (Instrumental)

A moody organ opens this funky plucky track. The Shadows basis is not overpowering, and the haunted echo brings a sense of risk. Thick production and a quaint British instro sound. Quite enjoyable. I don't detect a Spanish influence.

Lauren's Theme dotdotdot
Rock (Instrumental)

This "Sleep Walk"-ish number floats on a boulevard of post teen hop romance. Drifty and light weight, "Lauren's Theme" waxes eloquent about the object of desire.

Shady Character dotdotdot
Rock (Instrumental)

Big tom-toms open this uniquely British tune. Dramatic, exotic, and a bit ethereal, yet brash and spunky. Lots of drum solos pushed to the huge side with chamber reverb. In some ways, there's the feeling of a fifties Latin jazz epic like "Cuban Potato Chip." Goodness!

The Lonely Man Theme dotdotdot
MOR (Instrumental)

"The Lonely Man Theme" is a fluffy MOR dreamer, with echo used to the max to create that dream state. melodic and mature.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Royal Fingers - Wild Eleki Deluxedotdotdot
artworkThin lo-fi mono sound muffle the power while delivering the fire of the band. I'll bet they rock live.
Picks: Go Royal Fingers Go, Blue Jean No. 1, Black Sand Beach, Bonneville, Hey Chance, Golden Guitar, Ace Of Toyota, Running Donkey, Point Panic, Violet Sky, Test Driver, West Side Guitar, Wild Datsun, Burning 240Z, Crazy Sue Sax, Ajoen Ajoen, The L.A., Echo Rocket 66

Track by Track Review


Go Royal Fingers Go dotdotdot
Trash Surf (Instrumental)

Hard drivin' riff rock with reverb and edgie sound. Big twang and fiery glissandoes in a fifties format.

Blue Jean No. 1 dotdotdot
Trash Surf (Instrumental)

Bun bustin' surf riff rock, double picked and supported by swirly organ. Fiery, but really interesting.

Black Sand Beach dotdotdot
Trash Surf (Instrumental)

This is a harsh cover of Yuzo Kayama and the Launchers' tribute to the Ventures. Lots of fire, plenty of stylin' guitar work. Mostly, it's just a louder more raucous version of the original.

Bonneville dotdotdotdot
Trash Surf (Instrumental)

This is a pretty cool track. The melody is bouncy and fun, and the spirit of the band very much in the surf groove. Fast and spunky, "Bonneville" crashed and splashes with fire and fine guitar work.

Hey Chance dot
Trash Frat Organ (Instrumental)

Trashy frat rock, with big organ and little going for it.

Golden Guitar dotdot
Trash Surf (Instrumental)

Big twang and string bending, harsh edge and drive. In some ways, a little like Bob Vaught's trashier moments. Not melodic, just edgie.

Ace Of Toyota dotdotdotdot
Trash Surf (Instrumental)

Much like one of the Boss Martians more fiery tunes, this is infectious and furious. Great surf splashiness and a solid riff. Too much fun to pass up.

Running Donkey dotdotdot
Trash Surf (Instrumental)

A cowboy bumble bee kinda tune, big trash whoops and hollers, and a tuff rhythm. All that, and it doesn't rise much above a frat exercise.

Point Panic dotdotdotdot
Trash Surf (Instrumental)

Surfaris' "Point Panic" is trashed to the max, driven hard, and fired at will. Wild abandon is experienced within this pure teenage surf rant.

Violet Sky dotdotdot
Trash Surf (Instrumental)

This is a nifty cover of Yuzo Kayama and the Launchers' "Violet Sky." Using a rhythm pattern like "Shakin' All Over," "Violet Sky" gradually builds to an oriental theme with exquisite whammy and a colorful feel. This moderately paced cover is mighty cool.

Test Driver dotdot
Trash Surf (Instrumental)

Takeshi Terauchi and Blue Jeans' "Test Driver" is harshly pumped out. I think it loses the charm of the original.

West Side Guitar dotdot
Trash Surf (Instrumental)

An OK cover of Takeshi Terauchi and Blue Jeans' "West Side Guitar." Not particularly interesting.

Wild Datsun dotdotdot
Trash Surf (Instrumental)

A minimal surf riff drives this track. It's a little too repetitious to hold interest. Not enough variation to keep it afloat.

Burning 240Z dotdotdot
Trash Surf (Instrumental)

"Burning 240Z" is a fiery original with a big twang sound and a formula construct. An unabashed manic performance.

Crazy Sue Sax dotdot
Trash Surf (Instrumental)

"Big Wipe" Out based frat trash. High spirits don't overcome a lack of writing.

Ajoen Ajoen dotdotdotdot
Trash Surf (Instrumental)

"Ajoen Ajoen" presents a melodic and infectious sound and beat, with interesting arranging and playing. It has an island feel, and a Ventures influence.

The L.A. dotdot
Trash Surf (Instrumental)

Big twang and a riff. Rhythmic, but not infectious.

Echo Rocket 66 dotdotdotdot
Trash Surf (Instrumental)

Pumping surf, great reverbed lines, and a very interesting structure. It's a little like the Nocturne's "Third Star From The Left." The very cool variations and damped plucking get to your inner core. Excellent track.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Romulans - Flight Ofdotdotdot
artworkHeavy psych-grind coolness lies within. The disc crashes right into the thick of it with "Paisley Farm," which is a healthy slab of bulbous fullness. The drums on "In The Corner Of Your Room" remind me of Martyn Jones (ex-Mermen). I noticed these guys ages ago via singles, and secretly wished for a CD comp. I am amply rewarded. They cover San Francisco sixties band the William Penn V's amazing "Swami," and spice it all up with a pair of gnarly psych instros, one of which sure is surf based.
Picks: The Mighty Fallen Ogre, Itchy and Scratchy

Track by Track Review


The Mighty Fallen Ogre dotdotdotdot
Psychedelic (Instrumental)

Heavy thundering psychedelic howling, fuzz edged intensity, and long demented journey. This is an intense track with a huge thick sound. Stretched out and relentless, "The Mighty Fallen Ogre" segues out of "Allias Lovely."

Itchy and Scratchy dotdotdotdot
Psychedelic Surf (Instrumental)

Thundering double beat drums, psychedelic-surf guitar melody, and a thick grind rhythm. This is definitely structured like a surf song for a thunder storm day, with menacing power and dramatic power. Mavericks comes to mind via the long howling feedback.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Revelaires - High Tidedotdotdot
artworkThe Revelaires are the surf counterpart to the Whodads' lounge and suave instros. This is their second release. It's all covers, some common and some not so. In most cases, they use precision and restraint where others use speed, and the richness of the sound and playing make this a very enjoyable CD.
Picks: Third Star From The Left, Volcanic Action, Out Of Limits, Intoxica, Bombora, Baja, The Victor, Banzai Pipeline, High Tide, Third Man Theme, Peter Gunn, Mr. Moto, Where'D Ya Get That Bruise, Fugitive, Hawaii Five-0

Track by Track Review


Third Star From The Left dotdotdotdot
Surf (Instrumental)

The Nocturnes' "Third Star From The Left" gets the tribal treatment from the Revelaires, who "got it" when the covered it, right down to the horns. An excellent version!

Volcanic Action dotdotdot
Surf (Instrumental)

More delicate than the Belairs original, with rich almost Duane Eddy twang, and a deliberate pace. The changes give it a more precise sound, replacing the energy with suave. Very cool.

Out Of Limits dotdotdot
Surf (Instrumental)

While this is quite well done, it's been covered so many times it's not interesting anymore.

Intoxica dotdotdot
Surf (Instrumental)

Bob Hafner's drinking epic gets a rich performance. Not as loud and intense as the Apemen, but fuller than most others. Pure period surf.

Bombora dotdotdotdot
Surf (Instrumental)

It's hard to imagine that you can play this richly and precisely, and it still portrays the power of the trashier loud versions. Great tribal drums and beautiful double picking, and the sax break is quite good too.

Baja dotdotdotdot
Surf (Instrumental)

A lot like the Cruncher's delicate version, this performance is rich and rhythmic, restrained and very cool. The feather weight approach demonstrates yet again just how flexible and durable this tune is. Great version.

The Victor dotdotdot
Surf (Instrumental)

Dick Dale's middle eastern tune is arranged a lot like his 1975 GNP version, but less the chorus. melodic and well played.

Banzai Pipeline dotdotdot
Surf (Instrumental)

Henry Mancini's "Banzai Pipeline" is titled Kuk on this CD, so I am assuming they took it from a mislabeled Astronauts reissue. In any event, this is a solid performance, retaining the suave of Mancini and the surf of the Astronauts.

High Tide dotdotdot
Surf (Instrumental)

The Lively Ones' "High Tide" has come up a lot lately. This is a solid version, rich and rhythmic, and well played. The double picked leads are clean, and the sax bridges are a great touch. The midsection is pristine and liquid, and the sax break leads right into the hot double picked last verse as it should. Very nice, and quite reverent.

Third Man Theme dotdotdot
Surf (Instrumental)

Twangy and cool, but more a whammy rocker than surf. Interesting in a quirky kinda way.

Peter Gunn dotdotdot
Surf (Instrumental)

Henry Mancini's "Peter Gunn" throbs and vibrates in heavy thunder with horns carrying the lead. It's an unusual arrangement for a surf band. Quite tasty.

Mr. Moto dotdotdot
Surf (Instrumental)

The Belairs' most often covered tune is reverently done. A little restrained, yet pleasantly delicate.

Where'D Ya Get That Bruise dotdotdot
Surf (Instrumental)

Not many bands cover this Evan Johns and his H-Bombs song. Sustained and sound pretty Austin. Solid and warm.

Fugitive dotdotdot
Ventures (Instrumental)

Ventures' number is delivered with edge and precision, but nothing really unusual. Just a solid performance and a good listen.

Hawaii Five-0 dotdotdot
Surf (Instrumental)

Big Ventures cover... not much new, but very competent and friendly, relying on precision instead of power to make it work. Nice take.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Retroliners - Subway Surfingdotdotdot
artworkThe Retroliners have moved into moodier territory with this, their second release. There are some nice moments here, and several bonus live tracks that really show off the prowess of the band. The guitar tends to be pretty atmospheric, but not spacy. The structures and sounds are not traditional surf, yet there is the distinct feel of the genre. An interesting CD for adventurous surf fans, or rock instro fans without narrow limits.
Picks: Subway Surfing, Caught In The Undertow, El Toro Vencedor, Beta Wave, Space Needle Stomp, Hoboken Hitman, Past Curfew, Step Lively, Spies In The Palace, Andy Warhol, (theme from) The Sleuth, Chelsea Beat, Cat Walk, Bullet Train, Transylvania Twist, Monica, Lithium (interlude), Harlem Nocturne, Rock Lobster

Track by Track Review


Subway Surfing dotdotdotdot
Surf (Instrumental)

"Subway Surfing" floats down the rails towards adventure. A little relentless, with an unusual beat and bass line, this track is just shy of warm, almost welcoming, yet the minor sadness comes through. The riffs are interesting, and the ringing chords nicely whammied.

Caught In The Undertow dotdotdot
Surf (Instrumental)

The main riff here is slightly middle eastern. The glissandoes a little rough, yet it tastes of salt spray and leisurely small wave action on a desolate beach. Nice track.

El Toro Vencedor dotdotdot
Surf (Instrumental)

Spanish dribbled double picking intro, then a simple riff hinting of sub-border cruising. A pleasant journey to the tacoria.

Beta Wave dotdotdot
Surf (Instrumental)

The main riff here is a reflection of "What'd I Say," but not a direct borrow. The melody line reminds me of the Evasions, but in an inverted way.

Space Needle Stomp dotdotdot
Surf (Instrumental)

"Space Needle Stomp" is almost fluid, yet retains an air of unnatural action. A little unnerving, yet surfish and stormy.

Hoboken Hitman dotdotdot
Surf (Instrumental)

"Hoboken Hitman" is a nicely arranged number with a simple riff and slightly eerie chord action. The riffs are off the beaten path for surf.

Past Curfew dotdotdotdot
Surf (Instrumental)

Vibrato slinkiness and a bit of Link Wray, but gentle and inviting. Maybe the best track here, "Past Curfew" is an simple and direct instrumental with a lubricated edge. maybe in the dockside mold of the fifties, it's quite endearing.

Step Lively dotdotdot
Surf (Instrumental)

Make nice with your shoes bouncing off the pavement, lads. Prancy and playful, and a little goofy, yet very enjoyable.

Spies In The Palace dotdotdotdot
Surf (Instrumental)

Those pesky spies are at it again, this time hiding in the pantry at the royal palace. A little repetitious, but also an enjoyable syncopated romp.

Andy Warhol dotdotdot
Surf (Instrumental)

I can't quite see "Andy Warhol" when I listen to this, but that doesn't detract from the angular bounce and twang.

(theme from) The Sleuth dotdotdotdot
Surf (Instrumental)

Detectives and damsels in distress, lurkers under street lamps, and slinky moonlight drives. "(theme from) The Sleuth" is an enjoyable look into the PI world. Quite smooth and friendly.

Chelsea Beat dotdotdot
Surf (Instrumental)

"Chelsea Beat" flows OK, but is not quite melodic. It sports a bit of low key drama, and some interesting moments.

Cat Walk dotdotdotdot
Surf (Instrumental)

Slithering along the sidewalk on a wave of vibrato, "Cat Walk" is a cool smooth tune with a touch of the blues and a bit of sophistication.

Bullet Train dotdotdotdot
Surf (Instrumental)

On the faster side, "Bullet Train" is based on traditional fifties guitar boogies, while using a different beat to keep it fresh. A hint of a railroad yard, and a bounce of chuck holes in the road of life. Pretty fun track.

Transylvania Twist dotdotdotdot
Surf (Instrumental)

This live track shows off the Retroliners' raw side, and sports more reverb surf sounds than the studio tracks here. While it's a little crude sound wise, the song is strong and the edge mean.

Monica dotdotdotdot
Surf (Instrumental)

Whammy and wiggles, lots of reverb, and moody riffs. "Monica" must be a sad lady of the sea. In some ways, this reminds me of the Mermen. Big, visual, dramatic, and quite memorable. The studio version on their first album is more delicate.

Lithium (interlude) dotdot
Surf (Instrumental)

A little slow, "Lithium (interlude)" is a nice bass filler while some one tunes up.

Harlem Nocturne dotdotdot
Surf (Instrumental)

Earl Hagen's magnificent "Harlem Nocturne" gets the big guitar treatment, with feedback and sustain, and a different darkness than the Viscounts. Vibrato and howls.

Rock Lobster dotdotdot
Surf (Instrumental)

The Retroliners close the set with rousing instro treatment of "Rock Lobster." Howls, bass riffs, and no remorse. The guitar tone is so unlike the B-52's that it takes on a whole new feel.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Rare Bird - S/T / Somebody's Watchingdotdotdotdot
artworkThis twofer couples the first and third LP's from one of progressive rock's lost bands. Their first couple of albums were on ABC in the US, and later releases were Polydor. Their sound was a little operatic, often organ dominated, and inconsistently creative. Sometimes juvenile, sometimes quite sophisticated, Rare Bird were not like their peers. Because of this, they would languish in relative obscurity, never developing a following outside the UK. They just didn't fit. For me, that was part of their charm. Like the Nice, they leaned on classical structures, but unlike the nice, they mixed in pop and pomp, and did so with virtually all original material. Interestingly enough for me, these two LP's were always my faves, so finding this package was quite a treat. As a bonus, "Somebody's Watching" includes a very cool extended jam based on Enio Morricone's main score from For A Few Dollars More.
Picks: Dollars

Track by Track Review


Dollars dotdotdotdot
Spaghetti Prog Surf (Instrumental)

This is a splendid jam erupting from Enio Morricone's "For A Few Dollars More" with power and abandon. Rhythmic and writhing like a soulful nougat, this only falls short of perfect in the too-jammy midsection. If you edit it out, this really rocks. Great guitar, solid keys, thumping bass, and excellent drums. It even almost feels aquatic.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Rare Bird - Somebody's Watchingdotdotdot
artworkThis is Rare Bird's third LP. They are one of progressive rock's lost bands, with a sound that's both innocent and pompous, simple and arty. "Somebody's Watching" includes a very cool extended jam based on Enio Morricone's main score from For A Few Dollars More.
Picks: Dollars

Track by Track Review


Dollars dotdotdotdot
Spaghetti Prog Surf (Instrumental)

This is a splendid jam erupting from Enio Morricone's "For A Few Dollars More" with power and abandon. Rhythmic and writhing like a soulful nougat, this only falls short of perfect in the too-jammy midsection. If you edit it out, this really rocks. Great guitar, solid keys, thumping bass, and excellent drums. It even almost feels aquatic.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Rick and the Ravens - Big Bucket T c/w Rampagedotdotdotdot
artworkThis single was recorded "live" somewhere, by a band that evolved into the Doors. It's pre-Morrison, and sounds nothing like the later incarnation. The A-side "Big Bucket T" is a Ronnie and the Daytonas style hot rod vocal. BNoth sides were penned by Ray Manczarek. Great stuff.
Picks: Rampage

Track by Track Review


Rampage dotdotdotdot
Surf (Instrumental)

"Rampage" is an unusual song, significantly off the beaten path, infectious, danceable, and way fun. Calls of "let's move," "let's groove," and "rampage!" are shouted as appropriate. You can just picture the audience doing the surfers stomp at some teen dance in old LA. This track goes really well played loud with the top down (or windows open for the convertibly challenged) on surf route 101. It is one of those magical moments when just a few notes combined with a backtrack such that its very simplicity is its power. The song is written by Ray Manczarek. Magnificent.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Red Hot Lava Men - Apocalypse Wowdotdotdot
artworkThis six song demo from Richmond, VA's Red Hot Lava Men shows off some fine playing and writing. More instro than surf, often very well thought out, this is a fine disc. The music is sophisticated without being pretentious, and also connects directly to your emotions. I'm looking forward to a whole CD.
Picks: Apocalypse Wow, Punk Rasta Lowriders From Hell, (Theme From) Crazy Man, Coed Surf Naked, Dear Wallflower, Speed Fantastico

Track by Track Review


Apocalypse Wow dotdotdotdot
Surf (Instrumental)

Danger lurks in the allies. Surf dribbles from the double picked leads. The melody line is interesting, as is the arrangement, which is pretty darn sophisticated without losing its edge. Double picking, big twang, and a cool sound.

Punk Rasta Lowriders From Hell dotdotdot
Surf (Instrumental)

Rhythm dominated, spunky, and neither lowrider or punky. Edge and riffs and a relentless drive, with great drums.

(Theme From) Crazy Man dotdotdot
Surf (Instrumental)

Smooth delivery for this fine melody, with a soft edge and very nice guitar work. The overall composition is warm and adventurous, with a sunny afternoon glow.

Coed Surf Naked dotdotdot
Surf (Instrumental)

More surfy than the rest structure wise, "Coed Surf Naked" picks out a riff based number with a catchy line and title. A little derivative in spots, but also fresh and fun.

Dear Wallflower dotdotdot
Surf (Instrumental)

Soft and slow, richly chorded and warm, "Dear Wallflower" is a fine track for displaying the lead guitarist's skill against a very supportive backtrack. Cool melody for an afternoon stroll with your honey.

Speed Fantastico dotdotdotdot
Surf (Instrumental)

Thrashy glissandoes and warm whammy, intense big guitar drive and powered drums and bass. This is the rocker of the set, with great drive and writing. A little spy-like, but mostly warm and slightly countrified.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Dexter Romweber - Chased By Martiansdotdotdot
artworkDexter Romweber is the guitarist with the legendary Flat Duo Jets. This solo effort comes from that general perspective, with 10 rockabilly psycho vocals and 8 unnerving instros in the key of trash. The music ranges from brilliant scary to moron rock. Totally fun, and definitely not for the faint at heart or those afraid of thrashing classic sounds. Did I mention how fun this disc is?
Picks: Guybo, Bombora, Tombstone Boogie, The Curse Of The Little Bastard, Do The Lurd !!, Witchdoctor, Walkin' With Scary Hillbilly Monsters, Saint Louis Blues

Track by Track Review


Guybo dotdotdot
Fifties Trash (Instrumental)

"Guybo" is a chunky choppy stompin' fifties rock instro originally from Eddie Cochran. Big riffs and echo, and a bygone era party ethic.

Bombora dotdotdot
Surf Trash (Instrumental)

This is an almost unrecognizable thrashy cover of the Original Surfaris' "Bombora." It's big and intense, and drowning in edge and thrash. Big guitar fun.

Tombstone Boogie dotdotdot
Guitar Boogie (Instrumental)

This Dexter Romweber original has a bouncy forties feel to it, with choked guitar swipes and a stompin' beat. Riff rockin' fun.

The Curse Of The Little Bastard dotdotdot
Rock (Instrumental)

What a great title! "The Curse Of The Little Bastard" is a riff rockin' fool of a track, with a gnarly sound and a mean edge. It's dissonant and nasty, and grindy too.

Do The Lurd !! dotdotdot
Moron Rock (Instrumental)

Moron trash rock for thrashing sub-frat rock knuckledraggers. No really, this is a perfect too many beers song for college bums.

Witchdoctor dotdotdot
Chicken Bop (Instrumental)

Chunky choppy cutesy rockin' and nearly chicken boppin' fun from out behind the barn. Riff rock in the first degree.

Walkin' With Scary Hillbilly Monsters dotdotdot
Surf (Instrumental)

On a good day, you can see them in the weeds just off the road. "Walkin' With Scary Hillbilly Monsters" is a brilliant blend of country fiddle and crunchy riff rock, driving home that birth of rock and roll scene where Elvis imitates life and makes a killing. Very cool, like a manic Cat Mother and the Allnight Newsboys.

Saint Louis Blues dotdotdot
Blues (Instrumental)

Rockin' boogie treatment of "Saint Louis Blues" just chock full of fun. Real bouncy and primitive. Beer required.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Ralph Rebel - Surfin' and Rockin'dotdotdot
artworkThis is an interesting release. Many covers, and yet most stand up well to multiple listenings. Rockabilly artist Ralph Rebel approaches these traditional tunes by lightening up on the harshness and edge and driving them with richness and subtlety. Very well played and sometimes very originally arranged, these tracks offer another view of the rock instro / surf idiom. Of particular note is Stan Jones' classic "Ghost Riders," which is just about as original an interpretation as I've heard.
Picks: Half Pipe, Perfidia, Rumble, Rebel Rouser, Pipeline, Wipe Out, Justice, Sleep Walk, James Bond, Sabre Jet, Rawhide, Ghost Riders

Track by Track Review


Half Pipe dotdotdot
Rockabilly (Instrumental)

"Half Pipe" is a rockabilly instro that's almost identical to a Duane Eddy tune I can't quite place. Infectious and fun, and very well played, this has a measure of splash amidst it's cactus roots.

Perfidia dotdotdotdot
Surf (Instrumental)

Alberto Dominguez' fine tune introduced to the rock audience by the Ventures is softly delivered with liquid flow and shore break sounds. This is really nice, with great tom toms and beautiful aquatic tone.

Rumble dotdotdot
Rock (Instrumental)

Link Wray and his Raymen's "Rumble" is toned down a little, with less meanness and more flow. Rich and nicely whammied, and with some cool drum work, this is mostly a straight cover with a slightly softened edge. The vibrato verse is extreme and throbbing. Nice track.

Rebel Rouser dotdotdot
Rock (Instrumental)

This Duane Eddy / Lee Hazelwood tune has been covered often. While this is very respectful of the original, it's richer and very infectious, while less intensely youthful. Nice take.

Pipeline dotdotdot
Surf (Instrumental)

Many a cover of this classic tune exist. This is more than just another among the throng. A restrained heaviness sets it apart, as does a couple of verses of "Miserlou" and some semi-Hal Blaine drum work. A rough opening glissando and the common Jerry Cole melody error do not mar an otherwise tasteful version of the classic. Pretty nice!

Wipe Out dotdotdot
Surf (Instrumental)

OK, so it's fun, but without Ron Wilson, this tune is usually just OK. Some inspired drumming and some rockabilly guitar licks keep this from disappearing into the crowd. Surprisingly fresh sounding.

Justice dotdotdot
Rock (Instrumental)

Bill Dogget's "Honky Tonk" by any other name is still "Honky Tonk." tasty enough, and kinda slinky too.

Sleep Walk dotdotdot
Surf (Instrumental)

Reverbed vibrato guitars dribble and twang very sweetly through this venerable Santo and Johnny classic. Often butchered when not played on lap steel, Ralph Rebel makes this over into a very pretty piece. Some dribbling double picking, some surfy whammy, and lots of liquid suaveness. Nice take.

James Bond dotdotdot
Surf (Instrumental)

John Barry's "James Bond" is fluidly drenched in reverb and nicely arranged with cool whammy.

Sabre Jet dotdotdot
Rockabilly (Instrumental)

"Church Key" twang sets up this instro heavily influenced by the Central Coast sound of bands like the Revels and Duane Eddy's "Moovin' n' Groovin'." Lots of unpretentious fun.

Rawhide dotdotdot
Surf (Instrumental)

This is a tasteful and gentrified performance of Link Wray's "Rawhide." Twang, vibrato, and low-key intensity.

Ghost Riders dotdotdotdot
Surf (Instrumental)

This is a great surfin' cowboy interpretation of Stan Jones' incredible "(Ghost) Riders In The Sky." This is such a strong melody, it lends itself to many styles. This surf-rockabilly restyling is spectacular. Sift, yet powerful and rhythmic, this is a great track.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reverb Rockets - Test Rocketdotdotdotdot
artworkThe Reverb Rockets mix great rock and roll and cowboy vocals with fine unpretentious instrumentals. their music is very high quality root rock oriented, with excellent musicianship and great writing. Well produced and infectious, this CD will surely please anyone who appreciates real rock and roll the way it was designed to be played. "Sweet Little Girlfriend" is a very cool fifties single targeted track with the hooks and the melody and the sound. Recommended.
Picks: Ghost Surfer, Single Coil Theory, Sacrifice, Lobster Tank

Track by Track Review


Ghost Surfer dotdotdotdot
Surf (Instrumental)

Opening with a howl, "Ghost Surfer" quickly becomes an infectious and rhythmic tune with a spooky guitar line and modern surf feel. The melody riff is refreshing, and the rhythm track richly done. Really nice track. Even the Austin rock break is a nice touch.

Single Coil Theory dotdotdot
Chicken Bop Surf (Instrumental)

Opening with coil hum, the well named "Single Coil Theory" is a twangy roots rockin' pumpin' instro with a playful damped rhythm and whammied watery chord progression. Bordering on chicken bop, riding a cactus wave, and hinting of Cat Mother and the Allnight Newsboys, this is just too much fun.

Sacrifice dotdotdotdot
Surf (Instrumental)

Thundering tom toms provide a tribal backdrop for a vibrato throbbing watery experience. Rich and fun, with jungle edge and sensual magnetism. "Sacrifice" is a fine example of just how much power and charm can be derived from minimalism in the right hands. magnificent!

Lobster Tank dotdotdotdot
Surf (Instrumental)

Double picked cowboy twango, with cries of "Lobster Tank" in the right places. Sounding like an Austin transplant, this is a cute and funny track that you'll find yourself humming while you cruise through the aisles at the market searching for a large rubber-banded crustacean.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Ramonetures - Johnny Walk-Dont-Run Paulenedotdotdotdot
artworkBilly Zoom joins the Ramonetures in nodding a tribute to X. Much of X's music was melodic, and all of it was rhythmically and texturally rich. In instrumental form, with Billy Zoom playing guitar, flute and/or sax, the music takes on a whole new dimension while remaining clearly X driven. I think this is much stronger than the Ramones tribute was, and much more interesting musically. Some really fine tracks here.
Picks: Your Phone's Off The Hook, Johnny Hit And Run Paulene, Los Angeles, The Unheard Music, White Girl, Shadowlight, Blue Spark, Motel Room In My Bed, The Hungry Wolf, Adult Books, Beyond and Back, Year One Twist!

Track by Track Review


Your Phone's Off The Hook dotdotdot
Rock (Instrumental)

Big guitar rock with intense guitar and relentless beat. This song is more about intensity than melody, but its power is undeniable.

Johnny Hit And Run Paulene dotdotdot
Rock (Instrumental)

This song translates fairly well into the instro format. Solid drums and thunder, and nicely accented guitar over a great rhythm.

Los Angeles dotdotdotdot
Surf (Instrumental)

"Los Angeles" gets into surf territory with glissandoes and a fluid melody line. Tuff rhythms and a solid beat support it well. This is an excellent track.

The Unheard Music dotdotdotdot
Surf (Instrumental)

This slow lumbering almost Reventlos arrangement is guided by vibes in the lead. It's very cool, with the vibes offset by edgy angular guitar rhythm and grumbly power. A fine track.

White Girl dotdotdot
Surf (Instrumental)

This classic X track is handled well in intro form, with its melody coming through and the guitar in fine form.

Shadowlight dotdotdotdot
Surf (Instrumental)

"Shadowlight" is played out in a Shadows style guitar lead against a fast thrashy punkoidal backtrack. The contrast between the styles is very effective.

Blue Spark dotdotdotdot
Surf (Instrumental)

The jerky military nature of the rhythm track is a splendid offset to the excellent guitar leads. This is melodic and fluid, while also being intense and edgy. Excellent track.

Motel Room In My Bed dotdotdotdot
Surf (Instrumental)

An open road traveling backtrack supports a splendid lead melody. This is pretty infectious, with surf elements and lots of optimistic energy.

The Hungry Wolf dotdotdot
Surf (Instrumental)

This most familiar of all X songs gets the instro treatment, with the vibes in the lead in duet with eerie spring-like guitar. Writhing with rhythm and drive, "The Hungry Wolf" is quite charming and infectious.

Adult Books dotdotdotdot
Surf (Instrumental)

Calypso rhythms support Billy Zoom's splendid flute lead in this rhythmic and infectious track. "Adult Books" is polished and entirely too much fun!

Beyond and Back dotdotdot
Surf (Instrumental)

"Beyond and Back" is a rockabilly twangster with intense energy and a rockin' soul.

Year One Twist! dotdotdot
Surf (Instrumental)

Billy Zoom's sax leads the way through this fifties romp. High energy and rockin' spirit, with more charm than a spittoon in the waiting room. Cool track.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Royal Fingers - Speed Crazydotdotdot
artworkThis single displays more of the the thin lo-fi mono sound as found on their CD. Too bad, 'cuz "Voo Doo King" rocks!
Picks: Speed Crazy, Voo Doo King, Ski A Go Go

Track by Track Review


Speed Crazy
Surf (Instrumental)

Chunkin' off a low brow riff rocker in ultra distorted crappola sound. The song itself is too repetitive to be interesting, except for the damped verse, and the sound is so bad that it wouldn't matter if it was great.

Voo Doo King dotdotdotdot
Surf (Instrumental)

Despite the ultra crap sound, "Voo Doo King" is quite a cool number, with tribal drums and a fine lead line, as well as one very spirited performance. Kinda Bo Diddley-ish, and very infectious. The soft delicate bridge is very pretty, with middle eastern flourishes.

Ski A Go Go dotdot
Surf (Instrumental)

"Ski A Go Go" is another low brow exercise, closer to the plunder of "Speed Crazy" than the brilliance of "Voo Doo King." Just so-so.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rumblers - Boss c/w I Don't Need You No Moredotdotdotdot
artworkThis is the definitive Rumblers single, which was a sizable hit in Southern California for this R&B band. They were labeled surf by their fans, but hated the label and always insisted that they were not a surfband. Many fine instrumentals came from this outfit. When drummer Adrian Lloyd left the band, he formed Adrian and the Sunsets.

The b-side "I Don't Need You No More" is a vocal, and illustrates one more time why many instro bands should stay that way.
Picks: Boss

Track by Track Review


Boss dotdotdotdot
Surf (Instrumental)

This is the Rumblers lone national hit, and was the basis for their follow up singles "Boss Strikes Back," "Son of Boss," and "Boss Drums." Heavily R&B based, rhythmic and grumbly, its catchy thump and honkin' grodiness are essential listening for ant fan of the genre.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Reverberockets - Hagalo Usted Mismodotdotdot
artworkThis is a 1999 six song demo from the Reverberockets from La Paloma, Uruguay. While certainly demo sounding, the band plays well and several of the tracks show the promise of fresh ideas.
Picks: Intro, Surfeando Con Bela Lugosi, Johnny Guitar, Moon Surfers, Surfatorium, Ultra r'n'r

Track by Track Review


Intro dotdotdot
Punkabilly (Instrumental)

Chord dominated distortion driven riff rompin' grind, with decidedly fifties Link Wray influences and nineties edge.

Surfeando Con Bela Lugosi dotdotdotdot
Horror Surf (Instrumental)

Spooky keys haunt the opening as Dracula laughs and the fair maiden screams. Then, the grodie surf guitar comes in, darkly lamenting the loss of daylight safety. Grumbly and darkly splashy, "Surfeando Con Bela Lugosi" is ominous and supported by a relentless bass.

Johnny Guitar dotdotdot
Fuzz Rock (Instrumental)

Edgy slow vibrato throb squeezes the grating fuzz out of the amp. The throbbing gives way to distorted grind and dark themes. Not really melodic, but garagy and mean. It's not the classic British tune the Hunters did so many years ago.

Moon Surfers dotdotdot
Dark Twang Surf (Instrumental)

A fairly interesting guitar line clashes with the organ in a duel for wave superiority, and it's a draw. Double picked lines, aquatic themes, garagy sound, and unexpected changes.

Surfatorium dotdotdotdot
Dark Twang Surf (Instrumental)

"Surfatorium" is riff based, but is attractively constructed with strong surf guitar and subdued organ. The low-E lead provides a kind of guarded optimism and the tune develops.

Ultra r'n'r dotdotdot
Punkabilly (Instrumental)

Aggressive sub punkabilly riff rockin' fast times at the beach. Dark and speedy, with flying fingers and grumbling bass.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raymen - Desert Drivedotdotdotdot
artworkThe Raymen can be loosely grouped with bands like Turkey Bones and the Wild Dogs and La Muerte, but exist closer to psychobilly than those bands. Aggressive and disturbed roots gone nuts. This 1986 LP includes an ultra tuff cover of "Pipeline."
Picks: Pipeline

Track by Track Review


Pipeline dotdotdotdot
Surf (Instrumental)

Fast and ultra intense, "Pipeline" opens with a single long sustained warbly note before crashing into a psychobilly driven madness. Very heavy, and likely inspired by Johnny Thunders' version, this is perhaps the most intense of all similar versions. I say similar, but there's really nothing quite like this. To call it aggressive is an understatement.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rapiers - 1961dotdotdot
artworkThe Rapiers are probably the closest thing to the Shadows without being the Shadows. By that I don't mean they are a clone band, though they certainly are heavily influenced by the Shads. Their chief writer Colin Pryce-Jones wrote fine songs, and their sound was readily identifiable. Their vocal material was very much rockabilly based, as opposed to the Shadows' crooning with Cliff Richard at the mic.
Picks: The Venture, The Phantom Widow, The Jynx, I've Got You Under My Skin, Shadow Land, In The Hall Of The Mountain King

Track by Track Review


The Venture dotdotdotdot
Shadows (Instrumental)

As you might guess from the title, this Colin Pryce-Jones original is dedicated to the Ventures. The most interesting feature is the Shadows filter through which it's conceived. The rhythm track is very much the Ventures, while the guitar is more subdued and British. The melody is quite good, as is the arrangement. A fine track.

The Phantom Widow dotdotdot
Shadows (Instrumental)

The Shadows styling of "The Phantom Widow" is very effective with the melody, which is more than rockabilly and quite fluid. Colin Pryce-Jones wrote the tune.

The Jynx dotdotdotdot
Shadows (Instrumental)

Drummer John Tuck wrote "The Jynx," which is in large part a drum solo track. Structured like many a Sandy Nelson instro, the opening guitar verse gives way to a drum solo, and then returns to close out the track. The drum solo itself is tribal and unusual for the period. A little on the long side, yet interesting throughout.

I've Got You Under My Skin dotdotdot
Shadows (Instrumental)

This venerable MOR song, a hit for Frank Sinatra among others, is transformed into the world of British instro. The melody is well suited for the arrangement. Quite pretty, and just rockin' enough.

Shadow Land dotdotdot
Shadows (Instrumental)

Soft and slow, "Shadow Land" displays an almost island mystique as it lightly flows. Most of the piece is played with dual note guitar. Very pretty.

In The Hall Of The Mountain King dotdotdotdot
Shadows (Instrumental)

This is a lumbering arrangement, with nearly Indian drums, and a lush piano break. Edvard Grieg's "In The Hall Of The Mountain King" has been adapted to rock formats a dozen times or more. Probably most familiar is the E.L.O. translation.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rapiers - Strait To The Pointdotdotdot
artworkSeven rockabilly vocals surround five solid British instros on this reissue.
Picks: Straight To The Point, Husky Team, Green Jeans, Out Of This World, Haunting Guitar

Track by Track Review


Straight To The Point dotdotdot
Shadows (Instrumental)

Very tweaky, with stinging whammy chords and ultra echo guitar. Fast drums and an odd melody line make this stand out. The disturbed guitar echo is unnerving at times.

Husky Team dotdotdotdot
Shadows (Instrumental)

"Husky Team" runs swiftly, driven by great drums and gutty guitar. It sparkles and rocks too. The drums are rolling and manic.

Green Jeans dotdotdot
Shadows (Instrumental)

Atlantics twang on green slowness with added (?). Fast and inspired, with demented guitar echo. "Green Jeans" is a rockabilly translation of "Green Sleeves." Infectious twango.

Out Of This World dotdotdotdot
Shadows (Instrumental)

Eerie and spacy, with a low down gutty lead guitar. The frothy backtrack is at odds with the scary lead, giving "Out Of This World" a surreal air. Pretty interesting.

Haunting Guitar dotdotdot
Shadows (Instrumental)

"Haunting Guitar" is slow and islandic, ultra romantic with tropical chord bending. Very touristy, yet quite pretty.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Tony Rizzi and Pacific - Surfin'dot
artworkGivin' scary a new dimension, Huntington Beach's Tony Rizzi and Pacific bring home spun garage jazz jams into the world of brine and shine. This album was issued sometime in the eighties. While I've never seen anything else by Tony, the sleeve lists two other releases, Disco Pacific and Plays Charlie Christian (Tony Rizzi and his Five Guitars plus Four).

The musicians on this release are Tony Rizzi - lead guitar / arranger / conductor, Ronald Cook - 2nd guitar, Michael Rosati - 3rd guitar, Bruce Lofgren - 4th guitar, Steve Carnelli - 5th guitar, George Doering - rhythm guitar, David Parlato - bass, John Perett - drums, Ricardo Chimelis - Latin percussion, and Tom Rainier - keys. It's hard to imagine how such a thin sound can come from so many musicians.

The vocals on this LP are sorta like disco treatments of Sergio Mendes. They include Antonio Carlos Jobim's "Wave," and "Huntington Beach," which is an original with semi-Beach Boys styled vocals over Tony Rizzi and Pacific's trademark squishy jazz sound.
Picks: Sandpiper (The Shadow Of Your Smile), Music To Watch Girls By, California Dreamin', Surfin' USA, You Are The Sunshine Of My Life, Summer Samba (So Nice), California Girls, Sunny

Track by Track Review


Sandpiper (The Shadow Of Your Smile) dot
Disco Slush (Instrumental)

Longs slushy guitar slither in an elevator jazz vein, with nothing more than backdrop sensibilities. The ultra squishy arrangement begs for an afternoon at K-mart®.

Music To Watch Girls By dot
Disco Slush (Instrumental)

Egad! Piano bar extravaganza deluxe... you know, if it wasn't so squishy, it would still be really boring. Imagine aging accountant cool...

California Dreamin' dot
Disco Slush (Instrumental)

With all of the harmonies and emotional depth of the Mama's and the Papa's's hit surgically removed, you're left with a thump and a mall noodle fest. Jeepers!

Surfin' USA dot
Disco Slush (Instrumental)

Man-oh-man! It's enough that the popster of the beach stole from Chuck Berry and wrote about the teen curl hipsters, but when you remove the barber shop harmonies and invert the rock 'n' roll sensibilities, you're left with lawyer disco. Dig that groove, baby!

You Are The Sunshine Of My Life dot
Disco Slush (Instrumental)

Stevie Wonder's "You Are The Sunshine Of My Life" has never seen such a softened arrangement. The original was MOR enough without having all the color drained out of it.

Summer Samba (So Nice) dot
Disco Slush (Instrumental)

Interesting percussion and bass runs beneath what sounds like Italian movie soundtrack mung. The faux cool of the big drama chords is beyond belief.

California Girls dot
Disco Slush (Instrumental)

Hey there, is that vibrato? It's a rapid texture beneath a dentists' soothing soundscape. Yikes!

Sunny dot
Disco Slush (Instrumental)

Bobby Hebb's tomato classic "Sunny" is no less mushy. Dinner piano jazz for a special occasion.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reverbs - Winter Swell IIdotdotdotdot
artworkThe Reverbs have been playing in the Bay Area for a number of years under various names, including the Surfonics. Purely traditional, restrained delicate reverb surf. This was recorded in concert January 27, 1996.
Picks: Baja, Pipeline, Scatter Shield, Mr. Moto, Shots In The Dark, Bulldog, Coyote Point, Penetration, Hideaway

Track by Track Review


Baja dotdotdot
Surf (Instrumental)

Ultra familiar reverb from the pen of Lee Hazelwood and the trad stylings of the Reverbs. A basic rendering, stylistically reverent and delicate. A few well placed glissandoes add a bit of glitter.

Pipeline dotdotdot
Surf (Instrumental)

The reverbs open this classic with a dueling guitar and drums glissando, which is carried throughout the track. More delicate than many, this is a tuff little take.

Scatter Shield dotdotdot
Surf (Instrumental)

Completely rearranged, the Surfaris' "Scatter Shield" sports a different rhythm track and more restrained surfiness. Nice variation.

Mr. Moto dotdotdot
Surf (Instrumental)

Hey, it's Paul Johnson's "Mr. Moto!" Trad and splashy with reverb o'plenty.

Shots In The Dark dotdotdot
Surf (Instrumental)

Henry Mancini's film score in one of the earliest surf rearrangements. The Reverbs splash it up while retaining its lounge-worthiness.

Bulldog dotdotdotdot
Surf (Instrumental)

The Fireballs' classic pre-surf instro "Bulldog" is carried to its logical trad extension. Damped splash and surf chunk! Nice track.

Coyote Point dotdotdotdotdot
Surf (Instrumental)

This is an amazingly infectious and rhythmic original. It has incredible guitar tone, a fine mid tempo melody, interesting harmonics from the rhythm guitar, a solid bass and drum sync, and a very chunky sound. I find myself coming back to it repeatedly. When they played this, it got quite a reaction from the audience. This recording ended up on KFJC's Waves Of The West CD.

Penetration dotdotdotdot
Surf (Instrumental)

Splashy reverbed pyramidal surf, with fine liquid springs and chunky rhythm. Slightly rearranged, yet retaining its roots. The ringing chords are cool, as are the damped runs.

Hideaway dotdotdotdot
Surf (Instrumental)

Freddie King's "Hideaway" is liquefied with reverberating splash and jammin' bluesy surf sounds. Lots of soul here.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Ramrods - (Ghost) Riders In The Sky c/w Zig Zagdotdotdotdot
artworkThis is one of those incredibly influential singles that simply must be a part of your library. A billion bands have covered it, from Dick Dale and the Cadillac Angels to the Original Surfaris and John Otway!
Picks: (Ghost) Riders In The Sky, Zig Zag

Track by Track Review


(Ghost) Riders In The Sky dotdotdotdot
Cowboy Twang (Instrumental)

Al Casey and Duane Eddy's twang opened new trails in rock 'n' roll. The Ramrods took the Stan Jones cowboy classic and breathed new life into it with the big guitar sound, and amped it to the max with the overdubbed hoots and cattle calls. This is the version all the surf bands heard and were inspired by.

Zig Zag dotdotdot
Rock (Instrumental)

This was the B-side of "(Ghost) Riders In The Sky." "Zig Zag" is a lazy sax lead boogie. It has a raw energy, but is just a lackluster construct.

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Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Royaltones - Scotch N' Soda c/w The Peppermint Twistdotdotdotdot
artworkThis fine single couples two great instros from the Royaltones, who were originally called the Flip. The lineup was George Kaye - sax, Karl Kaye - guitar, Mike Popoff - piano, and Greg Popoff - drums.
Picks: Scotch n' Soda, The Peppermint Twist

Track by Track Review


Scotch n' Soda dotdotdotdot
Scotch Rock (Instrumental)

Yup, it's the Scottish masterpiece, with the sax accompaniment that the Viscounts used in "When The Saints Come Marching In." Very cool, especially when the guitar-sax duet takes over. Where's that bonny las with my kilts?

The Peppermint Twist dotdotdotdot
Pre Surf (Instrumental)

Ringing guitar, 15 ips echoed backtrack, and a little riff. The ringing guitar is very cool, shimmering like a pre-teen Miles Corbin line. It's all so simple, but quite appealing.

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Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Royaltones - Flamingo Express c/w Tacosdotdotdotdotdot
artworkThis is a great single. The Royaltones had many minor hits, most unlike "Flamingo Express" in texture and rhythm. This is a highly infectious pre-surf single.
Picks: Flamingo Express, Tacos

Track by Track Review


Flamingo Express dotdotdotdotdot
Pre Surf (Instrumental)

This is their best tune IMHO! It is highly rhythmic, like a train rolling down the tracks. It is sax led, and absolutely infectious. It was likely the inspiration for "The Sentinal" by the Sentinals. It is one of the must-have pre surf tracks.

Tacos dotdotdotdot
Mariachi Rock (Instrumental)

A great mariachi flavored number with plenty of Champs feel and real flair. Unlike some of their work, "Tacos" sport inspired sax work, solid guitar, and Latin sound of east LA.

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Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Royaltones - Poor Boy c/w Waildotdotdot
artworkUpper Midwest instro rockers the Royaltones recorded many a fine track. 1958's "Poor Boy" is their most familiar track because it was a hit for them. Today, they are more revered for the surf rage "Black Lightning" and the incredible "Flamingo Express," the song that the Sentinals' "The Sentinal" is based on.
Picks: Poor Boy, Wail

Track by Track Review


Poor Boy dotdotdot
Rock (Instrumental)

Upper Midwest instro rockers the Royaltones recorded many a fine track. 1958's "Poor Boy" is their most familiar track because it was a hit for them. It is pretty tame as their tracks went, with damped echoed guitar, piano, and cryin' sax, all flowing out a weeping melody. Today, they are more revered for the surf rage "Black Lightning" and the incredible "Flamingo Express," the song that the Sentinals' "The Sentinal" is based on.

Wail dotdotdot
Rock (Instrumental)

Lap steel whining, like a back room Santo and Johnny or toned down Juicy Lucy precursor. Rockin jivin' coolness. No melody, but dripping smoky bar room soul.

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Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Skid Roper and the Whirlin Spurs - Trails Plowed Underdotdotdot
artworkThe Whirlin Spurs are Skid Roper's western band, formed after the demise of Mojo Nixon and Skid Roper. It's rock and roll in cowboy clothes. There's a too-cool cover of "Paint It Black" here, and for the surf set, there's also one cowboys at the beach instro.
Picks: Under The Double Eagle

Track by Track Review


Under The Double Eagle dotdotdot
Cowboy Surf (Instrumental)

Cowboys on parade, line drivin' on their way to San Onofre, where they're plannin' on a hot ride on the mechanical surfboard. Fast and furious, gents in plaid and ladies in gingham doin' the yee-haw on a hot saturday night. "Under The Double Eagle" is one bouncing cactus romper, with plenty of echo and extra fun.

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Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Retroliners - Subway Surfingdotdotdot
artworkThe Retroliners have moved into moodier territory with this, their second release. There are some nice moments here, and several bonus live tracks that really show off the prowess of the band. The guitar tends to be pretty atmospheric, but not spacy. The structures and sounds are not traditional surf, yet there is the distinct feel of the genre. An interesting CD for adventurous surf fans, or rock instro fans without narrow limits. Originally issued last year under the band's auspices, Golly Gee has picked it up for wider distribution.
Picks: Subway Surfing, Caught In The Undertow, El Toro Vencedor, Beta Wave, Space Needle Stomp, Hoboken Hitman, Past Curfew, Step Lively, Spies In The Palace, Andy Warhol, (theme from) The Sleuth, Chelsea Beat, Cat Walk, Bullet Train, Transylvania Twist, Monica, Lithium (interlude), Harlem Nocturne, Rock Lobster

Track by Track Review


Subway Surfing dotdotdotdot
Surf (Instrumental)

"Subway Surfing" floats down the rails towards adventure. A little relentless, with an unusual beat and bass line, this track is just shy of warm, almost welcoming, yet the minor sadness comes through. The riffs are interesting, and the ringing chords nicely whammied.

Caught In The Undertow dotdotdot
Surf (Instrumental)

The main riff here is slightly middle eastern. The glissandoes a little rough, yet it tastes of salt spray and leisurely small wave action on a desolate beach. Nice track.

El Toro Vencedor dotdotdot
Surf (Instrumental)

Spanish dribbled double picking intro, then a simple riff hinting of sub-border cruising. A pleasant journey to the tacoria.

Beta Wave dotdotdot
Surf (Instrumental)

The main riff here is a reflection of "What'd I Say," but not a direct borrow. The melody line reminds me of the Evasions, but in an inverted way.

Space Needle Stomp dotdotdot
Surf (Instrumental)

"Space Needle Stomp" is almost fluid, yet retains an air of unnatural action. A little unnerving, yet surfish and stormy.

Hoboken Hitman dotdotdot
Surf (Instrumental)

"Hoboken Hitman" is a nicely arranged number with a simple riff and slightly eerie chord action. The riffs are off the beaten path for surf.

Past Curfew dotdotdotdot
Surf (Instrumental)

Vibrato slinkiness and a bit of Link Wray, but gentle and inviting. Maybe the best track here, "Past Curfew" is an simple and direct instrumental with a lubricated edge. maybe in the dockside mold of the fifties, it's quite endearing.

Step Lively dotdotdot
Surf (Instrumental)

Make nice with your shoes bouncing off the pavement, lads. Prancy and playful, and a little goofy, yet very enjoyable.

Spies In The Palace dotdotdotdot
Surf (Instrumental)

Those pesky spies are at it again, this time hiding in the pantry at the royal palace. A little repetitious, but also an enjoyable syncopated romp.

Andy Warhol dotdotdot
Surf (Instrumental)

I can't quite see "Andy Warhol" when I listen to this, but that doesn't detract from the angular bounce and twang.

(theme from) The Sleuth dotdotdotdot
Surf (Instrumental)

Detectives and damsels in distress, lurkers under street lamps, and slinky moonlight drives. "(theme from) The Sleuth" is an enjoyable look into the PI world. Quite smooth and friendly.

Chelsea Beat dotdotdot
Surf (Instrumental)

"Chelsea Beat" flows OK, but is not quite melodic. It sports a bit of low key drama, and some interesting moments.

Cat Walk dotdotdotdot
Surf (Instrumental)

Slithering along the sidewalk on a wave of vibrato, "Cat Walk" is a cool smooth tune with a touch of the blues and a bit of sophistication.

Bullet Train dotdotdotdot
Surf (Instrumental)

On the faster side, "Bullet Train" is based on traditional fifties guitar boogies, while using a different beat to keep it fresh. A hint of a railroad yard, and a bounce of chuck holes in the road of life. Pretty fun track.

Transylvania Twist dotdotdotdot
Surf (Instrumental)

This live track shows off the Retroliners' raw side, and sports more reverb surf sounds than the studio tracks here. While it's a little crude sound wise, the song is strong and the edge mean.

Monica dotdotdotdot
Surf (Instrumental)

Whammy and wiggles, lots of reverb, and moody riffs. "Monica" must be a sad lady of the sea. In some ways, this reminds me of the Mermen. Big, visual, dramatic, and quite memorable. The studio version on their first album is more delicate.

Lithium (interlude) dotdot
Surf (Instrumental)

A little slow, "Lithium (interlude)" is a nice bass filler while some one tunes up.

Harlem Nocturne dotdotdot
Surf (Instrumental)

Earl Hagen's magnificent "Harlem Nocturne" gets the big guitar treatment, with feedback and sustain, and a different darkness than the Viscounts. Vibrato and howls.

Rock Lobster dotdotdot
Surf (Instrumental)

The Retroliners close the set with rousing instro treatment of "Rock Lobster." Howls, bass riffs, and no remorse. The guitar tone is so unlike the B-52's that it takes on a whole new feel.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Romans - You Only Live Oncedotdotdotdot
artworkI'm so glad this vintage eighties album has been reissued on CD. It may not look like a surf album, but it features some of the nicest tracks of the era. The Romans's sound is enduring and warm. There are 8 bonus tracks added, most of which are instros.

In some ways, the Romans were a supergroup of the punk scene, with Mikey Borens (Monitor) - guitar, Pat Delaney (Deadbeats) - sax, Juan Gomez (Human Hands) - guitar, Keith Mitchell (Mazy Star) - drums, and Michael Uhlenkott (Tikis) - bass.

The CD sports a thick booklet full of history and pictures.
Picks: Runway, Iron Cross, Shorebreak, Birdbrain, Nazarene, Blob, Motu Tapu, What Gives (Jan's Theme), You Only Live Once, Black, Birdbrain, Beebs and Jeebs, Footsteps, Moonlight, Chasm

Track by Track Review


Runway dotdotdotdotdot
Surf (Instrumental)

"Runway" sports an infectious melody line, with an almost sparking sound, like the brighter moments for the Wedge, but with a more light hearted feel. This is just plain fun, and the melody strays with you long after the track is gone. Surf tones, glissandoes, and a snappy beat. A must have eighties surf instro track.

Iron Cross dotdotdot
Surf (Instrumental)

A little more on the downer side, "Iron Cross" features a chunky post-punk chunka rhythm and an ominous bad-day-at-Mavericks kinda feel. Hard driving and melodic, and powerful too.

Shorebreak dotdotdotdot
Surf (Instrumental)

This is an unusual track. It floats gently in and out in the "Shorebreak." It's infectious, and more than that, it holds your attention. The progression seesm to circle around, and the sound of the surf is everywhere. Fascinating.

Birdbrain dotdotdotdot
Surf (Instrumental)

Somewhat dissonant, a little off the beaten path, and just inside the walls of the asylum, "Bird Brain" portrays a slightly surf image of a can short of a six pack holiday. Unusual and intriguing.

Nazarene dotdotdotdot
Surf (Instrumental)

Dramatic and sporting discordant tonality, "Nazarene" is menacing and tribal, tom tom laden and edgy like fingernails on the blackboard of life. Intense and rumbly.

Blob dotdotdot
Surf (Instrumental)

An eighties bouncy beat carries the "Blob" across the monitors with all the chunka chunka it can muster. Riffologically driven, with great drums and cool moody sax.

Motu Tapu dotdotdotdot
Surf (Instrumental)

On the edge of the atoll, "Motu Tapu" drives for the lip without cutting back. Optimistic and spunky, with a sense of shortboard exhilaration. Action and adventure, fun in the sun.

What Gives (Jan's Theme) dotdotdot
Surf (Instrumental)

On the jazzy side, "What Gives (Jan's Theme)" is a groover, a sax and guitar jammer with a slight funk and a watery edge. Slightly mean, on the cool side.

You Only Live Once dotdotdotdot
Surf (Instrumental)

Big thundering drums, menacing sax, angry bass, and driving guitars cut through the chop with abandon. The danger is clear, but so is the courage, or at least the disregard for the risk. Out front with fast shortboard action.

Black dotdotdot
Surf (Instrumental)

Alterno progressions bump under this very surfable instro with a long dark coast highway feel. The thumping' bass creates the top down cruising feel, and the angular guitars hint of looming outsiders. It reminds me a little of a gloomier version of the first DC incarnation of the Insect Surfers filtered through Agent Orange. Infectious and cool.

Birdbrain dotdotdotdot
Punk (Instrumental)

This demo version of "Birdbrain" cut in 1982 is significantly different from the released version. Much more dependent on dry chord chops, and much more about rhythm. The primal slow punkoidal nature of the track reminds me a little of the BTeam's "What Is This." A lot less surfy, but very cool.

Beebs and Jeebs dotdotdot
Surf (Instrumental)

A rhythm dominated surf instro with jazz lurking in a salt water soul. Dissonant and disturbing, yet playful and abbreviated.

Footsteps dotdotdotdot
Dockside Surf (Instrumental)

This is interesting! A kinda surf 'n' soul groove, a little detective walking bass, and some shallow whammy chords that are interrupted by dangerous sax inversions. It's a dark night on the docks, you're all alone, and suddenly, you know you shouldn't have come. Very groovy.

Moonlight dotdotdotdot
Surf Stroll (Instrumental)

"Moonlight" out back of the gym at the prom. That about sums it up. A playful stroll.

Chasm dotdotdotdot
Surf (Instrumental)

This early track was cut in '79. It's atmospheric and dangerous, like a futurist sewer scene. The relentless howl and the robot walk beat summon a bleak hopelessness.

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Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Raunch Hands - Learn To Whap-A-Dang with the Raunch Handsdotdotdot
artworkThree instros rock this album, including the Trashmen's incredible "Tube City" and the Bruce Morgan's "Exotic."
Picks: Upset Her, Tube City, Exotic

Track by Track Review


Upset Her dotdot
Fifties (Instrumental)

Crunchy noisy fuzzy riffola rock.

Tube City dotdotdotdot
Surf (Instrumental)

This is a very strong cover of the Trashmen's wonderful vintage surf tune. This recording is very high intensity, really rips, and sounds as though it will rip through your speakers any moment now. Solid.

Exotic dotdotdotdot
Surf (Instrumental)

Totally cool. This is a rockin' variation on the Ray Beats' version of the Rhythm Kings' pachuko soul classic. This is major powerful, a hot performance, and very energetic.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reveliers - Patch c/w Hangin' Fivedotdotdot
artworkThis is an obscure single from the Reveliers, a bands from New England, issued in '63.
Picks: Patch, Hangin' Five

Track by Track Review


Patch dotdot
Surf (Instrumental)

Another case of add reverb and call it surf. It's a fifties rockabilly boogie instro. From '63. B-side to "Hangin' Five."

Hangin' Five dotdotdot
Surf (Instrumental)

Low grindy el distorto guitar over a bit of wave sound effects, a surf rhythm guitar. More Midwest style than surf. From '63. A-side to "Patch."

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Cliff Richard Show with the Shadows - Live at the ABC Kingston 1962dotdotdot
artworkOn March 7th, 1962, these sessions were recorded live for an album that never got beyond the lacquer stage. The performance was recorded pretty well, given the usual British dullness of the day. The live energy is well captured, as is the musicianship. Six instros, plus lots of classic Cliff Richard vocals. The CD comes in a deluxe seven inch tri-fold package as if it is a single.
Picks: Apache / Shazam, Shadoogie, Wonderful Land, Nivram, Little 'B', F.B.I.

Track by Track Review


Apache / Shazam dotdotdotdot
Shadows (Instrumental)

Very good sound and pounding drums... The Shadows merge these two classics into a fine medley, with choked guitar and lots of drive. Excellent!

Shadoogie dotdotdot
Shadows (Instrumental)

This classic guitar boogie is so much hotter live! Just plain fun, unpretentious, and groovy!

Wonderful Land dotdotdotdot
Shadows (Instrumental)

With the rhythm guitar more prominent, "Wonderful Land" takes on a warmer less stylized feel. Very nice!

Nivram dotdotdot
Shadows (Instrumental)

The jazzy "Nivram" is warmly received among the throngs. Its walking bass line ably supports the noodly excursion that this classic is.

Little 'B' dotdotdot
Shadows (Instrumental)

Great drums, bouncy country guitar, and lots of energy. "Little B" is perhaps most fun in this session. The long drum solo is well played, but overstays its welcome on disc.

F.B.I. dotdotdot
Shadows (Instrumental)

This bouncy tune is catchy enough without the added screaming girls and live energy. Just too fun!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Radio Birdman - Radio-Activity - The Singles and EP'sdotdotdotdot
artworkBeing a Radio Birdman fan means every variation requires investigation. This bootleg vinyl comp collects the singles and ep's, and includes Deniz Tek's great version of "(Ghost) Riders In The Sky," which was originally issued on the Surf-O-Rama comp.
Picks: (Ghost) Riders In The Sky

Track by Track Review


(Ghost) Riders In The Sky dotdotdotdotdot
Surf (Instrumental)

This is simply amazing! Deniz Tek employs distortion, power, smooth execution, feedback, and an intense energy as he and his bandmates cover Stan Jones' grand tune. One of the very best covers, this hard driving track is a must for any fan of Radio Birdman, and for fans of fast intense rock instros. Packards fans look out!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reventlos - Pitstop 2002dotdotdotdot
artworkIt's always a grand event when the Reventlos grace our studios. On September 14, 2002, they played a strong set of original magic, including two rootsy vocal covers, "Rock Therapy," and Jody Reynolds' grand "Endless Sleep."
Picks: Fun Zone, Stan Orlow, Bongo Reventlo, Mountain Metal, Do The Bogle, Lance's Last Stand, Mondo Reventlo, Crawl To The Reventlos, Meet Mr. Reventlo, Crankheads Of Elsinore, The Sunderland Shuffle, El Pendejo, King Kong

Track by Track Review


Fun Zone dotdotdot
Deliverance (Instrumental)

Cowboy banjo surf, deliverance breakdown beach trauma... totally fun.

Stan Orlow dotdotdot
Imaginative Demented (Instrumental)

Playful humpin' jive, a nifty rhythm, warm chords, and a spiffy tight performance make this unusual tune stay with you.

Bongo Reventlo dotdotdotdot
Imaginative Demented (Instrumental)

This song has a decidedly curious melody line that's both unusual and very friendly. It's at once both mathematical and grinning fun. The changes and textures are remarkably cool. It's very hard not to love this!

Mountain Metal dotdotdotdot
Imaginative Demented (Instrumental)

As they say, "Mountain Metal" remedies the long overdue destruction of blue brass at the hands of the Reventlos. Metallic grasscore for the amplified waves of grain. Very interesting.

Do The Bogle dotdotdotdot
Imaginative Demented (Instrumental)

Dedicated to Bob Bogle of the Ventures, is a non-Ventures instro with a catchy countrified rhythm and bouncy feel. The big Austin break is an interesting contrast to the otherwise fluid chicken pickin' coolness.

Lance's Last Stand dotdotdotdot
Imaginative Demented (Instrumental)

Big edgy guitar, gruff textured, and harsh, "Lance's Last Stand" is a rhythm guitar thrasher with lots of energy. It;s also subtitled "Up Yours Phil."

Mondo Reventlo dotdotdot
Spaghetti Western (Instrumental)

Kettle drums and haunting spaghetti western melody on a fine sounding guitar. Short, but worth a listen.

Crawl To The Reventlos dotdotdotdot
Imaginative Demented (Instrumental)

Gotta have those Reventlos titles... and, as before, it foretells of an introspective view of the what it's like to be a Reventlo... a man with many faces, all competing for the front of the head, none able to stay there for long enough to produce a singular view. "Crawl To The Reventlos" meanders between several differently textured movements, all of which compliment each other. Excellent!

Meet Mr. Reventlo dotdotdotdotdot
Sludge-O-Metal Death Grunge Drama Scope (Instrumental)

The Reventlos employ the full range of their styles, contrasting a from whimsical epic play prancery into a sludge metal death grunge drama. For the changes alone, this is a must have.

Crankheads Of Elsinore dotdot
Techno Surf (Instrumental)

When Joe Meek conceived "Telstar," he could not have possibly imagined this. Thin techno fluff, orbiting around the musical planet, just waiting to dismay the unwary. "Telstar" cries out for creative covers, but unlike "Pipeline," it has mostly attracted the unbelievably tame. Casios at twenty paces would be an improvement.

The Sunderland Shuffle dotdotdotdot
Heavy Surf Sludge (Instrumental)

A country epic of fun and frolic, with a byline that reads "don't drink and drive, you might hit a bump and spill some." It's unpretentious fun on a hay ride to the last roundup. Way to go, boys!

El Pendejo dotdotdotdotdot
Heavy Surf Sludge (Instrumental)

Right from the Quadraverb drenched initial surf chordage, there's no mistaking the dynamite power of this unusual surf track. It's as big and powerful as that double overhead you failed to take notice of before it had you for lunch.

King Kong dotdotdotdotdot
Heavy Surf Sludge (Instrumental)

Every time I hear this, I go ape! It's huge and lumbering. "King Kong" is a monster track that looms above with a menacing leer. Metal drudge monster movie soundtrackage with twangy guitar lines and speedmetal thrash-picked slaughter. What a monster way to end their stunning set!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Rake and the Surftones - Surfers Drive Woodiesdotdotdotdot
artworkI'm glad this has been reissued. The more I play it, the more I like it. Oh, sure, there are some California Sound vocals and some jams, but there are also some very good tracks that I keep coming back to, and the musicianship is top notch.

Rake and the Surftones are a group of seasoned studio players, all of whom were in local surf bands during the sixties as mere teens. It was the music they cut their teeth on. The orientation seems to be more a reverbed Ventures than a Lively Ones approach. In some ways, this is the closing of an unfinished chapter from their teenage days, recording the record they never did then. It's for their family and friends, so it has a warm and friendly sound.

All or most of these tracks were written for this album. There are lots of elements brought together, from Mar-Kets or Challengers structures, keyboard instros a la B. Bumble and the Stingers or Ernie Freeman, surf movie incidental lounge jazz, and a few Beach Boys - Jan and Dean - Fantastic Baggies vocals.

The fuel and sound are good, and there are some really cool bridge moments. Think super tight melodic music playing while old Toes On The Nose Gus does the "Huntington Beer Dance" with his pants down.

There are two additional instros on this release.
Picks: Gotta Woodie Today, Undertow, Run Don't Walk, The Lonely Wave, For Sandi Grill and The Sea Cups, My Woodie, Malibu Pier, Surfin' Drums, The Rake Mystery, Bach Goes Surfin', Minute Wave, October In Oxnard, Gettin' Air, Blue Lights, Hot Fat Boogie, Surfers Toe Jam, Red Tide, Bunyon Run

Track by Track Review


Gotta Woodie Today dotdotdotdot
Surf (Instrumental)

From the first stingers, this track moves right along, with a real trad sound, somewhere between the ventures and the Chantays. The electric piano is very tasty, and the tones are good. It has a solid melody, and basic surf beat. A solid tune. The organ is not my fave, but it is subdued in the mix, and appears for just the bridge. Very good track.

Undertow dotdot
Surf (Instrumental)

With the organ way down in the background, and a Memphis studio feel, this is a nice instro, though not particularly surfy. More sixties R&B jam than surf, though the surfbands of old played plenty of songs like this along with a plethora of versions of "Shout" and "Louie Louie."

Run Don't Walk dotdotdotdot
Surf (Instrumental)

Using the "Walk, Don't Run" intro chords as a basis, this track is at once familiar and new. The new melody line is very good, leaves you humming. I would have preferred an electric piano to the organ, but otherwise, this is really nice. maybe more lead guitar presence would be a plus, but the overall effect of the track is quite superior.

The Lonely Wave dotdotdot
Surf (Instrumental)

A fifties slowdance cadence supports this melodic and pretty track. It is very smooth, romantic, and rings with touches of the Polynesian archipelagos. Nice track.

For Sandi Grill and The Sea Cups dotdotdot
Surf (Instrumental)

A progression, a bit of the Joey Dee and the Starlighters R&B club chops, some tasty surf guitar, and you get a hybrid not unlike some of the tracks that were common at the teen band surf hops of the sixties, and also graced some of the better known surf albums between "Pipeline" and "Miserlou" covers. Very nice instro, jam based, and infectious, but not to surfy. The electric piano is really nice.

My Woodie dotdotdot
Surf (Instrumental)

Honky, choppy, R&B / Rock instro with cries of "My Woodie" injected. Structurally, it is a lot like some of the Vegas strip club instros issued 30 years ago, but more melodic and much better played. I'd say they had a lot of fun with it. I didn't care for it much, though.

Malibu Pier dotdotdot
Surf (Vocal)

The lyrics are hilarious, and hint at an incident with Ben Varene some years back. A slow romantic flowing song.

Surfin' Drums dotdotdot
Surf (Instrumental)

Drum featured track, sorta like Sandy Nelson and Richie Podolor used to cut, but with a close variation on Ron Wilson's "Wipe Out" drum cadence, and maybe touches of Preston Epps "Bongo Rock" for good measure. The drumming is exceptional, but then so are all the players on this CD. Cool track.

The Rake Mystery dotdotdotdot
Surf (Vocal)

With a tango-like backtrack, and the distant harmonies accompanying the intro and bridge, this track is very friendly. The guitar tones are strong, mostly emitted from the low-E. Very melodic and moody. I like this track a lot. The story narrated is hilarious, delivered by a Surf Punk voice and lingo. Great fun.

Bach Goes Surfin' dotdotdotdot
Surf (Instrumental)

Classical wonderment. This is based on the same melody that the Baronics do such a nice job with. If young master Bach had been a surfer and had a Fender Jaguar, he would probably have written this to be played this way. Great track.

Minute Wave dotdotdotdot
Surf (Instrumental)

The "Minute Waltz" as heard through the ears of the Big Kahuna as he shoots through the barrel racing just ahead of the close-out. Really fun! the dribbling guitar is priceless!

October In Oxnard dotdotdot
Surf (Instrumental)

Another vocal. Now, even though I usually stay away from these things, there is something totally ludicrous about sweet harmonies being related to Oxnard. You have to pay respect to talent able to write and sing so beautifully about such a place. It either seethes with optimism, or oozes denial. Either way, it's quite a trip. Amazing.

Gettin' Air dotdotdotdotdot
Surf (Instrumental)

Really surfy number, great melody, a lot of the "Penetration" back track and bridge. Really solid, great playing, and very infectious. The evil sax is perfect. I've played this numerous times on my show.

Blue Lights dotdotdotdot
Surf (Instrumental)

Cool low down low-E guitar lead, whammy action, and a simple melody with ample reverb. Very nice track, I must say. The whammies are intense and moody, while the lead guitar is somewhat menacing.

Hot Fat Boogie dotdotdot
Surf (Instrumental)

Boogie is right, but with energy and a certain ominosity. More R&B than surf, a bit of the Southern Culture On the Skids and "Wipe Out." Cool.

Surfers Toe Jam dotdotdot
Surf (Instrumental)

This is a participation track, with a billion friends guesting on leads
interspersed through out. A basic jam, with a lot of added infusion from a wide
variety of players. Fun, but not killer.

Red Tide dotdotdotdot
Surf (Instrumental)

This is a fine track with a solid surf melody and shallow vibrato shimmer. A little sad and very aquatic. The melody is pretty and emotional, and leaves a pleasant afterglow. "Red Tide" is a nice addition to the reissue of this CD.

Bunyon Run dotdotdotdot
Surf (Instrumental)

This is a cool, with a Richie Podolor-esq melody and moody surf sound. Rich and attractive, "Bunyon Run" serves up visions of long black lines halfway to the horizon as the sun sets on a long day of curl riding.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Retroliners - Surf Avenue Previewdotdotdot
artworkThis is a two-song sample from the forthcoming Retroliners album Surf Avenue.
Picks: Dr. Yes, Rumble In The Stratosphere 2002

Track by Track Review


Dr. Yes dotdotdot
Detective Spy (Instrumental)

Dry and angular, the Supertones' "Dr. Yes" is a little haunting and sports compressed drums. A detective instro with spy lines from the dry and raw side of the tracks.

Rumble In The Stratosphere 2002 dotdotdotdot
Surf (Instrumental)

A minimal tune with a rhythmic gentle backtrack, and Link Wray-like sparsely placed lead guitar notes. This works really well. It doesn't change much, but the vibrating shimmer is most endearing, and the happy melody worms it's way into your being. Very nice track.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rapiers - Spotlight Ondotdotdot
artworkThis is a fine compilation of vintage Rapiers tracks. Six vocals, nine instros, and an interview from Radio Caroline. The Rapiers have continued to be a vital and full bodied band.
Picks: Raining In My Heart, Saturday Night At The Duckpond, Jack's Good, Theme From The Avengers, Green Jeans, Spanish Armada, Peaceful, Early Morning Twist, The Lynch Mob Ride Again

Track by Track Review


Raining In My Heart dotdotdot
Soft Rock (Instrumental)

"Raining In My Heart" is a lush echoed piece with all the romance you'd expect from a UK cover of this MOR classic. Quite pretty!

Saturday Night At The Duckpond dotdotdotdotdot
Soft Rock (Instrumental)

This rockin' number pounds and twangs with big guitar echo and no shortage of pummelicious energy. This is a fast and hard driving version of this classic, and very cool! Even some double picked shredding is to be heard.

Jack's Good dotdotdotdot
Rock (Instrumental)

This track is cool from a bass action view point, and the guitar whammies are stingingly hot. It has an unusual melody line that seems to sneak into your subconscious. Fun track.

Theme From The Avengers dotdotdot
Rock (Instrumental)

This is a speedy rock guitar version of the "Theme From The Avengers," with rolling military drums and thundering bass. Tuff and fun.

Green Jeans dotdotdot
Shadows (Instrumental)

Atlantics twang on green slowness with added (?). Fast and inspired, with demented guitar echo. "Green Jeans" is a rockabilly translation of "Green Sleeves." Infectious twango.

Spanish Armada dotdotdot
Rock (Instrumental)

A moody organ opens this funky plucky track. The Shadows basis is not overpowering, and the haunted echo brings a sense of risk. Thick production and a quaint British instro sound. Quite enjoyable. I don't detect a Spanish influence.

Peaceful dotdotdot
Rock (Instrumental)

This is a lush and liquid echo-guitar floater with a moody and spooky sound. The use of the tape delay is very cool. Verging on squishy without being mushy, if you get my drift.

Early Morning Twist dotdotdot
MOR (Instrumental)

A pleasant MOR melody, mid tempo instro. Nothing special, yet it is more than listenable. The melody is nicely developed and the military beat quite spunky.

The Lynch Mob Ride Again dotdotdot
MOR (Instrumental)

"The Lynch Mob Ride Again" is a large and twangy number with intense tape delay guitar and backtrack thunder. A fine song with plenty of pomp and drama.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Ripp Tides - S/Tdotdotdot
This single was issued on Bob Dalley's Surf Wax label, but he once told me it just used the label name - that he had nothing to do with it.

21 year old Richard Knight was the guitarist in the Ripp Tides from Newport Beach in 1981. He had literally only played guitar for 6 months when they recorded this single. The drummer Tom Doyle was only 15 and Randy Redmon on Bass was 17. Knight is in the photo on the cover of the Surf Raiders' "Raiders of the Lost Surf" album.
Picks: Wild Surf, Silver Channel Stomp, Every Day, Race To San Miguel

Track by Track Review


Wild Surf dotdotdot
Surf (Instrumental)

Pumpin' deep throated surf, glissandos galore, and a melody line that's mostly a progression, and a tuff break that's very cool. Rhythmic and interesting.

Silver Channel Stomp dotdotdot
Surf (Instrumental)

Thrashy and progression dominated, "Silver Channel Stomp" is fast and spunky, but melodically ambiguous. A surf jam with a "Wipe Out" drum break.

Every Day dotdotdot
Surf (Instrumental)

This is a really cool eighties wave-surf jam. The fast picking, the tone, and the melody line all speak early eighties post punk wave. Very cool!

Race To San Miguel dotdotdot
Surf (Instrumental)

While this is more or less just a riff rocker in reverb, it's also a post punk new wave surf instro with a spunky pace and a magnetic riff. Cool glissandos and lots of energy!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reverbs - 1987 Demodotdotdotdot
artworkGeoff Stitch has long been a local surf legend, grunting out instros since the mid eighties in the Surfonics and the Reverbs, and playing on sessions. This 1987 demo resulted from a request for submissions for What Surf III. While they didn't make it to the comp, they did capture their essence on tape quite well.
Picks: Pipeline, Mr. Moto, Stoked

Track by Track Review


Pipeline dotdotdotdot
Surf (Instrumental)

In lieu of the classic guitar glissando, the Chantays' "Pipeline" opens with a drums sequence not unlike the Challengers, then advances through a pickslide into the melody. Some other minor tweaks along the way keep this from being just another cover. Very satisfying.

Mr. Moto dotdotdotdot
Surf (Instrumental)

This is a pretty straight treatment of the Belairs' first single / signature tune "Mr. Moto." Aside from the lack of sax, the addition of bass and reverb, significant rhythm rewrites, and an altered break, it's just like the original (ha!). Very reverent and wet.

Stoked dotdotdot
Surf (Instrumental)

One of very few Beach Boys' original instrumentals, "Stoked" is an enduring surf jam that occasionally resurfaces. The Reverbs do a good job retaining the original intent with only a little more reverb. At only 40 seconds long, it's quite nice.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Retrofoguetes - Prototipo de Demonstracao No. 1dotdotdot
artworkRetrofoguetes present a stark and original view of mechanical life, of space and robots and surf and spies. Four instros and two vocals, O Futuro Esta Na Electronica, These Boots Are Made For Walking.
Picks: Surf-O-Matic, Ativar Retrofoguetes!, As Concubinus Mecanicas Do Doutor Karzov, O Avanco Da Robotica

Track by Track Review


Surf-O-Matic dotdotdotdot
Space Spy Surf (Instrumental)

"Surf-O-Matic" sports big twang chords and a mean garage riff over thump and thunder. This is a loud and powerful track that's out to get you. There's a vocal that circles through extreme effects, making it more like an instrument than words. Swimming whammy and power.

Ativar Retrofoguetes! dotdotdotdot
Space Spy Surf (Instrumental)

Grumble and circling tweakery, a spy guitar line and an ominous bass line over manic drums. Haunting and cool, with soundtrack chorus. The second half is pumped up into a space punk spy frenzy.

As Concubinus Mecanicas Do Doutor Karzov dotdotdotdot
Space Spy Surf (Instrumental)

Disturbed keys and swirling dark space inversions create the scene in which the guitar plays a surfable and powerful line. Big and slightly weird, like maybe Joe Meek might be up to where ever he ended up after his untimely demise.

O Avanco Da Robotica dotdotdot
Space Spy (Instrumental)

Dissonant and angular, the plaintiff cry of "O Avanco Da Robotica" is on the downside of robot love. It's like a spy in the garage of night, where wayward robots rule.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rockin' R's - Crazy Babydotdotdot
artworkAmong the lost tribes of early suburban rock 'n' roll were Peoria, Illinois' Rockin' R's. Their singles are augmented with rehearsals and TV performances. Cruddy sound with real rock 'n' roll.
Picks: Mustang, Heat, Nameless, Ron's Raunch, The Beat

Track by Track Review


Mustang dotdotdot
Rock (Instrumental)

Lot's of whoops and hollers punctuate this rhythmic riff rocker. hard driven, rodeo fun, and almost chunky.

Heat dotdotdot
Rock (Instrumental)

The Rockin' R's cut many crude guitar instros, most of which were more chord progressions than songs. "Heat," while chunky, is just a rock and roll grind.

Nameless dotdotdot
Rock (Instrumental)

The Rockin' R's cut many an instro, most of which were gutty and progression based, with little melodic content. This is among the chunkier of their tracks, with spunky jagged rhythm and a soft sax. Primitive, but enjoyable.

Ron's Raunch dotdotdot
Rock 'n' Roll (Instrumental)

"Ron's Raunch" is a raw sax honker that strolls on the wrong side of the tracks. Recorded live on the Paul Beard show on Peoria, Illinois TV.

The Beat dotdotdot
Fifties Instro (Instrumental)

For primitive rural American indie instros of the fifties, it's hard to beat the Rockin' R's. Still, this track is mostly a rhythm, and the fidelity of their work is not good. This does provide a glimpse into the realm of garage bands in the fifties in places like Idaho and North Dakota, and most notably the suburbs of Peoria, Illinois.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rumblers - Bossdotdotdot
artworkThis is the Rumblers original LP. Their big hit "Boss" is here. Surprisingly, a couple of tracks here are not on their CD. The last track on the album is a vocal called "Sorry (For The Way I treated You)."
Picks: All Night Long, Wild Weekend, Wiggle Wobble, Boss, Night Train, Boss Drums, Harlem Nocturne, Rumble, Boss Blues, Walkin' With The Boss, Lost Weekend

Track by Track Review


All Night Long dotdotdot
R&B (Instrumental)

This perennial party favorite rant from the fifties sees new life here, if not new ideas. Frat band standard in a frat band arrangement.

Wild Weekend dotdotdot
Surf (Instrumental)

This is much surfier than the Rockin' Rebels' original, chunkier too. They had a knack for ominous sax and chunky sound.

Wiggle Wobble dotdotdot
R&B (Instrumental)

A pedestrian version of Les Cooper's hit.

Boss dotdotdotdot
Surf (Instrumental)

This is the Rumblers lone national hit, and was the basis for their follow up singles "Boss Strikes Back," "Son of Boss," and "Boss Drums." Heavily R&B based, rhythmic and grumbly, its catchy thump and honkin' grodiness are essential listening for ant fan of the genre.

Night Train dotdotdot
R&B (Instrumental)

James Brown's classic, R&B sax ground, hanky squirty, cool.

Boss Drums dotdotdotdot
Surf (Instrumental)

This is the Rumblers lone national hit, and was the basis for their follow up singles "Boss Strikes Back," "Son of Boss," and "Boss Drums." Heavily R&B based, rhythmic and grumbly, its catchy thump and honkin' grodiness are essential listening for ant fan of the genre.

Harlem Nocturne dotdotdot
R&B (Instrumental)

Earl Hagen wrote this classic, and the Viscounts introduced it to the rock audience. This is a variation on their arrangement. It has that On The Waterfront foggy coolness. Nice track.

Rumble dotdotdot
R&B (Instrumental)

Tribal drums, chunky rhythms, and an R&B feel. It's the kinda thing that the Las Vegas bands did while the strippers did the bump and grind.

Boss Blues dotdotdot
R&B (Instrumental)

With a melody similar to "Night Scene," but with a completely different backtrack, "Boss Blues" is a mid tempo number with a nasty sax and cool rhythm. Tuff and with a surfable rhythm guitar, it is dependent on the riff, yet pretty darn groovy.

Walkin' With The Boss dotdotdot
R&B (Instrumental)

This is a walking blues, as you might expect from the title. Bass dominant and riff dominated, "Walkin' With The Boss" is a tuff little jam with a smoky flavor.

Lost Weekend dotdotdot
R&B (Instrumental)

This slow moving number is cool and long, slightly saucy, and sports that classic Rumblers groove. Surprisingly, it doesn't appear on any other source.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reverberators - Limbo Furydotdotdotdot
artworkIf you like your surf with spaghetti western influences, and you dig the sound of ska legend Val Bennett's guitar, then this is gonna knock your socks off!
Picks: Lowdown, Terror Pipe, Tsunami 500, Kerouac's Revenge, Peso Room, Bikini Bounce, Harlem Nocturne, Bandito Stomp, Paint It Bond, Gringo's Gulch, Tango, Cubana Mood, Biker Dust, Limbo Fury, Untitled

Track by Track Review


Lowdown dotdotdot
Surf (Instrumental)

The Champs' gnarly "Lowdown" seems grodier and tuffer than ever at the hands of the Reverberators. nasty sax and bass grumble. The song is a basic riff rocker, but in this format, it's a solid and mean back alley rumbler.

Terror Pipe dotdotdotdot
Shadows Country (Instrumental)

The Reverberators, but they seem to have the thunder and dribble of surf down. "Terror Pipe" is rock-solid, though a little demo sounding. Great guitar and sax work, and thundering angry tube power. In some ways, it sounds a little like the Surf Raiders used to.

Tsunami 500 dotdotdot
Surf (Instrumental)

The sea gurgles at the beach's edge. The guitar double picks a nasty and gloomy whirlpool churner. Forbidding and mean.

Kerouac's Revenge dotdotdotdot
Surf (Instrumental)

Well, isn't this fun! It's a kind of loungy beat generation surf tune with a few spoken lines. Quirky and way fun!

Peso Room dotdotdotdotdot
Surf (Instrumental)

Great surf rumble with a vintage reggae guitar tone like Val Bennett's "The Russians Are Coming" a.k.a. "Take Five." Heavy thunder and liquid suave, with a nasty sax break. This is a great track!

Bikini Bounce dotdotdot
Rock (Instrumental)

"Bikini Bounce" is a mean and grumbly fifties rave kinda tune, like you might have heard from outside that seedy bar you were too young to get into.

Harlem Nocturne dotdotdotdot
Surf (Instrumental)

One of the greatest saucy waterfront epics, Earl Hagen's monster "Harlem Nocturne" seems to work in virtually every arrangement. Where the Viscounts' hit was raw and tuff, this is a little more gritty and soulful.

Bandito Stomp dotdotdot
Riff Rock (Instrumental)

"Bandito Stomp" just never develops beyond riff rock. There are splendid moments when the sax comes in, but it's just not more than an instro filler between vocals, if you know what I mean. The drums, on the other hand, are great!

Paint It Bond dotdotdot
Surf (Instrumental)

This is a merger between John Barry's "James Bond" theme and the Rolling Stones' "Paint It Black." Samples from bond films meander through the track. It's an interesting merger.

Gringo's Gulch dotdotdotdot
Spaghetti Surf (Instrumental)

Big compressed spaghetti-surf guitar opens this silky cool liquid cowboy adventure. The melody is rich and very inviting. "Gringo's Gulch" approaches the Hellbenders' remarkable spaghetti western sound, and surely bears repeated listens.

Tango dotdotdotdotdot
Surf (Instrumental)

With tongue-in-cheek slither, the Reverberators float this delightful tango like Val Bennett was in the room biting a rose and wearing black lace. Raspy sax and very cool sounds.

Cubana Mood dotdotdotdot
Surf (Instrumental)

Delicately plucked notes and round full bass smoothly float a mood fit for an afternoon on a summer verandah. Pretty, simple, and scenic, "Cubana Mood" is a pleasure cruise for your ears. Very nice!

Biker Dust dotdot
Surf (Instrumental)

the hog winds out, the edgy vibrato guitar grinds out a riff, and the whole band sounds like they are in another room. "Biker Dust" is mono and lo-fi in a fifties single b-side or demo kinda way.

Limbo Fury dotdotdotdot
Surf (Instrumental)

major lowdown bass, tropical drums, and Link Wray inspired chords play out a mysterious and dangerous adventure through unknown territory. It sounds like a demo, but the power of the song and performance overcome the audio limitations. They really ought to recut this correctly. It's a great song, full of urgency and relentless power.

Untitled dotdot
Surf (Instrumental)

A 15th unlisted track is at the end, also in demo mono. It's a rock grinder, short on melody and long on loudness.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reverberators - S/Tdotdotdot
artworkThis is the first CD from the Reverberators, apparently recorded live in mono, and heavily compressed. That aside, there are song excellent songs played with lots of splash and energy, and some solid writing as well.
Picks: Heat Waves, Kicking Horse, Yangtze River Surfer, Camel Walk, Cleo's Mood, Comanche, Swing Malibu, The Wrangler, Don't Turn Your Back On The Sea, Zamboni Bay, El Perro Loco, Unlisted 1, Unlisted 2

Track by Track Review


Heat Waves dotdotdotdot
Surf (Instrumental)

A moody song with a slithery beat and ringing chords, mysteriously floats across the moors with surf and haunting Linkisms blended with exotic drums. This is a very cool song, recorded live somewhere (judging from the talking moron just off stage).

Kicking Horse dotdotdotdot
Surf (Instrumental)

A great beat gallops under the guitar here, with big twang, a bit of double picking, and an infectious gate. Spaghetti, surf, and big guitar twang coexist perfectly. The melody riff borrows slightly from "Apache," yet remains original sounding.

Yangtze River Surfer dotdotdot
Surf (Instrumental)

This is a fine instrumental with a very surfable melody line and great guitar tone. The live mono recording buries the real shine and smoothness of the guitar's tone, but it doesn't seem to be too big a deal.

Camel Walk dotdotdotdot
Surf (Instrumental)

Great tribal drums and nasty sax rule on this fine cover of the Saxons' ultra cool "Camel Walk." Ominous and big, with a great drum break. The compression is obvious in places, but it's a fine track anyway.

Cleo's Mood dotdotdotdot
Surf R&B (Instrumental)

The cool R&B groove of "Cleo's Mood" is made richer by surf guitar and nasty sax. Mighty fun and funky, with a gutsy soul and sensual edge.

Comanche dotdotdot
Surf R&B (Instrumental)

The Centurions' "Comanche" is richly pumped up, with a very reverent sound. Lots of energy and that Central Coast raw R&B edge.

Swing Malibu dotdotdot
Surf Rock (Instrumental)

A tuff fifties back room rockabilly beat runs under the bass throb, guitar chords, and a sax honking lead. Quite grodie.

The Wrangler dotdotdot
Surf Rock (Instrumental)

An unusual beat and catchy guitar line give this song a quirky sound. Definitely on the strange side, yet quite attractive.

Don't Turn Your Back On The Sea dotdotdotdot
Surf (Instrumental)

Loaded with Dick Dale-isms, this is a surf slammin' near-rearrangement of "Hava Nagila." Power, reverb, and big surf sound, with no shortage of energy or loudness. It fades at the end... too bad.

Zamboni Bay dotdotdotdot
Surf (Instrumental)

A classic surf beat runs under a very nice melody. Moderately paced, this song seems ripe for a coastal adventure with the top down. Quite a nice song.

El Perro Loco dotdot
Frat Surf (Instrumental)

This is much more a riff rocker than their other material. As such, it doesn't hold interest as well, yet will appeal to the frat-surf contingent.

Unlisted 1 dotdotdot
Frat Surf (Instrumental)

Nearly brooding thunder and power surf double picking pummel the silence. Yes, it's quite strong, yet not melodic. Its power and abandon drive it quite successfully.

Unlisted 2 dotdotdot
Rockabilly (Instrumental)

This is a riff rockin' rockabilly boogie with lots of energy and spunk. If those fifties guys had louder amps and reverb, they'd have done things like this. Solid track.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Rod and the Cobras - Drag race at Surf Citydotdot
artworkThis is one of those budget LP's born of a studio session that has the general sound of Bruce Johnston's arrangements, but doesn't really sound like his usual suspects at work. Mostly just mindless jams plus a few really sad Beach Boys / Jan and Dean style vocals with a pair of passable tracks. I have no idea about the players of the date.
Picks: Dragsville, Four On The Floor, Gear Down, Stripped Down - Souped Up, Deuce On The Loose, Beach Boy Stomp

Track by Track Review


Dragsville dotdot
Rock (Instrumental)

More or less rock 'n' roll studio jam fare, with a surfable melody that's played on dry guitar. The melody line to "Dragsville" is reminiscent of film score versions of surf songs, even hinting of the Astronauts' main theme to "Ride The Wild Surf," though it's certainly not of that caliber.

Four On The Floor dotdot
Rock (Instrumental)

This is none of the songs with this title you might hope for. Aside from the vibrato lead guitar, "Four On The Floor" is just a combo rock instro with organ and little spunk.

Gear Down dotdot
Rock (Instrumental)

the bass opens and the rhythm guitar comes in with dry chop rhythms similar to the Bruce Johnston studio sessions. The song never gets beyond a jam.

Stripped Down - Souped Up dot
Rock (Instrumental)

On the hokey side, "Stripped Down - Souped Up" is a sax jam with a Bruce Johnston session sound. It's a long way from here to the real thing.

Deuce On The Loose dotdotdot
Rock (Instrumental)

the catchy rhythm track is borrowed liberally from Ben E. King's "Stand By Me." This is actually the best track here, and while it's not surf, it sure could be surfed up by replacing the sax lead with low-E double picked guitar, and maybe even a ska beat. "Deuce On The Loose" is kinda cool.

Beach Boy Stomp dotdotdot
Rock (Instrumental)

This is the sappiest, silliest rearrangement of Dick Dale's "Surf Beat" anywhere! Yet, there's something strangely likable about it. Despite it's sax domination and pale rhythm track, it's not bad.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Routers - 1963 Great Instrumental Hitsdot
artworkProducer Joe Saraceno employed the Hollywood usuals for his Routers projects. They were most famous for their only hit, the cheerleader anthem "Let's Go!."

Fans of genre (studio hits) will be glad to finally see these sessions out, but surf fans will surely be sickened by the utter lack of chemistry and imagination.
Picks: Washington Square, Guitar Man, Marie Elena, Hot Pastrami, Wild Weekend, Telstar, Martian Hop, Watermelon Man, Memphis, Tennessee, Wipe Out, Pipeline, Sting Ray

Track by Track Review


Washington Square dot
Rock (Instrumental)

Perfectly competent and incredibly boring, like virtually all of the studio "project" of the day, "Washington Square" is only slightly transmuted from the Am hit to fit the sax and cheerleader stomp sound of the Routers.

Guitar Man dotdot
Rock (Instrumental)

This is a pallid version of Duane Eddy's hit. With the guts removed, "Guitar Man" is just riff rock.

Marie Elena dot
Rock (Instrumental)

Verging on cheese, "Marie Elena" is little more than pleasant. A backwash for a mindless afternoon with a bag of Oreos.

Hot Pastrami dot
Rock (Instrumental)

Lacking even the slightest hint of the Dartells or Joey Dee and the Starlights, the Routers do thee most tepid treatment of "Hot Pastrami" on disc.

Wild Weekend dotdotdot
Rock (Instrumental)

While this is a long ways from the gutty Rockin' Rebels original, it's among the more credible tracks on this album. Thin uninteresting guitar work and no real spunk.

Telstar dot
Rock (Instrumental)

There are few interesting covers of the Tornados' "Telstar," and this doesn't buck the trend. Thin and very non-sci-fi.

Martian Hop dot
Rock (Instrumental)

Take a silly (fun) bit of doo-wop fluff, remove the decade of its birth, and... lo and behold, you have a boring progression that never arrives.

Watermelon Man dot
Rock (Instrumental)

Mongo Santamaria's "Watermelon Man" was in many band sets of the day. Like some inverted Mar-Kets track, it is free of the burden of soul or coolness... free to wander the library aisles in search of shakes not to be found.

Memphis, Tennessee dot
Rock (Instrumental)

This version of Chuck Berry's "Memphis" is slow and fairly lifeless. Not what you'd call groovy or exciting.

Wipe Out dot
Rock (Instrumental)

Hal Blaine does a credible job of getting the drums right without getting the drums right... meaning he's technically right on the mark, but lacks the fluidity and power of Ron Wilson. Next!

Pipeline dotdot
Rock (Instrumental)

Tommy Tedesco provides one of the worst glissandoes on record to open the Chantays' classic "Pipeline." Quite unremarkable.

Sting Ray dot
Rock (Instrumental)

Aside from the car horn basis of this gimmicky track, there's little to attract the fan of real rock 'n' roll instros or surf here. This was also issued as "Ah-OO-Ga" or some such.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Routers - Let's Go!dotdot
artworkThe Routers were one of many studio inventions of Producer Joe Saraceno. Aside from their cheerleader anthem "Let's Go!,"

Fans of genre (studio hits) will be glad to finally see these the Routers are of little consequence.
Picks: Let's Go (Pony), Pep Rally, Limbo Rock, Grandstand Stomp, Bucket Seats, Half Time, Sting Ray, Mating Call, Let's Dance, Snap Happy, Mashy, Make It Snappy

Track by Track Review


Let's Go (Pony) dotdotdot
Cheerleader Rock (Instrumental)

Like many other hits of the day, beginning with Tommy Facenda's "High School USA," through the Beach Boys' "Be True To Your School," this was a cheer leader's dream, a ready made routine for mindless group think chants and clique spirit rallies. "Let's Go (Pony)" uses a simple riff, and an infectious pre-"We Will Rock You" anthemic chant.

Pep Rally dot
Cheerleader Rock (Instrumental)

Continuing with the cheers and the drums beat, the Routers play a riff rock jam in search of a letter sweater. No where near as cool as "Let's Go."

Limbo Rock dot
Cheerleader Rock (Instrumental)

If you remove the party from the Champs, put away the Salsa, and hide the piñata, you might get here, but then again... The shouts are by far the most exciting part of the track.

Grandstand Stomp dot
Cheerleader Rock (Instrumental)

Shouts of "Go Go Go" over a melody free jam does not make a song. Argh!

Bucket Seats dot
Cheerleader Rock (Instrumental)

This is not the Rally Packs' song. Dry thin guitar and that never changing backtrack... no, not a hit.

Half Time dot
Cheerleader Rock (Instrumental)

Tuba rock? marching band meets sweater girl for the anti-popcorn portion of the show. The horn riffs in the middle are liberated from "La Bamba."

Sting Ray dot
Rock (Instrumental)

Aside from the car horn basis of this gimmicky track, there's little to attract the fan of real rock 'n' roll instros or surf here. This was also issued as "Ah-OO-Ga" or some such.

Mating Call dotdot
Rock (Instrumental)

A faster beat and a bit of lower register guitar, but a long ways from cool. More chemistry than most here, but it doesn't require repeated listens.

Let's Dance dotdot
Rock (Instrumental)

Bobby Freeman's high spirited "Let's Dance" is more or less frat party nonsense at the hands of Joe Saraceno. There are a few precision licks from Tommy Tedesco.

Snap Happy dotdotdot
Rock (Instrumental)

"Snap Happy" is actually a pretty fun track at times. Aside from the one-note jamminess of the main body, its opening riffs and underlying theme is a slight variation on the bass vocal line in the Beach Boys' "Surfin'."

Mashy dot
Rock (Instrumental)

Slightly heavy jam rock... if you never heard this, it wouldn't matter a lick!

Make It Snappy dot
Rock (Instrumental)

Slightly gutty, "Make It Snappy" almost becomes cool. The riff is just a little too simple, but then again, but the break, it deteriorates to just another studio jam.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Routers - Charge!dot
artworkThe Routers were one of many studio inventions of Producer Joe Saraceno. Aside from their cheerleader anthem "Let's Go!,"

Fans of genre (studio hits) will be glad to finally see these the Routers are of little consequence. The crew sounds like the usual suspects, Hal Blaine and/or Earl Palmer - drums, Steve Douglas - sax, Tommy Tedesco - guitar, Carol Kay - guitar/bass, and Leon Russell - keys. Either these folks were just having fun, or they'd play on anything for a buck. there is more chemistry on these sessions than most of Saraceno's sessions.
Picks: Charge!, On Wisconsin, Ramblin' Wreck, Anchors Away, Washington and Lee Swing, The Ivy Charge, Buckle Down Winsocki, Illinois Loyalty, Sou'wester, Oh Brave Old Army Team, Victory March, Pep Rally

Track by Track Review


Charge! dotdot
Marching Band (Instrumental)

"Charge!" is a liberal distortion of Johnny Otis' "Willie and the Hand Jive." beyond that link to rockin' sounds, it's just a shallow attempt at recreating the gimmick success of "Let's Go."

On Wisconsin dot
Marching Band (Instrumental)

A horn section and cheers... "On Wisconsin" (on Prancer, on Blitzen...) and cheers of "fight fight fight." Melody free.

Ramblin' Wreck dot
Marching Band (Instrumental)

Not too far from "Hickory Dickory Dock," the Routers make noises that will keep you awake like a bad pizza at 3 am.

Anchors Away dotdot
Marching Band (Instrumental)

Borrowing a few arrangement tricks from Major Lance's "Monkey Time," the Routers employ tasteful vibrato twang on this ancient song.

Washington and Lee Swing dot
Marching Band (Instrumental)

High school marching band standards augmented with handclaps do not make great records. Egads!

The Ivy Charge dot
Marching Band (Instrumental)

More of the same... marching bands on the prowl... this is "Casons Go Rolling Along" all pomped out. Yuk-ola!

Buckle Down Winsocki dot
Marching Band (Instrumental)

For "Buckle Down Winsocki," you need a white turtleneck sweater and pompoms. lacking anything remotely resembling redeeming value, it's just another sojourn into the gimmick factor.

Illinois Loyalty dot
Marching Band (Instrumental)

Rah rah music at it's jingoistic best - in other words, marching band mung.

Sou'wester dotdot
Marching Band (Instrumental)

"Workin' On The Railroad" turned into a marching band rah rah session. There are a couple of spunky guitar lines, but otherwise...

Oh Brave Old Army Team dotdot
Marching Band (Instrumental)

Gee, an actual lead guitar... while it helps "Oh Brave Old Army Team" along, it's still just so damn gimmicky.

Victory March dotdot
Marching Band (Instrumental)

Yup, it's that song alright. Every pubescent trombone or bass drummer has played it. Spirited, but otherwise just so-so.

Pep Rally dotdot
Marching Band (Instrumental)

Let's go to the stadium and get snockered under the bleachers... er... uh... I mean... see the game... yeah sure. Another dismissible song, though the lead melody is carried by Tommy Tedesco's guitar.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Reef Rider - Beyond The Reefdotdotdotdot
artworkThis first release from Reef Rider is amazing. Very well written and arranged, and played very well. An amazing selection of fresh surf and spaghetti western and fun. A marvelous CD well worth finding.
Picks: Beyond The Reef, Los Cobardes, El Dorado, Body Surfin', El Mazunte, Blueberry Busstop, The Trembler, El Camino, Cumshot, Kinky Cowgirl, Two Sharks, Dance With The Devil, Untitled

Track by Track Review


Beyond The Reef dotdotdotdot
Surf (Instrumental)

Vibrato and damped reverb, and an almost cowboy rhythm, provide the foundation for "Beyond The Reef," which has a Middle eastern edge, and a nervous-on-the-surf sensibility. There's an interesting balance of delicacy and fire here. Mighty fine!

Los Cobardes dotdotdotdotdot
Surf (Instrumental)

Tuff surf and power rides. Intense and adventurous, like an open road race to catch the curl. Exciting and powerful. "Los Cobardes" is dramatic and energized, with double picked guitar lines and plenty of textural changes.

El Dorado dotdotdotdotdot
Surf (Instrumental)

Spanish chords and damped horses' hooves run under a fine Mexican melody. "El Dorado" is a spaghetti western epic in the best tradition. Excellent rhythmically, and melodically very cool!

Body Surfin' dotdotdotdot
Surf (Instrumental)

The Centurions' grodie "Body Surfin'" is dark and well reverbed, sounding like a cleaner version, with more surfisms than the original. great glissandoes and double picked reverbed rhythms. A fine cover, and the only one out there that I know of.

El Mazunte dotdotdotdotdot
Surf (Instrumental)

"El Mazunte" sports a high register damped lead playing a playful melody. The delicacy of this song and the precision of the delivery are matched by its chemistry and fun. Surf whammy chords mark the break for an island feel. Excellent!

Blueberry Busstop dotdotdotdotdot
Surf (Instrumental)

Whammy chords introduce a surf riff with real sense of the genre, and an enticing rhythm. "Blueberry Busstop" features a great balance between the lead and rhythm guitars, which play off of one another to great effect. Excellent track.

The Trembler dotdotdot
Surf (Instrumental)

"The Trembler" is a slow vibrato exercise that's not exactly dangerous, but is nonetheless not quite safe either. In a fifties mold, like a reverbed Cadillac Angels kinda song.

El Camino dotdotdotdot
Surf (Instrumental)

"El Camino" is a bouncy semi-polka cowboy song with an infectious rhythm and rich lead guitar. Shouts and hollers accent the amped up energy of the performance. Totally cool!

Cumshot dotdotdotdotdot
Surf (Instrumental)

This is a hard driving loud double picked surf rage. It's quite a nod to Dick Dale, with a cross between his modern sound and his older arrangements. Some fine damped high register double picking in the break offsets the low-E grumble of the song. "Cumshot" is a fine song that sounds like an earlier demo, with lower resolution sound.

Kinky Cowgirl dotdotdotdot
Surf (Instrumental)

A cowboy beat gallops under fine spaghetti melody lines and surf twang. "Kinky Cowgirl" is adventurous and fun, with warmth and charm, and a bucket full of energy. Excellent track.

Two Sharks dotdotdotdotdot
Surf (Instrumental)

Double picked polka surf that's entirely fun. Lots of fire and flash as the guitars race through a delightful song. The energy and joy of the song will own you. "Two Sharks" is one great song!

Dance With The Devil dotdotdot
Surf (Instrumental)

"Dance With The Devil" is a slow and moody number with a nod to Link Wray and a sense of a dark storm surf. menacing and dangerous, with a detective rhythm. Solid.

Untitled dotdotdot
Surf (Instrumental)

Out past the end of "Dance With The Devil" lies a slow and shimmering moody piece with the waves gently lapping the shore. Vibrato and a dirge beat and pace all point to a sad day on the rocks. It ends with a minute plus of faster surf drone, like anger welling up slowly at what the sea has taken from you. Very cool!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Routers - Play the Chuck berry Song Bookdot
artworkWell... it's hard to imagine that anyone could take Chuck Berry songs into such a barren landscape, but here they are. There a couple of tracks where Leon Russell's piano work shines.
Picks: School Days, Sweet Little Sixteen, Too Much Monkey Business, Wee Wee Hours, Bye Bye Johnny, Memphis, Tennessee, Johnny B. Goode, Maybelline, Rock And Roll Music, Roll Over Beethoven, You Never Can Tell, No Particular Place To Go

Track by Track Review


School Days dotdot
Rock (Instrumental)

Horn rock... coverin' Chuck Berry like rock 'n' roll was just fodder for band bar bands. Some fine sax work from Steve Douglas does set it up.

Sweet Little Sixteen dot
Rock (Instrumental)

Translating guitar man Chuck Berry's music into studio horns is a hard thing to pull off, as witnessed by how much this track misses the mark.

Too Much Monkey Business dot
Rock (Instrumental)

Aside from the Yardbirds' great cover, only Chuck Berry has made this song work. Studio horns playing in harmony take the bite out of it, rendering it pretty mindless.

Wee Wee Hours dotdotdot
Blues (Instrumental)

There is some very cool piano work from Leon Russell, and Tommy Tedesco's guitar is appropriately blues-jammy. Joe Saraceno's arrangement is strangely in-sync with the blues original. Maybe the best thing here.

Bye Bye Johnny dot
Rock (Instrumental)

Well, there was the primal Chuck Berry original and the exceptional early Rolling Stones cover. Then there was this... not a trace of the original charm or the Stones' gutsiness. Horns and more horns.

Memphis, Tennessee dot
Rock (Instrumental)

This version of Chuck Berry's "Memphis" is slow and fairly lifeless. Not what you'd call groovy or exciting.

Johnny B. Goode dot
Rock (Instrumental)

One of Chuck Berry's more familiar songs, covered endlessly with rockin' credentials, somehow is disemboweled by the arranging skill of Joe Saraceno. Yikes!

Maybelline dotdot
Rock (Instrumental)

Only a couple of version of "Maybelline" ever caught my imagination - the Chuck Berry original of course, and Johnny Rivers' infectious live version from the Whiskey A Go Go. This is spunky, but pretty useless. It does have a curious fuzz rhythm riff in places that's like a low-key imitation of the guitar line from the Rolling Stones' "I'm All Right."

Rock And Roll Music dot
Rock (Instrumental)

Oh man... could you take more of the essence out of this song - I think not!

Roll Over Beethoven dot
Rock (Instrumental)

Aside from Leon Russell's piano wizardry, this is miles from credible. At least when ELO covered it, they retained the driving edge.

You Never Can Tell dotdotdot
Rock (Instrumental)

"You Never Can Tell" actually works pretty well in this arrangement, despite the harmony horns. Tommy Tedesco's guitar and Leon Russell's piano make nice with the rock 'n' roll ethic, and the drums and bass are quite solid.

No Particular Place To Go dot
Rock (Instrumental)

Bordering on marching band silly, this horn rock cover really does have no particular place to go.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rock Fish - Deep From The Upwellings Here Comes The Rock Fishdotdotdotdot
artworkThere are some very nicely written pieces of music here, well suited for the trio format. Fresh ideas and playful guitar lines, and some shredders too. The only thing marring this recording is the demo mix which takes away from the power and grace of the performance. This is exemplified by the toms panned too hard and too present, and the lead guitar not quite out front enough.
Picks: La Playa Del Sol, Pescaderos, Showdown, Baja, Late Drop, Sandy Wet Girl, Cantamar, Davey From El Salvador, Baloney Tacos, Pumphouse, Hogans, Sandbar, South Bird

Track by Track Review


La Playa Del Sol dotdotdotdot
Surf (Instrumental)

Well now, this is a nice track! "La Playa Del Sol" plays on Spanish themes and portrays the beach in the sun quite well, with a bit of mystery thrown in. A very nice track.

Pescaderos dotdotdotdot
Surf (Instrumental)

"Pescaderos" is an open road kind of surf instro, with a great melody and Spanish coastal feel. The glissandoes and the rhythmic nature of the song speak clearly to motion, whether on a highway or waterway. An excellent song!

Showdown dotdotdot
Surf (Instrumental)

This is a cover of a Ventures song, but is this really the title? Maybe "Showdown At Newport?" No matter, this is an adventurous song with a happy riff and energetic rhythm section. Way fun.

Baja dotdotdotdot
Surf (Instrumental)

Always good to hear "Baja." While this is a fairly simple arrangement (the Rock Fish are a trio after all), it works quite well. Great drums and solid bass under lots of solid guitar work keep this more than interesting. A fine cover of Lee Hazelwood's most famous instro.

Late Drop dotdotdotdot
Surf (Instrumental)

With an intro rhythm much like the Vy-Dels' "Unknown," this song is both familiar and original. The inviting nature of the rhythm and the solid performance bear repeated listenings.

Sandy Wet Girl dotdotdot
Surf (Instrumental)

Warm chords open "Sandy Wet Girl." A little cautious, and a little flippant, the song is inviting and playful. Fine whammy chords and an adventurous riff, along with a classic surf beat.

Cantamar dotdotdotdot
Surf (Instrumental)

Lovely surf whammy and a sense of travel to a new surf spot, with the uncomplicated freedom of a no-worry day. Pretty and spunky too.

Davey From El Salvador dotdotdotdot
Surf (Instrumental)

"Davey From El Salvador" drives the woody down that dirt road on the way to the mystery spot where you can ride in and out all day long. Exotic and splashy, adventurous and happy, with a very cool melody riff.

Baloney Tacos dotdotdotdot
Surf (Instrumental)

"Baloney Tacos" is not the least bit like a meal. It's much more like a tribal dance of the tube. A catchy riff, relentless bass, and tribal drums. Lunch unencumbered by taste... I can't imagine baloney tacos! Oh well, it's probably a good thing I already ate.

Pumphouse dotdotdotdotdot
Surf (Instrumental)

The melody riff in "Pumphouse" is very pretty. The fluid melody and tribal drums paint a picture of sun and lazy after-surf napping. This is a very cool song, with a great core riff and arrangement. It's both pretty and fluid, but not placid.

Hogans dotdotdot
Surf (Instrumental)

Some Doobie Brothers chords provide a tropical foundation for "Hogans." This is quite different than the rest of the material here, more like a backing track than a song.

Sandbar dotdotdotdotdot
Surf (Instrumental)

Thunder and danger lurk in "Sandbar," which sports some fine glissandoes and double picked lines. Ominous and powerful, with an interesting main riff. Tribal drums, bass grumble, and shredding guitar lines.

South Bird dotdotdot
Surf (Instrumental)

This is a fun song with splashy surfisms and a happy feel. The riff is circular and playful, and the idea fresh. Nice track.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Ruthie and the Wranglers - Somedaydotdotdot
artworkAside from the spunky country surf coolness of "Revenge of Surftilicus" (which is why this CD is reviewed on Reverb Central), what I like about this CD is the honest country feel of it. All too many country artists are Nashville oriented, which usually means shirt 'n' tie artificial or MTV wannabe instead of genuine country music. Ruthie (Logsdon) and the Wranglers present the real McCoy with original songs from the heart. Titles like "I'm Not Your Doormat" and "For Cryin' Out Loud" tell the tale.
Picks: Revenge of Surftilicus, Cat Walk

Track by Track Review


Revenge of Surftilicus dotdotdotdot
Country Surf (Instrumental)

A tribal surf beat launches "Revenge of Surftilicus." The country-surf guitar lines play a fine surf melody, with some lines double picked from the wrist, some played open. Chants of "oo" "ah" "oo" bring a bit of a jungle feel to this cool instro. Bouncy and coastal, it has a happy and adventurous sound to it, as well as well thought out production. A little like a cross between Big Guitars From Texas and the Shakin' Apostles, this warm twangster is a great surf adventure.

Cat Walk dotdotdot
Dockside Guitar (Instrumental)

"Cat Walk" is a slow and sinewy instrumental with a melody line influenced by the dockside moodiness of Earl Hagen. Long floating notes portray a mournful scene of broken hearted departure. It's quite an emotional track.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Route 66 Killers - S/Tdotdotdotdot
artworkRoute 66 Killers play a unique brand of cautiously optimistic music that occasionally verges on depressing, yet always fascinates and entertains. They write very good instrumentals with solid melodies. They have learned their three R's, playing with restraint, resignation and reverb. Both bands are highly original.
Picks: Ballade Of The Headless Horseman, Dia De Los Muertos, Murder On Beaver Street, The Jabervock, Monsterbation, El Conquistador, Baba Yaga, The Mummy's Curse, Ghoul Tango, Shallow Grave, Masque Of The Red Death, Tale Of The Drunken Prospector, The Bandito, Death, Death, Death, The Devil's Martini

Track by Track Review


Ballade Of The Headless Horseman dotdotdotdot
Horror Surf (Instrumental)

This is a fine instro with a bit of a European flair, or maybe spaghetti western. Pure surf sound wise, "Ballade Of The Headless Horseman" is an interesting mid tempo tune with a catchy if slightly gloomy melody. A bit cowboy, rhythmic and delicate, with glissandoes and ringing chords. The melody is a bit Spanish, surf rich, and very effective out front. Slightly sad, cool and restrained. A very nice track.

Dia De Los Muertos dotdotdotdot
Horror Surf (Instrumental)

Some Spanish influences, some classic surfisms, a bit of drama, and a sense of adventure come together in this instro. Double picked flurries and castanets. Very cool. "Dia De Los Muertos" ("Day Of The Dead") has been used for three very different intros, the other two being from the Civil Tones and the Magnetic IV.

Murder On Beaver Street dotdotdotdot
Horror Surf (Instrumental)

This mid tempo track is catchy like Dick Dale's "The Victor" is, but it's also more melodic and less intense. "Murder On Beaver Street" is an amazing piece of work, original and intriguing.

The Jabervock dotdotdotdot
Horror Surf (Instrumental)

Verging on optimistic, "The Jabervock" is cautious like a rider on an uncertain swell. Some drama, some guitar interplay (twin leads in essence), and lots of double picked reverbed coolness. A fine original track.

Monsterbation dotdotdotdot
Horror Surf (Instrumental)

A little like a Mark Brodie song, "Monsterbation" sports an interesting melody structure and similar restrained optimism. Tribal, a little dangerous, and rhythmic. Rhythmic and optimistic, delicate and 'verby. Tribal drums and long shallow whammy chords in the break.

El Conquistador dotdotdotdot
Horror Surf (Instrumental)

A slowly evolving melody line and dramatic ringing Spanish chords eventually give way to faster track with a circular riff and dual guitar lines. Rich double picking against chords and a thumping beat. This is not the Chantays' song.

Baba Yaga dotdotdotdot
Horror Surf (Instrumental)

A mid tempo song with some chunk and some Spanish adventure. Moody yet a little forward looking, "Baba Yaga" has a fine melody line and interesting arrangement. Nice track!

The Mummy's Curse dotdotdotdot
Horror Surf (Instrumental)

Slow shimmering vibrato sadly brings the wrapped one back from dust. A fine Middle eastern melody is double picked delicately in this moody song. Ringing chords, misty nights, a few Spanish riffs, and we're back to the oasis. A very cool song!

Ghoul Tango dotdotdotdot
Horror Surf (Instrumental)

"Ghoul Tango" is on the sad side, but also has a the sense of pressing on that so many Eastern European folk melodies have. Resignation to that inevitable killer wave that's appearing on the horizon outside. Excellent!

Shallow Grave dotdotdotdot
Horror Surf (Instrumental)

Moody and swimming in long whammy chords, "Shallow Grave" also seems to have a get through it underbelly. The melody line is really quite good.

Masque Of The Red Death dotdotdotdot
Horror Surf (Instrumental)

"Masque Of The Red Death" is like looking a mayhem on the screen - it's detached from the real horror it portrays. This is a mysterious and rich surf song with lots of low down notes and unfounded optimism.

Tale Of The Drunken Prospector dotdotdotdot
Horror Surf (Instrumental)

the introduction to "Tale Of The Drunken Prospector" is artful feeling with a moody sadness. The song itself sports a cowboy galloping rhythm and sadly playful melody. While it's catchy, it's not uplifting, yet it's not depressing either.

The Bandito dotdotdotdotdot
Horror Surf (Instrumental)

Spanish Dick Dale runs, a splashy melody, and some heavy double picking - perhaps the harshest track here. Energy and power, with a fine melody. "The Bandito" borders on spectacular.

Death, Death, Death dotdotdotdot
Horror Surf (Instrumental)

This slow moving surf dirge verges on depressing through long slow stereo notes in the intro. The song itself is more Spanish and almost bouncy. A great beat and rhythm runs under a moody and moving melody.

The Devil's Martini dotdotdotdot
Horror Surf (Instrumental)

"The Devil's Martini" has a great rhythm and melody. It's delicate and pretty, yet powerful. Spanish influences, reverb, double picking, splash chords, and moody tone.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Razorblades - Get Cut Bydotdotdotdot
artworkMartin Schmidt's previous CD's just hinted at what would happen with a band. The Razorblades are the fulfillment of that promise. There are some very fine tracks here, wit big and powerful, yet delicate and fluid sounds. Quite a fine CD.
Picks: Fasten Seatbelts, Into The Big Blue, Jellyfish Race, The Man In The Green Suit, Hacksurfbrett, Wake Up Rude Boy! It's Surfin' Time, Kleiner Mann, Was Nunp, Tiki Dog, I'm In Love With An Octopus, The Autobahn Man, Teenage Dance Party, Hermann's Mambo, Cooler Strassenkreuzer, Sputnik, Eternity

Track by Track Review


Fasten Seatbelts dotdotdotdot
Surf (Instrumental)

Fast and furious aggressive modern surf loaded with fire and glissando mayhem, and fronted by a strong melody line and a large supply of energy! Totally cool and rambunctious. Great drums, solid bass, and electric fire in the guitar. It's also very nicely produced.

Into The Big Blue dotdotdotdot
Surf (Instrumental)

A moody melody is laid out in a stereo wash of reverberation. Lots of fire and splash and a big storm surf of sparkle. "Into The Big Blue" is a very unusual song!

Jellyfish Race dotdotdotdot
Surf (Instrumental)

"Jellyfish Race" is dark and thunderous, with a tuff surf chop and great melody line, amped up by glissandoes and twang. It's a big song with depth and power. Hard driving and gutty, with pummeling waves everywhere.

The Man In The Green Suit dotdotdotdot
Surf (Instrumental)

This slower song is on the spy side of the aisle, with a moody Euro melody line and haunting guitar. I"The Man In The Green Suit" is both beautiful and powerful, with slight sense Nirvana gone tube rider. Soaring guitar rises above the gloomy underbelly.

Hacksurfbrett dotdotdot
Surf (Instrumental)

This is sort of angular and mathematical, like the curl converted into a code of ones and zeros. No, it's not binary, but it is complex and deliberate. The surf guitar break is quite fine!

Wake Up Rude Boy! It's Surfin' Time dotdotdotdotdot
Surf (Instrumental)

Nope, not ska... "Wake Up Rude Boy! It's Surfin' Time" is an upbeat number with an optimistic sound and style. Rock solid, flashy and splashy, with a catchy sound. I like this a lot, kinda like a post modern surf variation on the charm and style of "Rik-A-Tik."

Kleiner Mann, Was Nunp dotdotdotdotdot
Surf (Instrumental)

Yikes! This is B-I-G in the opening. Double picked guitar, a moody melody line, and a sense of drama. There are playful parts, dramatic parts, moody parts, and fluid parts. Mediterranean and Spanish surf is written all over "Kleiner Mann, Was Nunp." A fine song!

Tiki Dog dotdotdotdot
Surf (Instrumental)

"Tiki Dog" is surf all the way, flashy and solid, with a fine riff and tuff sound. There's an island feel, a curl crashing sense, and a bit of danger. Great composition!

I'm In Love With An Octopus dotdotdotdot
Surf (Instrumental)

Large twang and liquid scenes pour from the introduction to "I'm In Love With An Octopus," which is a rhythmic track with great damped rhythm guitar and a sparkling modern surf riff. Infectious in an endearing way, with rich production.

The Autobahn Man dotdotdotdot
Surf (Instrumental)

"The Autobahn Man" is motion oriented, but not in the open road high speed way. It chunks and tours like a curvy coastal road with plenty of obstacles. Very cool!

Teenage Dance Party dotdotdot
Surf (Instrumental)

The rhythm of "Teenage Dance Party" is smooth and very friendly. The melody line is built on it, with a bit of a last dance feel as it might be inspired by an edgy Shadows sound.

Hermann's Mambo dotdotdot
Surf (Instrumental)

Twango and damped plucking reverbed mambo suave... "Hermann's Mambo" is playful and seductive, without being light weight. The double picked lines depict long tubes well.

Cooler Strassenkreuzer dotdotdot
Surf (Instrumental)

Almost orchestral in feel, "Cooler Strassenkreuzer" is a choppy rhythm piece with a flowing echoed lead guitar in the European tradition. An interesting combination of choppiness and long sustain.

Sputnik dotdotdot
Surf (Instrumental)

Echoed richness and drama tell of satellites overhead. "Sputnik" is not very surf of melody, except for the glissandoes, but yet it has the feel of storm surf on a rocky coastline.

Eternity dotdotdotdotdot
Surf (Instrumental)

This is a long and flowing piece of music that is like an amped up island voyage. Picturesque, inviting, slightly dramatic, and nicely arranged, "Eternity" is like a vacation with relaxation with tension... that sounds contradictory, but the loudness of the lead guitar and thickness of the bass, along with the strong drums, contrast against a pretty fluid melody with many scenic changes, creates a juxtaposed sound and vision. There are lines borrowed from Hendrix and nods to the power of the electric guitar. A very cool track!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Steve Reverb and the Sound-Tones - S/Tdotdotdot
artworkSteve Reverb and the Sound-Tones play an interesting blend of surf, cowpunk, truckdrivin' twang instros and plaintiff truckstop punk vocals that have charm and wit about them. These are demos for sure, but they show significant promise, and with better sound, I'd say they would grab quite a number of folks by the cactus needles.
Picks: The Theme From Griss, Jack Ramblin', Lame Riser, Shootin' The Pier, Montel Tiegs, Mr. Mysterioso's Secret Siren, Wildman M-C, The Chrome Classic G-Man

Track by Track Review


The Theme From Griss dotdotdot
Cowpunk Surf (Instrumental)

This is a kind of rockabilly grinder with a surf rhythm. More riffy than melodic, "The Theme From Griss" might be placed in the cowpunk genre as it was practiced at the end of the eighties. It's a fun track with punch and grit.

Jack Ramblin' dotdotdot
Cowpunk Surf (Instrumental)

Punchy surfable cowpunk chop and romp with a bit of thrash and lots of angst. "Jack Ramblin'" is rhythmic and fun, with a stompin' cowboy boot edge.

Lame Riser dotdotdot
Cowpunk Surf (Instrumental)

Chunky punky rockin' with great drums and grind. "Lame Riser" is a bumpin' track with edge and drive. It's the drums that rock it, while the bass and guitar drive it home. Cool track.

Shootin' The Pier dotdotdot
Cowpunk Surf (Instrumental)

Anglin' for an attack angle that won't result in a pylon pile-on, Steve Reverb and the Sound-Tones grind a dangerous song with some reverb, some surf, some punk, and determination. Rolling drums in the break punctuate the danger. Excellent.

Montel Tiegs dotdotdotdot
Cowpunk Surf (Instrumental)

Don't know who this "Montel Tiegs" character is, but he's disjointed and angular with a frantic personality. Very unusual and interesting guitar wizardry between verses, punkin' rompin' drums, and rolling bass give the song guts and charm. A stomp for the other times.

Mr. Mysterioso's Secret Siren dotdotdot
Cowpunk Surf (Instrumental)

With the weird apprehension of "Out Of Limits," this song begins and is interrupted with angular tension. The rest of the song is stompin' punkoidal thrash surf with attack and angst. Cool stuff.

Wildman M-C dotdotdotdot
Cowpunk Surf (Instrumental)

Like a cowboy punk "Pipeline," Steve Reverb and the Sound-Tones whammy and pump "Wildman M-C" with a combination of surf, cactus, and punk. 'Tis a fine track with lots of edge.

The Chrome Classic G-Man dotdotdot
Cowpunk Surf (Instrumental)

Dramatic and spunky, "The Chrome Classic G-Man" sports a deliberate structure. It's less interesting than the rest of the instros on this disc - less fluid and intense.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Ribeye Brothers - If I Had A Horsedotdotdot
artworkIn the same way that the Farlowe Brothers or Jon Wayne are cool, the Ribeye Brothers mess with country rock, demonstrating in the good way what Willie Nelson meant when he said "some call it country, but I call it bad rock 'n' roll." Oh yeah, there's a decent instro here too.
Picks: If I Had A Horse, Love Theme

Track by Track Review


If I Had A Horse dotdotdot
Rock (Instrumental)

This is a heavy plodding twangster with a menacing edge, like Link Wray filtered through a ring modulator. Quite a dark track.

Love Theme dotdotdot
Rock (Instrumental)

A long way from anything you might wanna use for romancin', "Love Theme" is a thin repetitious bit of whistlin' and sustained guitar over trashy percussion... its quite magnetic in a strange angular and amateur way sorta.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Jody Reynolds - Endless Sleepdotdotdotdot
artworkIn 1954, Jody Reynolds (guitar and vocals), Billy Ray (country vocals and guitar) and Al Casey (lap steel) teamed up as Billy Ray and the Red Wagon Boys. Jody heard Elvis, and ditched the country sound for rock 'n' roll. He wrote "Endless Sleep" in 1956, but didn't release it until 1958 on the Demon label. He also issued the fantastic "Thunder" c/w "Tarantula" single as the Storms. It was with Al Casey that his sound evolved, and it was Al's big guitar that later influenced Duane Eddy's tone as well. It's debatable whether Al developed his sound with the Storms or Duane Eddy, since they were contemporaries and Al worked with both. What's clear is that Al Casey behind Jody Reynolds was an unbeatable combination. His sound was mean and haunted, tortured and honest. Like a low down Duane Eddy with vocals. This is a great release, one that I've been waiting for decades.
Picks: Thunder, Tarantula, Makin' Out, Shot Down

Track by Track Review


Thunder dotdotdot
Surf (Instrumental)

With the manic energy if a less than correctly wired board rider in storm surf, this track angrily disorients the listener with a defined reality filter. Intense and nervous. "Thunder" was one of the singles that inspired the first generation of surfbands, from Paul Johnson onward.

Tarantula dotdotdotdot
Pre Surf (Instrumental)

This is Jody Reynolds' band. Their most familiar instro is "Thunder," which is a pretty straight Duane Eddy-Al Casey styled number. "Tarantula" is much more moody, with that same low-E guitar grumble and a nasty sax in the break. Excellent pre-surf from 1959

Makin' Out dotdotdotdotdot
Big Guitar (Instrumental)

Whoa! This is major pre surf twang. It's nastier than the Storms single, more rhythmic and pumped, less rich. It's downright sensual. Yikes! Makes you wanna go in the back seat with your baby... Plas Johnson plays sax with the Storms on this track.

Shot Down dotdotdotdot
Surfabilly (Instrumental)

Like a Mexican cantina that features cannelloni, this very pretty number reminds me of some of the Farina brothers' writing, a bit of the Buddy Merrill styling, and slinky Latin quarter sensuality. A nice tune, moody, mystical, and smooth. Like a Jim Thomas construction, this moodily meanders through some interesting guitar tones and shimmering delicate melody ideas, displaying island visions and wahine sway.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Robert and the Roboters - S/Tdotdotdotdot
artworkThis CD-EP was issued in 2000 by the ever evolving Robert and the Roboters. There are but seven tracks. Occasionally over reverbed, but well written and played, and often artfully arranged.
Picks: The Cleaner Goes Crazy, I Follow The Sun, Tanz Du Luder, Emil Surf, Das Madchen Am Tresen, Thema Fur Junge Verliebte, Muschi Rock

Track by Track Review


The Cleaner Goes Crazy dotdotdot
Frat Surf (Instrumental)

I don't know if this about a lunatic maid or tripped-out bottle of 409, but it's definitely whacked. Demented cries of "surf.... and slam" punctuate the riff rockin' frat sensibilities of "The Cleaner Goes Crazy."

I Follow The Sun dotdotdotdot
Surf (Instrumental)

This is a fine cover of the Treble Spankers' "I Follow The Sun," with a softer, more round sound. It's an excellent track with an appealing sound and fluid exotic feel. The "Pipeline"-esq is more subtle, and the warmth of the melody line cooled down a bit.

Tanz Du Luder dotdotdot
Frat Surf (Instrumental)

On the faster side, and spiced with voicings in a manner similar to "The Cleaner Goes Crazy," this song is more rhythm dominated and progressionally based.

Emil Surf dotdotdotdot
Surf (Instrumental)

The melody line here sparkles like summertime salt water glistening in the late afternoon sun. Slightly sad, yet optimistic, "Emil Surf" is a solid surf adventure that's on the lighter side. A few voice injections ape the spaghetti western idea a bit.

Das Madchen Am Tresen dotdotdot
Surf (Instrumental)

"Das Madchen Am Tresen" is a slow song with a sad and haunting sound. It mourns a lost opportunity on a quiet lagoon somewhere in paradise. Quite pretty, with occasional references to "Hernando's Hideaway."

Thema Fur Junge Verliebte dotdotdotdot
Surf (Instrumental)

"Thema Fur Junge Verliebte" features a melody line in part derived from a traditional melody. It's a little sad, and very pretty, floating on a delicate and moody sound.

Muschi Rock dotdotdotdot
Surf (Instrumental)

Distant eeriness surrounds the rhythm track while the lead guitar softly vibrates in full vibrato. Then, "Muschi Rock" launches into a hard drivin' riff rocker. A little on the thrashy side, but still very surfy, and bathed in reverb.

The song ends in a long sequence of the surf lapping the sand, past which is a hidden vocal out past the 8 minute mark about Finland boys and the rodeo.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Robert and the Roboters - Wilde Orchideedotdotdotdot
artworkThis new CD from Dresden's Robert and the Roboters merges a little surf, some traditional European melody stylings, go-go keys, unusual beats, and creative arranging. While it's definitely a sidetrip for a surf fan, it is nonetheless an enjoyable CD with several fine instros to capture your attention. There's one vocal here titled "Overdrive."
Picks: Jutta Aus Kalkutta, Raketinfrau, Roboters Stomp, Schlupferbeat, Emmanuelle In Thailand, Sex Auf Der Datsche, Summel Mirko, Nevada, Wilde Orchidee, Estocada, Che Che Surf, Strasse Drer Romantik

Track by Track Review


Jutta Aus Kalkutta dotdotdotdot
Quasi Surf (Instrumental)

"Jutta Aus Kalkutta" reminds me a little of a Kraan song gone awry. The rhythm guitar jangles an infectious rhythm, the chorus suggests fifties pop, the heavy guitar parts offset the delicate floaty leads. It's quite a nice track!

Raketinfrau dotdotdotdot
Quasi Surf (Instrumental)

"Raketinfrau" has that Euro-gypsy-ska rhythm and big whammy chords. It blends surf and Euro melody ideas, and has an infectious rhythm track, and even a few double piked lines. A very fine song.

Roboters Stomp dotdotdot
Rock (Instrumental)

Swirly guitar effects and a combo riff-rock melody line characterize "Roboters Stomp," which has a nearly subliminal vocal line on some verses.

Schlupferbeat dotdot
Rock (Instrumental)

The organ whistles with an almost carnival air. A choppy, bouncy rhythm fills out the song.

Emmanuelle In Thailand dotdotdotdot
Quasi Surf (Instrumental)

This is a fine song with a mysterious melody line and military rhythm. I'm not sure it hints of Thailand, but it's both interesting and suave, and a little sad. Moody, perhaps just out of reach at times, "Emmanuelle In Thailand" is one fine track!

Sex Auf Der Datsche dotdotdotdot
Rock (Instrumental)

"Sex Auf Der Datsche" sports a bouncy playful rhythm and melody line. Lots of energy delivers a frothy episode of coastal play. Way fun, and infectious too!

Summel Mirko dotdotdot
Go-Go (Instrumental)

"Summel Mirko" is a go-go kinda jam full of fun and dancin' fools. Cool in a club setting for sure.

Nevada dotdotdotdot
Exotic Surf (Instrumental)

This song mixes exotica and surf with a moody sadness. The haunting melody is ghostly, yet enticing, like a tropical wake near dawn. "Nevada" is a very cool track that hooks you in its slow sinewy sound.

Wilde Orchidee dotdotdotdot
Rock (Instrumental)

"Wilde Orchidee" is an edgy rock exercise that reminds me of Egyptian Reggae quite a bit. While not the same, it's like a smoother faster variation of the same classical theme, but stripped down and less circular. Excellent!

Estocada dotdotdotdot
Lost Surf (Instrumental)

This slow song plays over dry desert winds. Its mystery and sadness is quite compelling, like a spaghetti western epic, or perhaps a theme for a French Foreign legion column that will not return. Very cool track!

Che Che Surf dotdotdotdot
Quasi Surf (Instrumental)

"Che Che Surf" employs a classic AABA structure, with a melody that is both surfy and European. Infectious and very cool, despite the rude call at the beginning.

Strasse Drer Romantik dotdotdotdot
Quasi Surf (Instrumental)

A military march with a haunting melody over birds chirping. Part one of "Strasse Drer Romantik" is a fine instrumental, while part two is bird noises, and part three sports a lo-fi "doo-doo" vocal line.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reef Rammer Surf Band - Live at L.A. Wood 2001dotdotdotdot
artworkThis live soundboard recording was made in 2001 at L. A. Wood. It's the first evidence I've heard of a band that has haunted the surf scene for a long time in one form or another. The music is understated and very wet.
Picks: Mr. Moto, Penetration, Pipeline, Mexico, Misirlou, Sleep Walk, Death Of A Gremmie, The Victor, Wild As The Sea, In My Room, Mr. Moto (slight reprise)

Track by Track Review


Mr. Moto dotdotdot
Surf (Instrumental)

Dripping wet guitars deliver Paul Johnson's first composition with reverence and a restrained beauty. Long swimming chords and a fat bass line, and a gallon or two or Pacific swirl.

Penetration dotdotdot
Surf (Instrumental)

Swimming reverb, long fluid guitars, and round tone present the Pyramids' "Penetration" with a genuine feel for the period. Very cool.

Pipeline dotdotdotdot
Surf (Instrumental)

"Pipeline" define the surf genre like no other vintage song. Its perfection has given rise to many arrangements, from aggro to lite fantastic. The Reef Rammer Surf Band plays it with lots of long delay reverb and understated chunk. This is a very pretty version of the song, with an attractive sound and chunky glissandoes.

Mexico dotdotdotdotdot
Surf (Instrumental)

"Mexico" is a fluid and moody original with a stunningly attractive sound and dripping wet guitar line. haunting and just a little sad, the picturesque melody creates a scene not unlike those that flow from Jim Thomas' (Mermen) guitar, though the style is much more traditional. This is a beautiful song!

Misirlou dotdotdotdot
Surf (Instrumental)

"Misirlou" is played with single notes instead of the usual double picked assault. Glissandoes, a haunting guitar sound, and a liquid delivery take it to place half way between the classic Dick Dale and his Del-tones version and the authentic Mediterranean origins of the song. The heavy damped rhythm in the break is very cool.

Sleep Walk dotdotdot
Surf (Instrumental)

Often covered, Santo and Johnny's "Sleep Walk" flows like water running towards the sea. Very pretty.

Death Of A Gremmie dotdotdotdot
Surf (Instrumental)

"Death Of A Gremmie" opens with soft chords as if the Reef Rammer Surf Band were going after "Comin' Home Baby." It's not the Dick Dale song. Delay and reverb combine to give the surf guitar its haunting sound.

The Victor dotdotdotdotdot
Surf (Instrumental)

Bongos introduce this sultry version of Dick Dale's glorious "The Victor." In this soft arrangement, it really delivers the mystique of the middle east. The extremely liquid guitar sound and a haunting distant air are quite irresistible. Excellent!

Wild As The Sea dotdotdotdotdot
Surf (Instrumental)

Easily as soft as the Sandals original, but drenched in reverb, "Wild As The Sea" is quite stunning here. It reminds me a bit of the kind of liquid transmutations that Dead Men Don't Surf are able to give classic surf songs. Quite excellent!

In My Room dotdotdot
Surf (Instrumental)

The Beach Boys' epic of sappy adolescence "In My Room" gets a whole new lease on life in this pretty instrumental arrangement. Very nice.

Mr. Moto (slight reprise) dotdotdot
Surf (Instrumental)

This is another take of "Mr. Moto" I think this is much more interesting, and sports more energy. Rich and liquefied with reverb and delay. Very tasteful.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reef Rammers - Live at L.A. Wood 2002dotdotdotdot
artworkThe 15th anniversary edition of L. A. Wood finds the Reef Rammer Surf Band, now simplified to the Reef Rammers, back on stage for more very wet surf. Included is the vocal "Sloop John B.."
Picks: Torquay, Rumble, The Cat, Pacifico, Intoxico, Seaweed, Kaui Boy, Tribute To L. A. Wood

Track by Track Review


Torquay dotdotdot
Surf (Instrumental)

The Fireballs' groovy "Torquay" is splashed with dripping reverb and classic rhythm. Soft and very wet.

Rumble dotdotdot
Surf (Instrumental)

Link Wray's ultra tuff intro "Rumble" is splashed and washed in the surf. The arrangement is based on the LP version, but is softened by the reverb.

The Cat dotdotdotdotdot
Surf (Instrumental)

"The Cat" is an original song dedicated to Mickey Dora. The beautiful melody is picturesque and fluid, and the surf credentials rock solid. haunting, adventurous, and a little Spanish. Totally excellent.

Pacifico dotdotdotdotdot
Surf (Instrumental)

Finally, the only beer I actually like gets a song all its own. Or, perhaps it's merely about the ocean. Either way, "Pacifico" is a beautiful song with great bridges and a slithery flow. I like this song a lot.

Intoxico dotdotdot
Surf (Instrumental)

Neal Nissensen's classic "Intoxico" (also spelled "Intoxica") is done just the way it's supposed to be. There are quite a few versions of this song. The Reef Rammers make it more wet than most.

Seaweed dotdotdotdotdot
Surf (Instrumental)

"Seaweed" is a little reminiscent of "Endless Summer" in style. It's a great song with a classic lite-surf line and very well developed sense of flow. I think this is a really pretty song with a fine sense of drama and open adventure.

Kaui Boy dotdotdot
Surf (Instrumental)

This is a Hawaiian style instro that moves slowly through palms and sunset breezes. "Kaui Boy" is a very pretty song.

Tribute To L. A. Wood dotdotdotdot
Surf (Instrumental)

This is a band dedication to L. A. Wood on the occasion of its 15 year anniversary. The song underneath the thank-yous is the stunningly beautiful "Mexico."

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Matt Rae - Twang!dotdotdot
artworkAs a surf CD, this is just barely related. As a country CD, this is quite cool. 12 instros with the guitar in the spotlight and the soul and blues not too far off. I really like this despite its dry land orientation.
Picks: Road Rage, Harmambo, Floatin', Surf Wrangler, Remington Ride, Almost Home, Albert, Sugarfoot Rag, Tele Savales, The Cottage, Tele-Thrasher, Sonic Blue

Track by Track Review


Road Rage dotdotdotdot
Country (Instrumental)

Cowboy twango, pickups on back roads, bootleggers in Fords, and no one is being nice. "Road Rage" is an infectious and very bouncy country track that's just not shy about its bright outlook.

Harmambo dotdotdot
Mambo (Instrumental)

Slinky mambo soul, jazz for the slither in you... "Harmambo" is a fun track, though it seems to me to be just bit too deliberate.

Floatin' dotdotdot
Surf Blues (Instrumental)

"Floatin'" is a long drink of water on a calm sea. Bluesy, yet aquatic. It's a very soothing track without being a backdrop. The atmospherics of the mix give it a very spacious sound.

Surf Wrangler dotdotdotdot
Country Surf (Instrumental)

Moving in a ghostly wash from the silence, "Surf Wrangler" becomes a surfish country song with a haunting sound and gentle flow. It's like a fog that slows the light without darkening the day. Misty, moody, and soothing.

Remington Ride dotdotdotdot
Country (Instrumental)

Great bouncing twango, what's this. If ever you heard the amazing Buzzy Frets and his Surfabilly Orchestra, you would immediately get "Remington Ride." The twang and undulation of the song are entirely infectious. make you wanna ride out to the country for a picnic!

Almost Home dotdotdot
Country (Instrumental)

"Almost Home" is a soft journey from sadness to cautious optimism. Beautiful, lush, and quite pleasant.

Albert dotdotdot
Country Funk (Instrumental)

If ever there was such a thing as country funk, this would be it. maybe a little like Cat Mother and the All Night Newsboys, "Albert" undulates and tweaks with a hybrid soul.

Sugarfoot Rag dotdotdot
Country (Instrumental)

The classic Vaughn Horton / Hank Garland song is simply fun. Very nicely done, and worth the price of admission.

Tele Savales dotdotdot
Big Country Twang (Instrumental)

I never would have thought of Tele Savales as a country boy, but if he was, he'd probably look like this sounds. Pumpin' groovin' country charm and a bit of quirky edge too.

The Cottage dotdotdot
Country (Instrumental)

"The Cottage" is simply a charming bit of country fluff... The kind of thing where the musicians are a-grinnin' and a-pluckin' just for themselves. Daddy's on the gitter and Grandpa's on the jug, and there's gingham everywhere.

Tele-Thrasher dotdotdot
Rock (Instrumental)

"Tele-Thrasher" takes quite a turn off the row plowed so far. A great bass line, cool percussion, jazzy guitar lines, and a sound that's perhaps a little reminiscent of Nektar or Epitaph, or maybe even Wig Wam.

Sonic Blue dotdotdot
Blue Jazz (Instrumental)

The CD ends with a slowish and moody blues in a slightly jazz setting. More or less traditional electric blues based, "Sonic Blue" seems to be all about the soul of the late night.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Route 66 Killers - Murder On Beaver Streetdotdotdotdot
artworkRoute 66 Killers play a unique brand of cautiously optimistic music that occasionally verges on depressing, yet always fascinates and entertains. They write very good instrumentals with solid melodies. They have learned their three R's, playing with restraint, resignation and reverb. Both bands are highly original.
Picks: Ballade Of The Headless Horseman, Dia de Los Muertos, Murder On Beaver Street, The Jabervock, Monsterbation, El Conquistador, Baba Yaga, The Mummy's Curse, Ghoul Tango, Shallow Grave, Masque Of The Red Death, Tale Of The Drunken Prosecutor, The Bandito, Death, Death, Death, The Devil's Martini

Track by Track Review


Ballade Of The Headless Horseman dotdotdotdot
Horror Surf (Instrumental)

This is a fine instro with a bit of a European flair, or maybe spaghetti western. Pure surf sound wise, "Ballade Of The Headless Horseman" is an interesting mid tempo tune with a catchy if slightly gloomy melody. A bit cowboy, rhythmic and delicate, with glissandoes and ringing chords. The melody is a bit Spanish, surf rich, and very effective out front. Slightly sad, cool and restrained. A very nice track.

Dia de Los Muertos dotdotdotdot
Horror Surf (Instrumental)

Some Spanish influences, some classic surfisms, a bit of drama, and a sense of adventure come together in this instro. Double picked flurries and castanets. Very cool. "Dia De Los Muertos" ("Day Of The Dead") has been used for three very different intros, the other two being from the Civil Tones and the Magnetic IV.

Murder On Beaver Street dotdotdotdot
Horror Surf (Instrumental)

This mid tempo track is catchy like Dick Dale's "The Victor" is, but it's also more melodic and less intense. "Murder On Beaver Street" is an amazing piece of work, original and intriguing.

The Jabervock dotdotdotdot
Horror Surf (Instrumental)

Verging on optimistic, "The Jabervock" is cautious like a rider on an uncertain swell. Some drama, some guitar interplay (twin leads in essence), and lots of double picked reverbed coolness. A fine original track.

Monsterbation dotdotdotdot
Horror Surf (Instrumental)

A little like a Mark Brodie song, "Monsterbation" sports an interesting melody structure and similar restrained optimism. Tribal, a little dangerous, and rhythmic. Rhythmic and optimistic, delicate and 'verby. Tribal drums and long shallow whammy chords in the break.

El Conquistador dotdotdotdot
Horror Surf (Instrumental)

A slowly evolving melody line and dramatic ringing Spanish chords eventually give way to faster track with a circular riff and dual guitar lines. Rich double picking against chords and a thumping beat. This is not the Chantays' song.

Baba Yaga dotdotdotdot
Horror Surf (Instrumental)

A mid tempo song with some chunk and some Spanish adventure. Moody yet a little forward looking, "Baba Yaga" has a fine melody line and interesting arrangement. Nice track!

The Mummy's Curse dotdotdotdot
Horror Surf (Instrumental)

Slow shimmering vibrato sadly brings the wrapped one back from dust. A fine Middle eastern melody is double picked delicately in this moody song. Ringing chords, misty nights, a few Spanish riffs, and we're back to the oasis. A very cool song!

Ghoul Tango dotdotdotdot
Horror Surf (Instrumental)

"Ghoul Tango" is on the sad side, but also has a the sense of pressing on that so many Eastern European folk melodies have. Resignation to that inevitable killer wave that's appearing on the horizon outside. Excellent!

Shallow Grave dotdotdotdot
Horror Surf (Instrumental)

Moody and swimming in long whammy chords, "Shallow Grave" also seems to have a get through it underbelly. The melody line is really quite good.

Masque Of The Red Death dotdotdotdot
Horror Surf (Instrumental)

"Masque Of The Red Death" is like looking a mayhem on the screen - it's detached from the real horror it portrays. This is a mysterious and rich surf song with lots of low down notes and unfounded optimism.

Tale Of The Drunken Prosecutor dotdotdotdot
Horror Surf (Instrumental)

the introduction to "Tale Of The Drunken Prospector" is artful feeling with a moody sadness. The song itself sports a cowboy galloping rhythm and sadly playful melody. While it's catchy, it's not uplifting, yet it's not depressing either.

The Bandito dotdotdotdotdot
Horror Surf (Instrumental)

Spanish Dick Dale runs, a splashy melody, and some heavy double picking - perhaps the harshest track here. Energy and power, with a fine melody. "The Bandito" borders on spectacular.

Death, Death, Death dotdotdotdot
Horror Surf (Instrumental)

This slow moving surf dirge verges on depressing through long slow stereo notes in the intro. The song itself is more Spanish and almost bouncy. A great beat and rhythm runs under a moody and moving melody.

The Devil's Martini dotdotdotdot
Horror Surf (Instrumental)

"The Devil's Martini" has a great rhythm and melody. It's delicate and pretty, yet powerful. Spanish influences, reverb, double picking, splash chords, and moody tone.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Rencontrez L'Amour - Brazilian Waxdotdotdot
artworkRencontrez L'Amour are a little like a mix of the now defunct Torpedoes and the Mediterranean. Born of punk and reverb, their music is thrashy and fast.
Picks: Intro, Faster Pussycat Wax Wax, Chihuahua, Italian Surfergirl, Last Night's Cocktail, Tsunami, Gravity Flow, Dans ma Bouche

Track by Track Review


Intro dotdotdot
Surf (Instrumental)

Stereo delayed guitar pickery not unlike the Torpedoes used to drive home. Many parted, the song serves to introduce a range of sounds, but mostly power thrash speed picking.

Faster Pussycat Wax Wax dotdotdotdot
Surf (Instrumental)

"Faster Pussycat Wax Wax" is a fun track that's both delicately moody and shredded speed picked. Power and a frantic pace. Not melodic, but overpowering and thunderous.

Chihuahua dotdotdotdot
Surf (Instrumental)

Cool Spanish chords and reverbed picking bring on a very track with whammy and style. The melody is tasteful and warm, and the balance between rhythm and lead well defined. "Chihuahua" evolves into an almost Armageddon "Buzzard" arrangement before returning to the warmth of the melody.

Italian Surfergirl dotdotdot
Surf (Instrumental)

Big whammy chords, dark guitar work... that "Italian Surfergirl" must be a dangerous woman. Angular and non-melodic, dark and hazardous, like a merciless storm surge.

Last Night's Cocktail dotdotdot
Surf (Instrumental)

Fast and furious, this seems more suited to be called "Secret Police" than "Last Night's Cocktail." Angry, shortboard carved, and intense.

Tsunami dotdotdot
Surf (Instrumental)

Soft chords provide a sense of hope from the calm before the storm. Moody and dark, they yield to a relentless shred of storm front. Dramatic and dangerous.

Gravity Flow dotdotdotdot
Surf (Instrumental)

"Gravity Flow" sports a playful melody riff and rhythm. The drums are very cool, and the riff is sort of like a darkened "Pink Panther" on the rocks. Big drama and dark uncertainty. Very heavy at times.

Dans ma Bouche dotdotdot
Surf (Instrumental)

Stompin' and throbbin', "Dans ma Bouche" is all about the beat, the thrashing, the anger. Not attractive, but very powerful.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Riviera Playboys - Ambassadors Of Rock-N-Rolldotdotdot
artworkThe songs on this CD are tuff and gutsy. Perhaps the Troggs cover tells the story with its lumbering sensually and pouty vocals. There are some great songs here, and a tuff instro to boot.
Picks: Comb The Island

Track by Track Review


Comb The Island dotdotdot
Fuzz Surf (Instrumental)

"Comb The Island" is a hard-edged intense track with a few glissandoes and a tuff riff. Lots of fire and excellent drums, plus bass lines that carry the melody while the guitars catch fire. The guitar tone is like virtually every live band on tour in the late eighties, and the chorus is an interesting touch.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Red Roza - Moscovichi Band Live 1968dotdotdot
artworkRed Roza was a band of Valery Shapovalow, who still plays guitar and records in Russia. This isn't the greatest thing since sliced bread, but it's just about as rare as it gets. Illegally recorded live in Moscow at an illegal gathering, playing loud illegal music in 1968, a time when such things could net you a holiday in Siberia, and then keeping the tape all those dreadful years under the KGB's thumb. It's really quite something how much risk this music is worth. Think of it as the sound of freedom.
Picks: Apachi, Genius, Pipe, Roll Over Beethoven, Ventures

Track by Track Review


Apachi dotdotdot
Rock (Instrumental)

This is a very well played traditional version of "Apache" based largely on the Shadows' version. Excellent whammy and damped chords. The drums are a little rough at times, but there's no question that this is live and immediate. very cool!

Genius dotdotdot
Rock (Instrumental)

This is a very pretty song with a shimmer in the guitar and catchy melody line. The warmth of the style and performance is at odds with the time and place of the recording. Very cool!

Pipe dotdotdot
Rock (Instrumental)

The Shadows' pretty "Peace Pipe" floats as it should. Very reverent, with excellent guitar work emotionally delivered. The arrangement is just right, and the spirit of the band perfect.

Roll Over Beethoven dotdotdot
Rock (Instrumental)

This is a rousing hard rockin' instrumental treatment of Chuck Berry's "Roll Over Beethoven" as if the Beatles were the Shadows. Hard edged and showing some of the distortion of the late sixties.

Ventures dotdotdot
Rock (Instrumental)

The Ventures' playful "Barefoot Venture" is very well covered with heavy echoed guitar. Excellent chords and great period playing. Very cool!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rock-A-Hulas - The Rock-A-Hulas / Supersonicosdotdot
artworkThis split CD features 8 vocals and 1 instro from the Rock-A-Hulas and 7 instros from the wonderful Supersonicos. The Rock-A-Hulas garage frat stuff is OK if that's your bag, but not as interesting as their only instro here. There is also a vocal out at the end unlisted that's based on "Raw-Hide," and is pretty surfy.
Picks: Bloody Mary Stomp

Track by Track Review


Bloody Mary Stomp dotdotdot
Surf (Instrumental)

The Rock-A-Hulas play a heavy frat rockin' grumbler like Eddie Angels might work up. Very simple and low brow, but interesting like "Cave Man."

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reluctant Aquanauts - The High Voltage Sounds Of...dotdotdotdot
artworkA fine first effort from the Reluctant Aquanauts. It may be mostly demos, but I think they are on their way to a strong sound and hopefully many more recordings. the covers are good choices, being mostly off the beaten path.
Picks: High Voltage, The Saint's Wake, The Kook, The Deputy's Empty Gun, Buddy And Julius, Scratch, Kung Bao Surf, Fall Of The Phoenix, 23 Skidoo, Do The Kelp!, Chrome Czars, Everybody Up

Track by Track Review


High Voltage dotdotdot
Surf (Instrumental)

A drivin'' surf instro with tuff drums and aggressive flair, and a cover of Jim Messina's "High Voltage." Not as riveting as the original, but very good to hear nonetheless. More or less straight, this version sports a lot of energy. It also provides the title for the release.

The Saint's Wake dotdotdotdot
Surf (Instrumental)

A cool surf rhythm runs under a fine surf instro with an excellent spy-like melody. Moody, but not slow, and featuring some very nice whammy chords and glissandoes.

The Kook dotdotdot
Surf (Instrumental)

With a nervous double picked intro reminiscent of Armageddon's "Buzzard," this track becomes an endless string of notes and a solid bass-drums backtrack.

The Deputy's Empty Gun dotdotdotdot
Surf (Instrumental)

A little cowboy action, but mostly a surf rage with a lot of edge and power. Big chords ring out, and the double picked leads rip in a playful melody that might remind you of Mark Brodie. "The Deputy's Empty Gun" is a splendid song.

Buddy And Julius dotdotdotdot
Surf (Instrumental)

A marching bass and drums support a very cool, almost military melody line that might have been influenced by "Hi Ho, Hi Ho, It's Off To Work We Go." Toy soldiers looking for the secret spot. The break is a dark surf rage. Unusual and very fun.

Scratch dotdotdot
Surf (Instrumental)

Nokie Edwards and Gene Moles wrote "Scratch." Many have recorded it. This harsh stereo take displays two guitars working well together from opposite channels. It's a fine cover.

Kung Bao Surf dotdotdot
Surf (Instrumental)

"Kung Bao Surf" is a somewhat Spanish piece with a genuine surf feel. Nicely written and played, with a catchy melody line. Stereo panoramics add to the opening effects, but the track itself is mono.

Fall Of The Phoenix dotdotdotdot
Surf (Instrumental)

Tribal drums, soft flowing bass, and mystic chords create an island vision. The melody is soft and slightly sad, romantic and just a bit optimistic too. "Fall Of The Phoenix" is a very nice track.

23 Skidoo dotdotdotdot
Surf (Instrumental)

"23 Skidoo" is a very good original with great damped rhythm, lots of reverb, and a genuine vintage sound. Slightly dark, and quite energized. Maybe my favorite track here, it invites repeated listening.

Do The Kelp! dotdotdotdot
Surf (Instrumental)

Harsh stereo guitar placement, a ska rhythm, and ringing whammy chords add up to a fine instro with an unusual melody that's very appealing.

Chrome Czars dotdotdotdot
Surf (Instrumental)

Big chords and dribbling reverb, solid surf sounds, and a memorable melody line that's very period. "Chrome Czars" is cool in a cold water sort of way. Wet suits required, and the curl lures you in.

Everybody Up dotdotdotdot
Surf (Instrumental)

Randy Holden splendid "Everybody Up" is pretty well done, with ska rhythm guitar and ample reverb on the lead. The drums are right, and so is the bass. A strong cover.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reluctant Aquanauts - Demos 2004dotdotdot
artworkThese three demos were downloaded from the Reluctant Aquanauts website. They may be a little murky and formative, but they show a band in development with some really solid surf sounds.
Picks: High Voltage, Mar Gaya, Scratch

Track by Track Review


High Voltage dotdotdot
Surf (Instrumental)

A tuff and high energy cover of Jim Messina's "High Voltage," with lots of style. While it's pretty straight forward, this performance shows the band's live energy well. This recording was made at Martyr's on November 4, 2004.

Mar Gaya dotdotdot
Surf (Instrumental)

The tribal thunder of Randy Holden's "Mar Gaya" is dampened only by the delay on the drums. Otherwise, the performance rips, and the power of the song is quite evident.

Scratch dotdotdot
Surf (Instrumental)

This demo may be somewhat murky, but is shows how well the song works with one guitar. Cool stuff.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reckless Reefers - Over The Edgedotdotdot
artworkWhile most everyone else is taking surf faster and more powerful, the Reckless Reefers are playing mostly slower and romantic surf instros. Some nice tracks here.
Picks: Riff Tide, Ankle Snapper, Wet Feet, Step Into The Liquid, Lahawa Moonlight, Sandcrawler, Beach Break, Surfer Girl, Invasion Of The Hodads, Long Walk Off A Short Pier, Throwspray, Sleep Walk, Paddlin' Out

Track by Track Review


Riff Tide dotdotdot
Surf (Instrumental)

"Riff Tide" is a softly flowing song with a melody line reminiscent in part to a short section of "Hawaii Five-0." Deep tone, melodic, pretty, and accented with island chords. Quite nice.

Ankle Snapper dotdotdot
Surf (Instrumental)

"Ankle Snapper" is a snappy little song with interesting hook-chords and "Wipe Out" drums. Very simple, but pleasing.

Wet Feet dotdotdot
Surf (Instrumental)

"Wet Feet" is a little like a toned down "Let's Go" (Routers), but with island chords and a gentler, more relaxed sound. Quite a nice track!

Step Into The Liquid dotdotdotdot
Surf (Instrumental)

This instro is moody and slow, with a very inviting sound. haunting chords, a very tasteful melody line that uses space well, and a smooth rhythm section. "Step Into The Liquid" is quite a fine track, with solid writing and arranging. Very nice!

Lahawa Moonlight dotdotdot
Surf (Instrumental)

"Lahawa Moonlight" is a very slow and pretty song of island evenings and romance. Lush and moving, with a haunting ambiance.

Sandcrawler dotdotdot
Surf (Instrumental)

"Sandcrawler" moves slowly with intriguing island drums. It's exotic and mysterious, and very enticing. The drums are quite good, and the overall effect of the song is pleasure.

Beach Break dotdotdot
Surf (Instrumental)

A very simple riff based song gets a lift via well timed delay on the guitar that causes the vibratoed notes to throb side to side. In some ways, "Beach Break" is like early Beach Boys instros.

Surfer Girl dotdotdot
Surf (Instrumental)

Taking the Beach Boys' teen romance ballad one step further, the Reckless Reefers play "Surfer Girl" slow and silky, as if it was "Sleep Walk."

Invasion Of The Hodads dotdot
Surf (Instrumental)

Another song reminiscent of Beach Boys instros, "Invasion Of The Hodads" is a riff based song with a surf rhythm guitar. The hodads are coming, and they brought their boom box.

Long Walk Off A Short Pier dotdotdot
Surf (Instrumental)

This riffabilly song is bouncy and fun, with a fifties sense and reverb. Purely fun, and more about the progression than melody, but still enjoyable.

Throwspray dotdotdot
Surf (Instrumental)

"Throwspray" is a faster song, with some cool damped lines a la Jim Waller. Fun and unpretentious.

Sleep Walk dotdotdot
Surf (Instrumental)

This is a very pleasant version of "Sleep Walk." Nothing unusual or particularly creative, just very nice to hear.

Paddlin' Out dotdotdot
Surf (Instrumental)

"Paddlin' Out" has a bit of an off beat sound to it, unusual in structure, and combining elements that might at first seem incompatible, but in the end, create an intriguing and simple song. Great drums.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Los Rauncheros - Idol Handsdotdotdot
artworkThis is a seven song set with only two originals, but the classics are remade into the signature sound of Los Rauncheros, which is slightly slower and large.
Picks: Surfsonica, Apache, Idol Hands, Diamond Head, Mr. Moto, Surf Rider, Miserlou

Track by Track Review


Surfsonica dotdotdotdot
Surf (Instrumental)

"Surfsonica" is a song with extensive whammy action that warbles and calls to you. With the intensity of Texas surf (which it is), the song is also sports some very delicate playing. Drama and a heavy wash of sound, juxtaposed to light haunting passages with whammy galore.

Apache dotdotdot
Surf (Instrumental)

Jerry Lordan often covered "Apache" is delivered in a heavy handed style, unlike many-most covers. It retains the fluidity of the song, but also employs a strength not often heard.

Idol Hands dotdotdotdot
Surf (Instrumental)

The album's title track is a grand exploration in rhythm and sci-fi. Not the quirky kind, but the haunted unnatural kind. Tribal, moody, dissonant, and spooky. A fine instro.

Diamond Head dotdotdot
Surf (Instrumental)

Unlike the Ventures and virtually all covers of this song, Los Rauncheros give "Diamond Head" edge without missing the point in the process. It's slower and more deliberate.

Mr. Moto dotdotdot
Surf (Instrumental)

"Mr. Moto" is done in a more deliberate fashion that gives it a rock anthem feel. More drama and intensity. Quite a nice change.

Surf Rider dotdotdot
Surf (Instrumental)

Thick without being un-surf, "Surf Rider" flows like a dangerous river rather than rolling like a huge swell. Nicely rearranged without doing serious surgery.

Miserlou dotdotdot
Surf (Instrumental)

Medium-fast, kind of like a cross between the Guitar Ramblers and Dick Dale on a lazy afternoon. It's an interesting combination that renders it fresh and appealing.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rebel Rousers - Rock From Missouridotdotdot
artworkThis album adds 13 previously unreleasased recordings from the Jan records vault, all cut in 1959, the same year as their only single, both sides of which are also here. Lots of instros and a handful of vocals. No surf, but intriguing late fifties mid-American rock 'n' roll.
Picks: Spark Plug, Detour, Guitar Boogie Rumble, Night Train Stomp, Fat Man's Walk, Gunfire, Dark Road, Bo Diddley

Track by Track Review


Spark Plug dotdotdot
Pre Surf (Instrumental)

Jazzy cymbals launch this riff rocker. Delicate picking and a mostly gentle sound, with softly aggressive breaks. The melody and sound are kind of what might happen if Henry Mancini had been a small town garage rocker instead of a music machine orchestra leader. "Spark Plug" languished in the vaults for 30 years before seeing release here.

Detour dotdotdotdot
Pre Surf (Instrumental)

Duane Eddy's country rock epic "Detour" is very nicely done, with a richer more intense guitar. Real basic rock 'n' roll with primitive edge and power. The backtrack is 15 ips echo drenched.

Guitar Boogie Rumble dotdotdotdot
Pre Surf (Instrumental)

This is a very gutty and primitive variant to the "Guitar Boogie Shuffle" idea, but much more real. Big twang and intense gut. Very cool, though too jam like. The string bending in the break is entirely cool. Mostly played in the low register, it foreshadows surf's early edge.

Night Train Stomp dotdotdot
Pre Surf (Instrumental)

String bending apes the train's whistle as the Rebel Rousers monkey around with "Night Train." It's sometimes a little stiff, but always interesting.

Fat Man's Walk dotdotdot
Pre Surf (Instrumental)

A walking bass line under a "Bulldog" kinda riff with infectious chops and soft appeal, "Fat Man's Walk" is really quite nice. The dribbling double picking in the break leaves it on the bluff overlooking the surf.

Gunfire dotdotdotdot
Pre Surf (Instrumental)

"Gunfire" is mighty gutsy and intense for such an ancient intro. Pauses for gunshots, and almost reverbed guitar. This could fit into a surf set easily enough.

Dark Road dotdotdot
Pre Surf (Instrumental)

A walking riff rocker with a somewhat engaging riff and gentle gate. Of all the instros, "Dark Road" is the only one that saw release as the flip side of "Red Headed Woman." Oddly enough, it's the least interesting and least intense.

Bo Diddley dotdotdot
Pre Surf (Instrumental)

The Rebel Rousers engage the Bo Diddley rhythm with a sense of tribal sensuality, but then that IS the Bo Diddley beat isn't it! The lead guitar is not as intense as most tracks here.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Annot Rhul - The Annot Rhul Surf Experiencedotdotdot
artworkAnnot Rhul sent this 6 song CD-R of songs recorded in September of 2002. It's an interesting mix of surf and western and space. The mixes place the drums hard left and the lead guitar hard right, a move that's not as comlimentary to the music as it deserves in my opinion. It does create a kind of period feel. The songs obviously are the result of a large amount of work and time.
Picks: Traktor, It Takes Two To Tango, Shootout!, Annot Rhul, White Horse, Life's At Another Place

Track by Track Review


Traktor dotdotdot
Surf (Instrumental)

A rock chord progression and organ lead the way in this riff romp. Much more like frat rock than any brand of surf, and without a real melody, "Traktor" is nonetheless fun and exhilarating. In the last minute of the song, surf guitar arrives to save the day.

It Takes Two To Tango dotdotdot
Surf (Instrumental)

A slowly moving, somewhat tweaky spy inspired, and sinewy cool, "It Takes Two To Tango" features exotic percussion and the shimmer of vibrato. Very enjoyable.

Shootout! dotdotdotdotdot
Surf (Instrumental)

"Shootout!" is a marvelous song with shimmering surf chords and a melody that's both spaghetti western and tropical. Very pretty and moody, dripping with surf coolness, and quite engaging.

Annot Rhul dotdotdot
Surf (Instrumental)

Aggressive surf rushes through the break like a shortboard cutting through the turmoil of white water after that last cutback. Spunky and fun.

White Horse dotdotdotdot
Surf (Instrumental)

The shimmer of vibrato calls up images of western scenes. The melody is sad and spatial, and the rhythm semi military. Structurally, "White Horse" reminds me a little of the Hellbenders. Nice track.

Life's At Another Place dotdotdotdot
Surf (Instrumental)

Moody and a little uneasy, "Life's At Another Place" is a sad and moody piece with a sense of loss about it. The eerie sound of the haunted keys adds a space rock edge and ghostly chill, while the relentless nature of the progression creates a space scene. If Hawkwind's softer instro swirls were mixed with the Southwest and surf, it might end up like this.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Rat Holic - Wipe Out Withdot
artworkThe performances here are very good, and the arrangements fun, but the audio distorion makes listening quite a chore. It sounds like a dub from worn out vinyl with digital distortion induced. Musically, this CD is fun, but sound is so bad that I can not recommend it.
Picks: Silver Bullet, Mr. Hiro, Little Woody, Surf Party, Good Grief, Dynamite, Kamikaze, 250 cc Rider, Surfin' Alligator, Yu-Hi, Church Key, (Koi-no) Rat Blues, Red River Rock, Fat Rat Surfer, Surfin' Chihuahua, Run! Run!

Track by Track Review


Silver Bullet dotdot
Surf Lounge Trash (Instrumental)

This is a variant of the Crossfires' song, which is the Lone Rangers' theme, which is Rossini's "William Tell Overture" revamped. Whew! While the arrangement is fun, the high end distortion makes listening a real; chore.

Mr. Hiro dotdot
Surf Lounge Trash (Instrumental)

"Mr. Hiro" is essentially Dick Dale's "Shake N' Stomp." The horn and honky tonk piano add a tinkling bar feeling.

Little Woody dotdot
Surf Lounge Trash (Instrumental)

"Little Woody" is a light weight frolic, led by the organ and alternately guitar. I expect this would be a lot more interesting if not mastered so badly.

Surf Party dotdotdot
Surf Lounge Trash (Instrumental)

This is a loungy arrangement of "Surf Party," with organ lead and a cheesy go-go sound. It's interesting, but not remarkable.

Good Grief dotdot
Surf Lounge Trash (Instrumental)

The Revels' stompy "Good Grief" is very trashy, with unlistenable track distortion. Under the noise is a stompy and fun rendition of the song.

Dynamite dot
Surf Lounge Trash (Instrumental)

This is a moderately interesting song with some chunkiness. Stylistically, it's frat rock with guitar focus.

Kamikaze dotdot
Surf Lounge Trash (Instrumental)

Paul Johnson's "Kamikaze" seems always to work. The way Rat Holic play it is very cool, retaining the original engaging warmth.

250 cc Rider dot
Surf Lounge Trash (Instrumental)

Stompy and riffy, "250 cc Rider" doesn't rise much above frat rock. I don't think it has much direction.

Surfin' Alligator dot
Surf Lounge Trash (Instrumental)

Minor league Booker T. and the MG's with frat rock squanking and Northwest guitar styling.

Yu-Hi dot
Surf Lounge Trash (Instrumental)

"Yu-Hi" is almost surf, and sports very cool piano, but is otherwise just frat rock.

Church Key dotdot
Surf Lounge Trash (Instrumental)

Dan Darnold classic frat rocker "Church Key" is done with no shortage of beer and pretzels. Very spunky and fun.

(Koi-no) Rat Blues dotdotdot
Surf Lounge Trash (Instrumental)

Surf guitar plays a very cool riff. Among the cleanest tracks soundwise, "(Koi-no) Rat Blues" is very nicely done. Plucky Japanese guitar lines, softly played sax, and a sultry feel. Quite nice.

Red River Rock dotdot
Surf Lounge Trash (Instrumental)

Little personality here, and dreadful distortion. I'll stick with the Johnny and the Hurricanes version, thank you.

Fat Rat Surfer dotdotdot
Surf Lounge Trash (Instrumental)

"Fat Rat Surfer" is a combination frat rock and surf, with a somewhat catchy riff. The distortion trashes it, but the song beneath is enjoyable.

Surfin' Chihuahua dotdotdot
Surf Lounge Trash (Instrumental)

Get along little doggie! Riff rock / frat rock progression based fun. Not melodic, but catchy.

Run! Run! dotdot
Surf Lounge Trash (Instrumental)

Horrid distortion, but then it's just a chord progression. The melody over the top is fun and might really rock if you could hear it with scratch filters engaged.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rattlesnakes - El Caballero '97 / Lady Wild '99 / 1999-2001 To Be Continueddotdotdotdot
artwork5 wonderful instrumentals are amid two discs of mostly original rockabilly from a fine Russian band. The vocal tracks are not purely traditional in how they are produced, making this a modern, rhythmic, and engaging set of songs.
Picks: Tornado, Compass Rose, Caravella, Sovtransavto Express, Stranger In Nevada

Track by Track Review


Tornado dotdotdotdot
Surfabilly (Instrumental)

"Tornado" is a rippin' romp with a cowboy rhythm, surfish chords, and the spirit of British thematic instros of the sixties delivered via the fitting chorus. Aurally, it's not British at all. Rich and rhythmic, with "tornado" muttered occasionally. Very cool!

Compass Rose dotdotdotdot
Surfabilly (Instrumental)

This is a wonderfully rich exercise in Spanish themes, with Mexican acoustic guitar, infectious drums, and a fine surf guitar lead playing long reverbed notes. The melody is shimmered and inviting, and very well written. Splendid!

Caravella dotdotdotdot
Surfabilly (Instrumental)

"Caravella" is a very enjoyable instro with rich guitar lead, some vibrato, catchy rhythms, and a smooth flow. Excellent melody, and solid guitar work. Big chords round out the experience. A fine track!

Sovtransavto Express dotdotdotdot
Surfabilly (Instrumental)

Romping over a rolling cowboy beat, "Sovtransavto Express" sports a catchy melody line and lots of spirit. The western rhythm and energy make it very appealing. The sound is rough, but the performance is great.

Stranger In Nevada dotdotdotdot
Surfabilly (Instrumental)

Beginning with big drama via Spanish chords and slow percussion, "Stranger In Nevada" is seductive and inviting. Once the song comes along, it becomes a rockabilly guitar romp with a fine melody line and lots of spirit. The audio is somewhat limited, but the performance is quite nice.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reef Rammers - Live at L.A. Wood 2004dotdotdotdot
artworkThe Reef Rammers opened for the 16th annual L.A. Wood show. Once again, it was recorded by Max Wheatly. It's mono, and sometimes the lead guitar is just barely there, but the originals are wonderful. This band needs to go into a real studio and record!
Picks: Hang 11, Runaway Board, Penetration, Diamond Head, Road Trip, Pacifico, Pipeline, Perfidia, Mr. Moto, Mexico, Death Of A Gremmie, The Victor, Runaway Board (reprise), Road Trip (reprise)

Track by Track Review


Hang 11 dotdotdotdot
Surf (Instrumental)

"Hang 11" fades up, serving as an intro for the show. It's a fine instro deserving some studio time. Delicate notes and an infectious rhythm.

Runaway Board dotdotdotdot
Surf (Instrumental)

This is a great instro with a very cool melody and sound. Images of Mexico, the islands, and summer surf emote from the song's beauty and poise. Very very cool.

Penetration dotdotdot
Surf (Instrumental)

The Pyramids' "Penetration" is delicately done, with a gentle slither and wash of reverb. Quite nice.

Diamond Head dotdotdot
Surf (Instrumental)

Danny Hamilton catchy "Diamond Head" gently washes over a sunset beach with a delicate flow.

Road Trip dotdotdotdot
Surf (Instrumental)

"Road Trip" is a mighty fun song with a great rhythm and very playful melody. A really engaging song with energy and spunk, and a sense of summer adventure. The reverb chops are very cool, and the fluid nature of the melody quite engaging.

Pacifico dotdotdotdotdot
Surf (Instrumental)

"Pacifico" is a beautiful song with great bridges and a slithery flow. Mysterious and island breezy, with an irrepressible warmth. I like this song a lot.

Pipeline dotdotdotdotdot
Surf (Instrumental)

This is a fairly relaxed rendition of the Chantays' definitive surf instro. It reminds me some of the Lively Ones' version.

Perfidia dotdotdot
Surf (Instrumental)

This is a relaxed, but otherwise fairly straight forward version of "Perfidia." Tasteful, but it doesn't stand out.

Mr. Moto dotdotdot
Surf (Instrumental)

This is a nice but unremarkable cover of Paul Johnson's "Mr. Moto." The guitars do create a kind of uniqueness about the arrangement, but it doesn't stick.

Mexico dotdotdotdotdot
Surf (Instrumental)

This is a beautiful song, haunting and just a little sad, and the picturesque melody creates a gentle scene. "Mexico" is a fluid and moody original with a stunningly attractive sound and dripping wet guitar line.

Death Of A Gremmie dotdotdotdot
Surf (Instrumental)

"Death Of A Gremmie" has a haunting sound. It opens with soft chords reminiscent of "Comin' Home Baby." It's not the Dick Dale song.

The Victor dotdotdotdot
Surf (Instrumental)

Bongos add a mysterious edge to this classic middle eastern Dick Dale song. The delicate arrangement takes it further into exotic territory. Very cool!

Runaway Board (reprise) dotdotdotdot
Surf (Instrumental)

This second take of "Runaway Board (reprise)" is very cool, creating an image of gentle breezes blowing across coastal dunes in the warm summer evening. Quite pretty!

Road Trip (reprise) dotdotdotdot
Surf (Instrumental)

maybe a little spunkier than the first pass, "Road Trip (reprise)" is likewise a mighty fun song with a great rhythm and very playful melody. Way cool.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Royaltones - Surf Partydotdotdot
artworkIt's great to see recordings from the Royaltones available. While almost entirely covers, they've been illusive for too long. I'll bet these guys are very good live. My only gripe with this disc is the mix. The guitar is not out front enough, the great drumming is often buried, and the keys are overbearing with headphones. OK, that's the techie in me talking, but I think an otherwise very good listen is held back from its full potential.
Picks: Diamond Head, Calhoun Surf, Lonely Bull, Raw-Hide, Telstar, Apache, Mr. Moto, Sweet Ride, Sleep Walk, Jack The Ripper, Hawaii 5-0, Pipeline, Comin' Home Baby, Miserlou, Endless Summer

Track by Track Review


Diamond Head dotdotdot
Surf (Instrumental)

"Diamond Head" is introduced with a modified riff that's very friendly. A straightforward arrangement is lovingly played. The track is quite nice, though the keys swirl in stereo with a little tool much dominance.

Calhoun Surf dotdotdot
Surf (Instrumental)

The Overtones' "Calhoun Surf" is played with wetness and gentle flow. The guitar is very inviting and fluid.

Lonely Bull dotdotdot
Surf (Instrumental)

Sol Lake's TJB epic just oozes liquid flow. Beautiful reverb and tone, and a very lush feeling arrangement.

Raw-Hide dotdotdot
Surf (Instrumental)

A semi-smooth surf arrangement of Link Wray's rocker. It rocks, but it's also less abrasive. Great guitar and drums.

Telstar dotdotdot
Surf (Instrumental)

The Tornados's classic "Telstar" was the first UK single to top the US charts, before the Beatles and their fellow crooners and ravers. In some ways, this version bows to the Tornados' arrangement, but it's all reverbed out and not so compressed.

Apache dotdotdot
Surf (Instrumental)

With an eye on the Jorgen Ingmann version, the Royaltones lushly play "Apache" with a liquid flow. Beautiful.

Mr. Moto dotdotdot
Surf (Instrumental)

"Mr. Moto" with reverb. Simply a nicely played reverent performance of a venerable standard. It's odd to hear the keys carrying the rhythm guitar's role.

Sweet Ride dotdotdotdot
Surf (Instrumental)

Heavy double picked low-E surf lead brings on a grodie and powerful original. Murky sound doesn't do this very cool instro justice. Great guitar and drums.

Sleep Walk dotdotdot
Surf (Instrumental)

Reverb always makes "Sleep Walk" even more fluid than Santo and Johnny's original. This is quite nice and very romantic.

Jack The Ripper dotdotdotdot
Surf (Instrumental)

Those long angry chords, that tribal beat, that haunting melody line. Wait, it must be "Jack The Ripper!" The odd stereo with the guitar way off to the left is weird, but the performance rips, and the guys are having fun.

Hawaii 5-0 dotdotdot
Surf (Instrumental)

Mort Shuman's TV theme is more TV theme like than most versions I've heard. Not like the Ventures', but very thematic.

Pipeline dotdotdot
Surf (Instrumental)

Directly from the tube, "Pipeline" is nicely performed. Captured in indiscreet mono, the power and flow of the song and the musicians nevertheless comes through with pizzazz. Very reverent.

Comin' Home Baby dotdotdot
Surf (Instrumental)

The precious few surf versions of this Herbie Mann song all speak to the soul. In many ways, this is more reverent, more jazz combo like. Great arrangement.

Miserlou dotdotdotdot
Surf (Instrumental)

Based on Dick Dale's later arrangements, and with trumpet-like keys, this version is very effective and gets right to the whole point of surf as it was at the dawn. Over a Million Recorded so to speak, and yet Nicolas Roubanis's little ditty always pleases.

Endless Summer dotdotdot
Surf (Instrumental)

A little spooky, and a lot summery, with excellent percussion work, "Endless Summer" presents the carefree sunsets of those early days gone by.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Retroliners - Surf Avenuedotdotdot
artworkThe Retroliners always seem to me to be a band stuck between potential and delivery. Some very nice writing is often held back by uncomplimentary production and unsympathetic rhythm. What's interesting to me with this release is the realization that the thing that doesn't work for me in the Retroliners recordings is the mix and lack of chemistry. Guitar and bass panned off center, detracting from the lead guitar's role as voice. From an arrangement point of view, all of the songs are a little too unchanging, which gets in the way of some very good melodies and playing.
Picks: Planet Fear, Tango With Death, Surf Avenue, Capsized, Erica, Lounge Act, Land Shark, Doyers St., Rumble In The Stratosphere 2002, Dr. Yes, Pipeline, Runaway, Downshift, Harlem By The Sea, Underneath The Bunker, Shake Some Evil, Midnight Cowboy (Interlude), Walk Don't Run

Track by Track Review


Planet Fear dotdotdot
Surf (Instrumental)

Sultry vibrato leads to a moody song. What's interesting to me is the realization that the thing that doesn't work for me in the Retroliners recordings is the drums. They always seem at odds with the music, making even very nice compositions like this seem uncomfortable.

Tango With Death dotdotdot
Rock (Instrumental)

The main thing here is the gentle merger between tango and spy. The melody idea is very nice, and the gentle energy seems to have a lovely flow about it.

Surf Avenue dotdotdot
Rock (Instrumental)

Mostly circulating lines and busy toms image in palms and lagoons. I half expected "Surf Avenue" to be based on Blue Avenue (the Beacon Street Union), but alas it's a very nicely written original with relatively coastal sound and summery feel.

Capsized dotdotdotdot
Rock (Instrumental)

"Capsized" is a rainy day kind of melody. It's a little sad and feels like you don't want to go outside. Maybe that's because the rain is gently falling as I write this, or maybe because of the subtle optimism that peaks out from under the ambient wash.

Erica dotdotdot
Rock (Instrumental)

This is a slow and pretty song with a chorded progression leading the way. It reminds me a bit of a British Invasion ballad with a sunny disposition.

Lounge Act dotdotdot
Rock (Instrumental)

With much more flair than the title might suggest, this rock instro seems a little too riffy, yet has the sense abut it that it might rock live. Distortion, harsh tone, and a few stage licks add to that perception.

Land Shark dotdotdot
Rock (Instrumental)

Imagine tribal warriors hunting you down on skateboards in an alley. This is sort of a West Side Story like rumble precursor. It has real potential to be a huge track with more fire in the production.

Doyers St. dotdotdot
Rock (Instrumental)

A sullen address on a rainy afternoon, a reason to go without a means, a film score sound, and no reason to be optimistic. The effect is stark.

Rumble In The Stratosphere 2002 dotdotdotdot
Surf (Instrumental)

A minimal tune with a rhythmic gentle backtrack, and Link Wray-like sparsely placed lead guitar notes. This works really well. It doesn't change much, but the vibrating shimmer is most endearing, and the happy melody worms it's way into your being. Very nice track.

Dr. Yes dotdotdot
Detective Spy (Instrumental)

Dry and angular, the Supertones' "Dr. Yes" is a little haunting and sports compressed drums. A detective instro with spy lines from the dry and raw side of the tracks.

Pipeline dotdot
Rock (Instrumental)

A slow and dirty bass introduces "Pipeline" to the Retroliners as if it is to be a huge monster, but it comes in like a dirty pussycat trying really hard to be nonchalant. Very much rock combo. The song seems rough and unfinished.

Runaway dotdotdot
Rock (Instrumental)

Big chords suggest a huge journey is about to begin. Del Shannon's "Runaway" is a pretty good vehicle for the Retroliners to illustrate their on-stage prowess with. It's a little one-dimensional, but still quite enjoyable.

Downshift dotdotdot
Rock (Instrumental)

Harsh rock guitar tone and tuff drums power "Downshift." It's a little one dimensional, but still quite nice. This is completely different than the studio take off of their first CD.

Harlem By The Sea dotdotdotdot
Rock (Instrumental)

Fading in from noodling tuning (why wasn't that trimmed off the track?), this all too quick version of Earl Hagen's "Harlem By Sea" romps with more flair and style than just about anything else here. Very fun!

Underneath The Bunker dotdotdot
Rock (Instrumental)

This is a somewhat exotic melody with a desert intrigue sound. Quite cool, though the dirty guitar is too far off and cannot compete with the rhythm section.

Shake Some Evil dotdotdot
Rock (Instrumental)

Fuzzy bass, distorted guitar with big whammy chords, and slow deliberate drums create a sinister image. Imagine a budding Link Wray intro waiting to get out to play with its friends. The mix is uncomplimentary, with bass right and guitar left.

Midnight Cowboy (Interlude) dotdotdot
Rock (Instrumental)

This one-minute liberation from the film score is very pretty and deserves a full workout. Its fade out is premature, making me want more.

Walk Don't Run dotdotdot
Rock (Instrumental)

Johnny Smith's signature song is rocked in a very familiar fashion, much like a lot of club bands have done over the eons since its writing. There's nothing really original here, though the wash of ambiance via reverb adds a little uniqueness while downplaying its power.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Rip Chords - Shut 'Em Down...Againdotdotdot
artworkThis CD features all new recordings by one of the bands from the sixties that sang about surf and beaches and girls and hot rods. The Rip Chords were among the few that were successful. Some of the vocals here are studio tracks, others live. There is one very nice new original instro included.
Picks: Cobra Beach

Track by Track Review


Cobra Beach dotdotdot
California Carefree (Instrumental)

This surfish instro is very California carefree, with a warm melody and just a touch of romantic sadness. While it's not surf per-say, "Cobra Beach" has a beach attitude and sunny feeling. The drums are cool, the guitars counter one another well, and the song invites repeated listenings.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
RIAA - Sounds For The Sun-Set: 2005dotdotdot
artworkRIAA (Really Interesting Audio Adventures) has been a source of otherworldly adventures in sound for a long time. Born of the blend of incongruous audio sources and sequenced imaginings, they (he, she, it or them) have finally landed in surf's neighborhood. I must confess to being skeptical when I first followed a link that landed me at their site, but once I saw the titles of this release, I knew something was afoot. This is a reworking of earlier incarnations of this concept. Many very creative and every so demented mergers and aural assassinations are found within. Trad nazis beware: only those who neglected their to strap on their attitude bag are allowed to partake. Great fun inside!

Because of the highly unusual nature of this release, I chose to review the vocal hybrids as well as the instrumental madness.

Included with each track review are RIAA's own descriptions or source material.
Picks: Holiday Inn: Cambodia, Bop Don't Run, Tricky Wipeout, Sweet California Girl O' Mine, Rasta Bison Hustle Off Ill Ape Band, Popemobile, Sex On The Beaches, Lovers' Luau, Day-O Tripper, To The Beach!, SKAwaii Five-0, Can't Touch This Surfin' Safari, Summertime Samba, Girls Just Wanna Have Summer Fun, Red Hot Degrees, Cuz I Rock High, The Tonga Hut, Aloha Rock

Track by Track Review


Holiday Inn: Cambodia dotdotdot
Surf Hybrid (Vocal)

An AM radio echoed ad-like introduction with Martha and the Vandellas "Heatwave" vocally dubbed over the rhythm riff from the Dead Kennedys' ghostly "Holiday In Cambodia." It's not unlike what used to happen when listening at night to radio when two stations from other regions would meld together in a cross-faded pule, though in this case, it's also across the decades.

RIAA's description: Martha and the Vandellas "Heatwave" vs The Dead Kennedys "Holiday In Cambodia" and plenty of thrift-store record sound bytes.

Bop Don't Run dotdotdot
Surf Hybrid (Vocal)

A couple of glissandos spice up the Ramones' as they sing atop the Ventures' "Walk Don't Run" and "Walk Don't Run '64." It's quite an interesting contradiction!

RIAA's description: The Ramones "Blitzkrieg Bop" vs The Ventures "Walk Don't Run"

Tricky Wipeout dotdotdot
Surf Hybrid (Vocal)

My first though while listening to this was "what would Ron Wilson think?" Rhyme over thee drum standard hit. With rap's general lack of melody, it's interesting to see what happens when there's melody and real drums behind.

RIAA's description: Run-DMC "It's Tricky" vs The Surfaris "Wipeout"

Sweet California Girl O' Mine dotdotdot
Surf Hybrid (Vocal)

The girl's introductory poem from the Surf Coasters' "Sea Knows" (Surfside Village) brings forth a truly at-odds mixture of songs that seem to work on the can't look away from a train wreck principle.

RIAA's description: The Beach Boys "California Girls," The Beastie Boys "Brass Monkey," Guns n Roses: "Sweet Child O' Mine," intro-The Surf Coasters, beach movie bits

Rasta Bison Hustle Off Ill Ape Band dotdotdot
Surf Hybrid (Vocal)

I just can't imagine what dementia brought on the notion of intertwining Bob Marley's "Buffalo Soldier" with a kiddie show theme. Somehow, it works really well, but how?

RIAA's description: title is anagram of "Buffalo Soldier" (Bob Marley) and the name of a certain children's TV show...

Popemobile dotdotdotdot
Surf Hybrid (Vocal)

Hot rods wail to bring on Fatboy Slim's silly "Rockerfeller Skank" sung atop the Customs' "RPM" backtrack extracts. Very cool!

RIAA's description: The Customs "RPM," beats: Fatboy Slim "Rockerfeller Skank" vocals and lyrics: RIAA

Sex On The Beaches dotdot
Surf Hybrid (Vocal)

I imagine Jan and Dean were thinking about just this, but were obliged to sing of more "safe" visions. "Honolulu Lulu" provides the bed for some really overt sexual lyrics via ladies (loosely applied) on the blunt side of the dance floor.

RIAA's description: Peaches "Fuck the Pain Away," Jan and Dean "Honolulu Lulu," Fingers "Short Dick Man," Sex Club XXX "Big Dick Man"

Lovers' Luau dotdotdotdot
Surf Hybrid (Vocal)

What a fascinating blend. Perhaps the most artful here, "Lovers' Luau" blends some fine songs in a lovely wash of summer fun. Blondie's "The Tide Is High" remains a simply-fun fave, and provides a great foundation for Buddy Holly among others. I love this!

RIAA's description: Blondie "The Tide Is High," Beach Boys "Surf's Up," Buddy Holly "Words Of Love," "Ramones "I Wanna Be Your Boyfriend," Petty Booka "I Wanna Be Your Girlfriend."

Day-O Tripper dotdotdot
Surf Hybrid (Vocal)

Yikes! Harry Belafonte's classic cheesy "Day-O" rides oddly above borrowed riffs and hooks for a surreal adventure on the banana plantation. Totally bizarre, not unlike the possession scene in Beetle Juice.

RIAA's description: Harry Belefonte "Day-O," The Monkees "Mary Mary" and the Run-DMC remake, and The Beatles "Day Tripper"

To The Beach! dotdotdotdot
Surf Hybrid (Vocal)

A big glissando and New Order rock the boat on the way to the beach. Like a scary industrial sandscape, "To The Beach!" is simply strange, yet somehow almost as if Aretha really could fit in that bikini.

RIAA's description: New Order "Blue Monday," Aretha Franklin "Dr Feelgood, Lloyd Thaxton "Image of a Surfer," and James Brown thought he told you to "LOVE" him, as he walked down...

SKAwaii Five-0 dotdotdotdot
Surf Hybrid (Vocal)

The road to "SKAwaii Five-0" was paved by the unlikely duo of Roland Alfonso and Annette Funicello. Yes, brothers and sisters, ska and surf and beach parties coexisted early on, and actually did cross paths in unexpected ways, though surely not quite like this. Too cool!

RIAA's description: Toots and the Maytalls "Dog War," The Ventures "Hawaii Five-," Desmond Dekkar " Shantytown," Sol KRIAA, Bright's Hollywaiians "Hawaiian Cowboy," RIAA, beats

Can't Touch This Surfin' Safari dotdotdotdot
Surf Hybrid (Vocal)

Aside from somewhat uncomfortable transitions between the Beach Boys and MC Hammer, this is an intriguing mixture of things. The use of "Baja" and stage announcements from the GNP LP Surf Battle add a strange credibility.

RIAA's description: The Beach Boys: "Surfin' Safari," MC Hammer "Can't Touch This," The Astronauts "Baja"

Summertime Samba dotdotdot
Surf Hybrid (Vocal)

What'd'ya think? Did George Gershwin really mean this? No, of course not, nor is this his in any way. Still, "Summertime Samba" seems almost as if this is a wholly original production.

RIAA's description: Los Amigos Invisibles "La Playa Azul" ("The Blue Beach") vs DJ Jazzy Jeff and The Fresh Prince "Summertime," RIAA on the beatz

Girls Just Wanna Have Summer Fun dotdotdot
Surf Hybrid (Vocal)

Holy cow, can it be that the distance between the Fantastic Baggies and Cyndi Lauper is less than the two decades that intervened? Could it be that they were cut in adjoining studios and the sound leaked? Maybe!

RIAA's description: Cyndi Lauper, The Fantastic Baggys "Summer Means Fun," Beach Boys "Surfin'."

Red Hot Degrees dotdot
Surf Hybrid (Vocal)

I think "Red Hot Degrees" doesn't work as well as most here, but still is a truly haunting juxtaposition of incongruities.

RIAA's description: Jan and Dean "Ride the Wild Surf," Public Enemy "Public Enemy #"

Cuz I Rock High dotdotdot
Surf Hybrid (Vocal)

What a peculiar combination. There's something compelling about placing Johnny and The Hurricanes in a minimal wash of boom and street corner rhymes. Yikes!

RIAA's description: Jeff Spicolli, Afroman "Cuz I Got High" vs Johnny and The Hurricanes "Red River Rock"

The Tonga Hut dotdotdot
Surf Hybrid (Vocal)

Exotic tribal beats, tweaky samples, and a pulsing that implies strobes and sweat. I'm sure that there was no such notion on the table when exotica was born.

RIAA's description: obscure Africana: Chief Bey and his Royal Household "Congo Percussion," Barrister "More Fuji Garbage"

Aloha Rock dotdotdotdot
Surf Hybrid (Instrumental)

Too amazing! The Chantays' very cool "Move It" amped up with Polynesian drums and more. The melody could easily have been written for just such an arrangement. Entirely too cool!

RIAA's description: Polynesian drumming, The Chantays "Move It," Hawaiian travel record, beatz

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Reverb Galaxy - Invisible Planetdotdotdotdot
artworkThis four-song demo from Reverb Galaxy is a debut effort with excellent writing and picturesque sound. The songs sound like their titles, the arrangements are very effective, the drums are tribal, and the reverb is alluring.
Picks: Balkan Stomp, 10 Miles To Nagshead, Dark Pulsar, Sinister Island

Track by Track Review


Balkan Stomp dotdotdotdot
Surf (Instrumental)

"Balkan Stomp" features an infectious rhythm and solid beat, and an intriguing melody line. It has an old world feeling, but also calls to the surf quite admirably. Spirited and nicely arranged.

10 Miles To Nagshead dotdotdot
Surf (Instrumental)

This is a lovely easy going song with a rich sunset vibe. Tasteful, gentle, island beautiful, and very fluid. Great for an evening's walk along the coastline of your imagination.

Dark Pulsar dotdotdotdot
Surf (Instrumental)

Speedy and sporting the kind of melody line that Hava Nagila makes possible. Dark and forbidding, yet calling you to the curl. "Dark Pulsar" is a splendid instrumental with an infectious tribal thunder.

Sinister Island dotdotdotdot
Surf (Instrumental)

The island of danger lures you in with its beauty and mysterious haze. "Sinister Island" is beautiful in the way femme fatales are, lurid, enticing, seductive, and ultimately fatal. Cool song.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Matt Rae - Telepathicdotdotdot
artworkIf this were a country site, you'd be looking at 4-5 stars. If you liked Buzzy Frets and his Surfabilly Orchestra, you'll like this too.
Picks: Caravan, Clawdaddy, Diesel, Bumper Cars, The Camel, Bee Hive, Big Jim's Boogie, Binger, Rumble Seat, Mr. Honalai, G-Force, Kentucky Waterfall, Rolling Fog

Track by Track Review


Caravan dotdotdotdotdot
Cowboy Surf Jazz (Instrumental)

This is a splendid arrangement of "Caravan." Matt Rae uses licks from a number of different version, adding his own color and styling, giving it a jazzy, cactus, and Middle Eastern flavor, yet placing it squarely in the rock arena. Rich and layered with artful guitar lines, it commands your attention for all five minutes of its duration. There's also a tasteful drum break. Mysterious and moody.

Clawdaddy dotdotdot
Cowboy Surf Jazz (Instrumental)

"Clawdaddy" is a bouncing cowboy jazz number with a grin and a bit of a demented edge. Rompin' post barn dance fun.

Diesel dotdotdot
Cowboy Surf Jazz (Instrumental)

"Diesel" is a white-blues kind of song with a friendly and inviting sound. It reminds me a bit of early Cat Mother and the All Night News Boys. Simple funky country fun.

Bumper Cars dotdotdot
Cowboy Surf Jazz (Instrumental)

Bouncin' boogie at the Saturday night hoe-down. Grinnin' all the way to the barn in its gingham dress, "Bumper Cars" is unpretentious fun.

The Camel dotdotdotdot
Cowboy Surf Jazz (Instrumental)

This "horse built by committee" of a song has a gentle flow and sad country flavor. The blend of sounds and ideas is unexpectedly engaging. Its soothing nature opens you to its complexities and beauty. Splendid.

Bee Hive dotdotdot
Cowboy Surf Jazz (Instrumental)

"Bee Hive" is a bouncing joy. This, more than the other tracks here, reminds me of Buzzy Frets and his Surfabilly Orchestra, who blended jazz and country and swing in a most warm and friendly way.

Big Jim's Boogie dotdotdot
Cowboy Surf Jazz (Instrumental)

A basic country beat and a circulating boogie melody line entice and captivate. You can easily visualize happy line dancers in plaid and kerchiefs. Way fun!

Binger dotdotdot
Cowboy Surf Jazz (Instrumental)

"Binger" moves very slowly across a gentle sunset as you transverse the darkening desert. Slithery smooth, yet a bit funky too.

Rumble Seat dotdotdot
Cowboy Surf Jazz (Instrumental)

"Rumble Seat" bounces and twangs with easy fun and rich country guitar simplicity. Big grin!

Mr. Honalai dotdotdot
Cowboy Surf Jazz (Instrumental)

A gentle island scene oozes from the steel like a tourist meander home from the luau after one too many. Gentle and pretty.

G-Force dotdotdotdot
Cowboy Surf Jazz (Instrumental)

If there were cowboy spies, they'd ride to "G-Force" as their accompaniment. Spunky and rich with energy and twang, and like Buck Owens without the whine. Very nice.

Kentucky Waterfall dotdotdotdot
Cowboy Surf Jazz (Instrumental)

Funky chickens, steel tears, and spilling agua plenty. "Kentucky Waterfall" is a slowish song with a warm warble and whine. Simply pleasurable.

Rolling Fog dotdotdot
Cowboy Surf Jazz (Instrumental)

Funny, but the gentle coolness of "Rolling Fog" does bring up images of below the dew point on the bay. Soft and gentle and enveloping.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reverburritos - Widget (unmastered preview)dotdotdotdot
artworkIt's great to hear a whole CD of material from this emerging band. The songs are well written, and the arrangements, while simple trio, and very effective. Some real gems here! This is an advance of their new CD.
Picks: Go Pills!, Drive By, Magic Carpet Shop (Of Horrors), Durn The Torpedoes, Hawg Leg, Martini Sunset, Hammerhead, Eleki Gitaa, Das Boot, Fistful Of Wistful, County Line Burnout, Jumping Bean, Tin Star

Track by Track Review


Go Pills! dotdotdot
Surf (Instrumental)

"Go Pills!" is a circular and edgy track with a gutty feel and rock twang. Not really melodic, but it has ample energy and flair.

Drive By dotdotdot
Surf (Instrumental)

"Drive By" is a slick flowing kind of jam, with guitar and organ trading prime roles. It's an attractive song that seems to worm its way in.

Magic Carpet Shop (Of Horrors) dotdotdotdot
Surf (Instrumental)

This is a very nice track, with a moderate pace and gentle flow that's both endearing and engaging. It has a Spanish flavor, and a bit of a scary edge. Quite nice!

Durn The Torpedoes dotdotdotdotdot
Surf (Instrumental)

"Durn The Torpedoes" is a splendid song with a great circular melody line and wonderful warmth. It's infectious and immediately familiar. Totally cool!

Hawg Leg dotdotdotdot
Surf (Instrumental)

This is a mid tempo piece with a well developed riff and excellent use of whammy chords. While the tone is edgy, it's still inviting and warm.

Martini Sunset dotdotdotdot
Surf (Instrumental)

This soft and island whammy track moves with the ebb and flow of the tide. It's sunny and warm without being too light. Very nice.

Hammerhead dotdotdotdot
Surf (Instrumental)

"Hammerhead" has the kind of feeling of "26 Miles Across The Sea," but much more edge and energy than that. Double picked coolness, great chordage, and an infectious gate.

Eleki Gitaa dotdotdotdot
Surf (Instrumental)

With a nod to Japanese eleki, and an underbelly of solid flow, this slightly tweaky song is a nice combo of Japanese rock and modern surf. Its engaging melody and easy flowing sound are quite inviting.

Das Boot dotdotdot
Surf (Instrumental)

Slow and liquid chords open this somewhat edgy song. It's quite fluid and the melody line circles and returns to its beginning. The bridges are more menacing, and the drums are excellent. Quite nice.

Fistful Of Wistful dotdotdotdot
Surf (Instrumental)

An excellent title for a dreamy reverb fest with warm chords and soft bass. The delicate drums round out the experience, which is quite pretty and very soothing, while remaining in the rock envelope.

County Line Burnout dotdotdotdot
Surf (Instrumental)

A sort of "What Ever Happened To Eddie" rhythm opens "County Line Burnout." This is more of a rock instro, with great tribal drums and edgy surfisms. Very cool.

Jumping Bean dotdotdot
Surf (Instrumental)

Rhythmic bounce and chop-chord flair, whammy and tribal exotic drums, and the bass ties it together. Fun and light hearted.

Tin Star dotdotdotdotdot
Surf (Instrumental)

Great drums here, along with big whammy chords and moody bass. Combining surf, spaghetti western, and moody storm surges, "Tin Star" calls to the exotic images hiding in your imagination. Cowboy beats, and big ringing notes. Excellent!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reventlos - Palace Of Sounddotdotdotdot
artworkIt's so hard to dislike the Reventlos. On the other hand, they are not for the trad-only crowd. Amazing combinations of styles and emotion, of insanity and clarity. Ranell is an interesting choice of label names. It a prominent family name in New Zealand. There's one vocal here, the very surf-pop cool "Silver Lake Girl"
Picks: Palace Of Sound, Bongo Reventlo, Mountain Metal, The Sunderland Shuffle, The High Lonesome, Do The Bogle, Narcosis, Song For Fito De La Parra, Silver Lake Girl, Sonic Man, What Was Once 909 is Now 951, Descarta Reventlo, Lance's Last Dance

Track by Track Review


Palace Of Sound dotdotdotdot
Imaginative Demented (Instrumental)

Rising from church bells is a rhythmic and powerful track with an edgy rhythm track and impressive dangerous feel. Big thunder and angular emotion, amped up by big slide lines. Drama and an industrial darkness. Very cool!

Bongo Reventlo dotdotdotdotdot
Imaginative Demented (Instrumental)

I first heard this song during the last Pitstop the Reventlos made. Finally committed to disc, it's even more fun. This song has a decidedly curious melody line that's both unusual and very friendly. It's at once both mathematical and grinning fun. The changes and textures are remarkably cool. The horns and swirling tone create a saucy and sophisticated feeling to an otherwise holiday in Rio feeling. It's very hard not to love this!

Mountain Metal dotdotdotdotdot
Imaginative Demented (Instrumental)

This is another song that they played last time they visited up North. As they say, "Mountain Metal" remedies the long overdue destruction of blue brass at the hands of the Reventlos. Metallic grasscore for the amplified waves of grain. Spectacular and entirely too fun!

The Sunderland Shuffle dotdotdotdot
Imaginative Demented (Instrumental)

The Reventlos launch into a funnin' country epic. It's a frolic, with the unpretentious fun on a hay ride to the last roundup. Way to go, boys!

The High Lonesome dotdotdotdot
Imaginative Demented (Instrumental)

This is superb! Great drums, angular charm, very intriguing guitar counter melodies, and long leaning notes with a haunted sound. Way cool!

Do The Bogle dotdotdotdot
Imaginative Demented (Instrumental)

Dedicated to Bob Bogle of the Ventures, is a non-Ventures instro with a catchy countrified rhythm and bouncy feel. The big Austin break is an interesting contrast to the otherwise fluid chicken pickin' coolness.

Narcosis dotdotdot
Imaginative Demented (Instrumental)

"Narcosis" is a slow and mentally tortured soundscape under a narrated story of things better unseen. There's a definite image of the not-normal. Very spooky!

Song For Fito De La Parra dotdotdot
Imaginative Demented (Instrumental)

Hard panned guitars at odds with daylight, yet luminescent in their complimentary lines. Big dramatic drums. Watery glass finger guitar lines, and some very unusual licks. Upbeat, but not quite "normal."

Silver Lake Girl dotdotdot
Imaginative Demented (Vocal)


Sonic Man dotdotdotdot
Imaginative Demented (Instrumental)

"Sonic Man" is a somewhat sad song with interesting textures and haunting scenery. The discomfort of contrast between insanity and everyday normality is what this is all about. Strange, but very cool.

What Was Once 909 is Now 951 dotdotdotdot
Imaginative Demented (Instrumental)

What happens when you turn out the lights? "What Was Once 909 is Now 951" answers that question. Captain Beefheart meets metal man in a mad scientist's lab after hours. Wow!

Descarta Reventlo dotdotdotdot
Imaginative Demented (Instrumental)

What would a Reventlos album be without at least one song titled "Reventlo" something? Tweaky Latin fun, exciting percussion, and a chorus that's so-o-o Latin. Brilliant fun!

Lance's Last Dance dotdotdotdot
Imaginative Demented (Instrumental)

Big edgy guitar, gruff textured, and harsh, "Lance's Last Stand" is a rhythm guitar thrasher with lots of energy. Simply big and dangerous with a grin.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Retrofoguetes - Ativar Retrofoguetes!dotdotdotdot
artworkBrazil's illusive Retrofoguetes have delivered one unique album of instrumental madness. If nothing else, they are certainly original. But of course, that's not all they are. This 2003 CD features highly creative arrangements and writing backed by very good performances and wonderful soundscapes. the whole CD flows like a story, with each and every track seeming to slide into the next scene in some demented film. Excellent all around.
Picks: Surf-O-Matic, As Concubinus Mecanicas Do Doutor Karzov, Ativar Retrofoguetes!, Roswell, Asteroide Fantasma, Night Of Excess, O Inicio Do Espetaculo, As Criaturas Enjauladas Do Circo Espacial De Moscou, O Espetaculo Continua No Circo Espacial De Moscou, O Carrosseu Do Inferno, A Fantastica Fuga De Magnolia Pussycat, Lanca-Chamas, O Fabuloso Doutor Pheto, Monga, Meu Amor, O Avanco Da Robotica, Andromeda Nao Responde, Warp, Leve-Me Ao Seu Lider, Tema Do Robo Gigante

Track by Track Review


Surf-O-Matic dotdotdotdot
Space Spy Surf (Instrumental)

"Surf-O-Matic" sports big twang chords and a mean garage riff over thump and thunder. This is a loud and powerful track that's out to get you. There's a vocal that circles through extreme effects, making it more like an instrument than words. Swimming whammy and power.

As Concubinus Mecanicas Do Doutor Karzov dotdotdotdot
Space Spy Surf (Instrumental)

Disturbed keys and swirling dark space inversions create the scene in which the guitar plays a surfable and powerful line. Big and slightly weird, like maybe Joe Meek might be up to where ever he ended up after his untimely demise.

Ativar Retrofoguetes! dotdotdotdot
Space Spy Surf (Instrumental)

Grumble and circling tweakery, a spy guitar line and an ominous bass line over manic drums. Haunting and cool, with soundtrack chorus. The second half is pumped up into a space punk spy frenzy.

Roswell dotdotdotdotdot
Space Spy Surf (Instrumental)

"Roswell" is too cool. The almost silly lilt of the cowboy rhythm and tweaky sounds create a wild west sci-fi story that's hard not to grin at. Space, cowboys, surf, and youthful imagination abound. Totally fun!

Asteroide Fantasma dotdotdotdotdot
Space Spy Surf (Instrumental)

"Asteroide Fantasma" is a great galloping spaghetti western kind of song with very cool surf guitar, big screen drama, ultra twang chords, and rich imagery. Thoroughly enjoyable, with a very effective arrangement and mix.

Night Of Excess dotdotdotdot
Space Spy Surf (Instrumental)

Silky evenings and slithery sounds spread a picture of an intimate interlude and a warm fireplace. Delicate, like a subtle cocktail for your ears. Some exotica, some surf, some just plain cool sounds.

O Inicio Do Espetaculo dotdotdotdot
Space Spy Surf (Instrumental)

"O Inicio Do Espetaculo" is a playful song with a really quirky beat and arrangement. If Henry Mancini was actually in a surfband that played space detective themes, he might have sounded like this. Great grinning fun!

As Criaturas Enjauladas Do Circo Espacial De Moscou dotdotdot
Space Spy Surf (Instrumental)

This is a punky angular track with dark energy and a pogo beat. While it's more complex than punk usually is, it's also not fluid like surf. The psycho weirdness of the brief break makes you doubt it's the same song. Assault and battery at the hands of the amps.

O Espetaculo Continua No Circo Espacial De Moscou dotdotdotdotdot
Space Spy Surf (Instrumental)

Wonderful! "O Espetaculo Continua No Circo Espacial De Moscou" is a very bouncy Eastern European/Mediterranean thing with great happy energy and shouts of "hey!" It's very difficult not to like this.

O Carrosseu Do Inferno dotdotdot
Space Spy Surf (Instrumental)

This short interlude is a clockwork against an unnerving keyboard sound and carnival of the dead melody.

A Fantastica Fuga De Magnolia Pussycat dotdotdotdot
Space Spy Surf (Instrumental)

On the punky side of "What Ever Happened To Eddie," and just south of evil surf, "A Fantastica Fuga De Magnolia Pussycat" is playful, while not being light weight.

Lanca-Chamas dotdotdotdot
Space Spy Surf (Instrumental)

"Lanca-Chamas" is a lumbering journey into darkness and mental instability. Dramatic, like a sideshow of your nightmares, and disturbingly heavy. Quite unusual.

O Fabuloso Doutor Pheto dotdotdotdot
Space Spy Surf (Instrumental)

Like a polka for the dead, but with a sense of humor, "O Fabuloso Doutor Pheto" is simply a joy, assuming that you don't mind being in Neverland.

Monga, Meu Amor dotdotdotdot
Space Spy Surf (Instrumental)

An interlude between trouble out there and placid confinement in here - here being a venue for the unbalanced. Tweaky, strange, and very visual.

O Avanco Da Robotica dotdotdot
Space Spy (Instrumental)

Dissonant and angular, the plaintiff cry of "O Avanco Da Robotica" is on the downside of robot love. It's like a spy in the garage of night, where wayward robots rule.

Andromeda Nao Responde dotdotdot
Space Spy (Instrumental)

Big like a film score, gritty like a rock song, dramatic like the theme from a dangerous story... "Andromeda Nao Responde" seems dark and dangerous, yet sports a fluid melody that's on its own.

Warp dotdotdotdot
Space Spy (Instrumental)

"Warp" is precisely metered, stompin' solid, and kind of robotic. It's not much like the other tracks here structurally, yet is fun and very fitting in this place in the flow of their story. Imaging Kraftwerk and Devo conspiring on spy music.

Leve-Me Ao Seu Lider dotdotdotdot
Space Spy (Instrumental)

In a kind of Mission Impossible setting, but much darker, the band makes a statement about espionage that's more rock-credible than most. Big and very intense.

Tema Do Robo Gigante dotdotdotdotdot
Space Spy (Instrumental)

With the strangest glissandos on disc and a bit of cowboy sounds, the intense guitar and rock solid beat and bass thunder and command center stage. Thoroughly cool!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Razorblades - The Dark Side Of The Beachdotdotdotdotdot
artworkThis is a splendid release. Wonderful writing, consistently strong sound, and top caliber playing from all four musicians. If there's a parallel with other bands, it's Slacktone and Jon and the Nightriders, though those bands are for reference. Great music, solid arrangements, and crisp clean production. The Razorblades are a band to be reckoned with.
Picks: Surf Like An Egyptian, The Wake Up Call, Beach Racer, Let's Go Crazy, Clubflat, Into The Unknown, Yes Sir, I Can Surf!, Family Picnic, Do You Wanna Be My Mermaid?, Girl In The Front Row, Longboard Queen, Headshaker, Deep Blue Me, Love Hurts, But You Can Dance Your Pain Away, Rock'n Roll Zombie, The Ancient Tune Of The Baboon, Teenage Angst, Beat Girl Stomp, Sometimes The World Is A Lonely Place

Track by Track Review


Surf Like An Egyptian dotdotdotdotdot
Surf (Instrumental)

With great drama and style, the Razorblades deliver a mysterious and dangerous surf instro. "Surf Like An Egyptian" is wind and sand driven. This is a very compelling piece of music. It's not a cover of "Walk like An Egyptian."

The Wake Up Call dotdotdotdotdot
Surf (Instrumental)

Big drums, raging glissandos, and Dave Wronski style chokes power "The Wake Up Call" to perfection. Exceptional rhythms and forward looking power, with lots of attractive elements. Wow!

Beach Racer dotdotdotdotdot
Surf (Instrumental)

Wonderful muted reverb plucking and a shiny melody that remind me of Jon and the Nightriders. This is really good, with serious energy and a solid sense of chemistry. Magnetic and thrilling.

Let's Go Crazy dotdotdotdot
Surf (Instrumental)

"Let's Go Crazy" is a splashy and fun track with sparkle and whammy charm. Fast and very warm, with an inviting sound and fury.

Clubflat dotdotdot
Surf (Instrumental)

manic drums, circular guitar twangitude, and a punk underbelly. This is a very fast and raucous piece of music that drains you. Big and loud.

Into The Unknown dotdotdot
Surf (Instrumental)

A soft and mysterious opening brings on a spy-ish piece with lovely tone and a sense of the open road. "Into The Unknown" has a large epic quality to it.

Yes Sir, I Can Surf! dotdotdotdot
Surf (Instrumental)

"Yes Sir, I Can Surf!" is a fast and fun instro with great drums and flying guitar lines. Hard driving punkoidal surf slam like you might expect from Slacktone.

Family Picnic dotdotdotdot
Surf (Instrumental)

This isn't your mother's Sunday picnic. The Razorblades play a happy afternoon adventure with rich reverb and a sunny disposition, and they play it with power and rock'n'roll charm. It's a wonderful track.

Do You Wanna Be My Mermaid? dotdotdotdot
Surf (Instrumental)

Drama and danger, and early Mermen-like tone and structure, and perhaps a slight reference to "Das Model" combine with rich aural pleasure and spunky delivery to portray a fanciful and powerful instro. Quite nice.

Girl In The Front Row dotdotdotdot
Surf (Instrumental)

In a nod to the "Girl In The Front Row," the Razorblades play a slow tortured chord song with lush and sensual lead laid over the top of a gently gutty rhythm. Sultry, emotional, and full bodied.

Longboard Queen dotdotdotdotdot
Surf (Instrumental)

The guitar lines that open "Longboard Queen" simply sparkle with notions of infatuation. This is a true surf pean to the classic surf bunnies, with all the beauty and romantic visions that implies. This is a very lovely track.

Headshaker dotdotdotdot
Surf (Instrumental)

Whether nodding up and down or scanning left and right, this Slacktone-ish power trip is splendidly engaging and hard driven. Big and fast, as you might expect. Great energy and style.

Deep Blue Me dotdotdotdot
Surf (Instrumental)

Dark and slightly dangerous, "Deep Blue Me" is intense and optimistic, while remaining aware of the risks at hand. Thoroughly cool.

Love Hurts, But You Can Dance Your Pain Away dotdotdot
Surf (Instrumental)

In many ways, "Love Hurts, But You Can Dance Your Pain Away" sounds just like you'd imagine. A happy-go-lucky prancer with a slightly sad underbelly. Very fun and splashy, with a fanciful ska rhythm.

Rock'n Roll Zombie dotdotdotdot
Surf (Instrumental)

"Rock'n Roll Zombie" sports a Slacktone-like brilliance in the melody and flair. A string surf beat, raging energy, and liquid guitar lines, along with great bass that plays a few glissandos too. Great track!

The Ancient Tune Of The Baboon dotdotdotdotdot
Surf (Instrumental)

Big twang and monster bass, dark guitar, and tuff drums. Mysterious and compelling, "The Ancient Tune Of The Baboon" also emotes danger and intrigue. Very strong.

Teenage Angst dotdotdot
Surf (Instrumental)

On the fast side, brooding a bit, and chunky. Some drama, some danger, and some optimism. While there's angst, "Teenage Angst" doesn't seem very teenage.

Beat Girl Stomp dotdotdotdotdot
Surf (Instrumental)

This is a thoroughly fun track with a romping beat and cowboy twangability. Exceptional fun and incredible drums. It's hard to listen to "Beat Girl Stomp" without celebrating.

Sometimes The World Is A Lonely Place dotdotdotdotdot
Surf (Instrumental)

"Sometimes The World Is A Lonely Place" moves slowly through a sad region of your memory banks. Lush and very pretty, and richly toned. A solid arrangement gives full development to a lovely melody.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reverburritos - Widgetdotdotdotdot
artworkIt's great to hear a whole CD of material from this emerging band. The songs are well written, and the arrangements, while simple trio, and very effective. Some real gems here!
Picks: Go Pills!, Drive By, Magic Carpet Shop (Of Horrors), Durn The Torpedoes, Hawg Leg, Martini Sunset, Hammerhead, Eleki Gitaa, Das Boot, Fistful Of Wistful, County Line Burnout, Jumping Bean, Tin Star

Track by Track Review


Go Pills! dotdotdot
Surf (Instrumental)

"Go Pills!" is a circular and edgy track with a gutty feel and rock twang. Not really melodic, but it has ample energy and flair.

Drive By dotdotdot
Surf (Instrumental)

"Drive By" is a slick flowing kind of jam, with guitar and organ trading prime roles. It's an attractive song that seems to worm its way in.

Magic Carpet Shop (Of Horrors) dotdotdotdot
Surf (Instrumental)

This is a very nice track, with a moderate pace and gentle flow that's both endearing and engaging. It has a Spanish flavor, and a bit of a scary edge. Quite nice!

Durn The Torpedoes dotdotdotdotdot
Surf (Instrumental)

"Durn The Torpedoes" is a splendid song with a great circular melody line and wonderful warmth. It's infectious and immediately familiar. Totally cool!

Hawg Leg dotdotdotdot
Surf (Instrumental)

This is a mid tempo piece with a well developed riff and excellent use of whammy chords. While the tone is edgy, it's still inviting and warm.

Martini Sunset dotdotdotdot
Surf (Instrumental)

This soft and island whammy track moves with the ebb and flow of the tide. It's sunny and warm without being too light. Very nice.

Hammerhead dotdotdotdot
Surf (Instrumental)

"Hammerhead" has the kind of feeling of "26 Miles Across The Sea," but much more edge and energy than that. Double picked coolness, great chordage, and an infectious gate.

Eleki Gitaa dotdotdotdot
Surf (Instrumental)

With a nod to Japanese eleki, and an underbelly of solid flow, this slightly tweaky song is a nice combo of Japanese rock and modern surf. Its engaging melody and easy flowing sound are quite inviting.

Das Boot dotdotdot
Surf (Instrumental)

Slow and liquid chords open this somewhat edgy song. It's quite fluid and the melody line circles and returns to its beginning. The bridges are more menacing, and the drums are excellent. Quite nice.

Fistful Of Wistful dotdotdotdot
Surf (Instrumental)

An excellent title for a dreamy reverb fest with warm chords and soft bass. The delicate drums round out the experience, which is quite pretty and very soothing, while remaining in the rock envelope.

County Line Burnout dotdotdotdot
Surf (Instrumental)

A sort of "What Ever Happened To Eddie" rhythm opens "County Line Burnout." This is more of a rock instro, with great tribal drums and edgy surfisms. Very cool.

Jumping Bean dotdotdot
Surf (Instrumental)

Rhythmic bounce and chop-chord flair, whammy and tribal exotic drums, and the bass ties it together. Fun and light hearted.

Tin Star dotdotdotdotdot
Surf (Instrumental)

Great drums here, along with big whammy chords and moody bass. Combining surf, spaghetti western, and moody storm surges, "Tin Star" calls to the exotic images hiding in your imagination. Cowboy beats, and big ringing notes. Excellent!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reverb Syndicate - Operation Jet Setdotdotdotdot
artworkMuch of the music here is very inviting from an arrangement and playing perspective, as well as lovely tone. My chief concern here is the left-right guitar spread that relegates the lead to a lesser roll, and allows the rhythm to compete for attention instead of complimenting the melody line, and drums that are occasionally overbearing in the mix. Those things aside, the Reverb Syndicate have a number of very good songs here, and I found myself enjoying it more the more I listened.
Picks: Theme To "Operation: Jet Set", I Am The New Number Two, Oil Slicks And Ejector Seats, On To Checkpoint Bravo, Shake Don't Stir, The Code Is ********, I Am Not A Pleasure Unit, Zis Is KAOS!, M's Lament, Inlet Of Dire Consequences, ... And The Hero Gets The Girl

Track by Track Review


Theme To "Operation: Jet Set" dotdotdotdot
Spy Lounge Surf (Instrumental)

The warm adventure of the melody is inviting and endearing, and the tone lends itself to the imagery. Mid tempo, open road cool, and very listenable, "Theme To "Operation: Jet Set"" is a solid CD opener.

I Am The New Number Two
Spy Lounge Surf (Instrumental)

In reference to The Prisoner, "I Am The New Number Two" is much too positive for such a negative image. It calls to the open road with a sense of travel and optimism. Nicely done.

Oil Slicks And Ejector Seats dotdotdot
Spy Lounge Surf (Instrumental)

Adventurous and rockin', with the energy one might expect from an impending ride in an ejection seat. Just enough lurking danger is conveyed by the melody line and key for "Oil Slicks And Ejector Seats" to be an appropriate title.

On To Checkpoint Bravo dotdotdot
Spy Lounge Surf (Instrumental)

On the lumbering side, "On To Checkpoint Bravo" has a sort of sense of rising and falling with the road, and bears a grin while it's at it. Fun, but with a dark shadow just over its shoulder.

Shake Don't Stir dotdotdot
Spy Lounge Surf (Instrumental)

"Shake Don't Stir" is a very catchy tune with a soy edge and a loungy underbelly filtered through the surf idiom. Its pace and sense of motion are very surf, while its melody is more spy. Quite fun.

The Code Is ******** dotdotdotdot
Spy Lounge Surf (Instrumental)

The opening bar hints of the Ape Men, but it immediately becomes a whammy surf twango number with a spy-ish melody and infectious sound. Its splashy vision and playful gate create a light hearted sunny day surf scene. Excellent!

I Am Not A Pleasure Unit dotdotdotdot
Spy Lounge Surf (Instrumental)

This mid tempo number is quirky like "Pink Panther" without being gimmicky. Suave and undulating with sultry motion, "I Am Not A Pleasure Unit" gathers you up and draws you in. Very nice!

Zis Is KAOS! dotdotdot
Spy Lounge Surf (Instrumental)

A kind of pumping keyboard rhythm provides an introduction to a circular keyboard progression that's a bit like early Pig Pen had he played in a go-go band instead of the Grateful Dead. Then, the song comes on, and "Zis Is KAOS!" takes on a more traditional go-go meets spy sound. Bouncy and slightly amped up.

M's Lament dotdotdotdot
Spy Lounge Surf (Instrumental)

Long ringing tremolo chords and a sad melody provide a lurid sound that soothes while giving pause. A gentle concern and slight moodiness combine is a surf atmosphere to create a splendid wash of mystery and romance.

Inlet Of Dire Consequences dotdotdotdot
Spy Lounge Surf (Instrumental)

With a great title, "Inlet Of Dire Consequences" sports a sense of adventure, intrigue, and forward motion, while the bongos add an exotic edge. At first, this didn't grab me, but before I was a third of the way through, I was hooked. Very cool!

... And The Hero Gets The Girl dotdotdotdot
Spy Lounge Surf (Instrumental)

This light hearted charmer shines with tremolo tremble and shiny island shimmer, while relying on a solid beat, pumping bass, and twin lead guitars. "... And The Hero Gets The Girl" is a very enjoyable track with warmth and an inviting melody.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Rencontrez L'Amour - Born Of Punk And Reverbdotdotdotdot
artworkRencontrez L'Amour play punk based surf'n'slam with lots of danger and textural adventure. This is dramatic and articulate surf inspired punk rock.
Picks: Rla 200.1 FM, Body Bouncer, Dirty Sanchez, Listerine, Rainbow Party, Fixxx, Vlah Vlah Vlah, Mr. Dandruff, Texan B., Emily A, Dans Ma Bouche, Evil Knievel

Track by Track Review


Rla 200.1 FM dotdotdot
Surf Punk (Instrumental)

This is an exceptionally short blast, live from "Rla 200.1 FM."

Body Bouncer dotdotdotdot
Surf Punk (Instrumental)

Harsh moderately paced surf punk rage with a dark and dangerous sound. Thrashy and assaultive, yet almost melodic. "Body Bouncer" is compelling in a hazardous way.

Dirty Sanchez dotdotdot
Surf Punk (Instrumental)

"Dirty Sanchez" is thrashy, punky, spunky, and thickly chorded. The juxtaposition of surf and slam are very effective!

Listerine dotdotdot
Surf Punk (Instrumental)

Great drums and power chords run rampant beneath a tight little riff, punctuated with the Surfaris' "Wipe Out" drum and chord break. Simple, basic surf'n'roll that's oddly compelling.

Rainbow Party dotdotdotdot
Surf Punk (Instrumental)

This combination psychedelic punkaroo surf'n'slam track gathers you up with dark power and no holds barred attack. The hand claps are an interesting counter. Way cool!

Fixxx dotdotdotdot
Surf Punk (Instrumental)

This track runs at a lumbering pace, tumbling you in a dangerous closeout. Rhythmic and relentless, with intriguing drums and rhythm lines. "Fixxx" is a death on the waves kinda song.

Vlah Vlah Vlah dotdotdotdot
Surf Punk (Instrumental)

Surf slam and screams of vlah vlah vlah strain the night. Then, delicate muted surf playfully hints at danger. This is very cool! So, is "Vlah Vlah Vlah" like blah blah blah?

Mr. Dandruff dotdotdotdot
Surf Punk (Instrumental)

"Mr. Dandruff" is fast and darkly powered. Its thick textures and intense danger command attention, and they destroy you once they have it. The long feedback line if very cool, and the relentless thrash fuzz is insane!

Texan B. dotdotdot
Surf Punk (Instrumental)

A shimmering tremolo guitar solos a simple trembling sad image.

Emily A dotdotdot
Surf Punk (Instrumental)

Heavy double picked thrash and mock anger at what must be a very dangerous woman. "Emily A" is a decidedly dark monster.

Dans Ma Bouche dotdotdotdot
Surf Punk (Instrumental)

Heavy thrashy and tweaky, with odd starts and stops that are playful compared to the stark angst around them. Not silly or gimmicky, yet cute in a mohawk sort of way.

Evil Knievel dotdotdot
Surf Punk (Instrumental)

The poetry of Evil Knievel's riding and his Devil-may-care way of living are at odds with this forbidding and angry track. Heavy and thrash chorded, "Evil Knievel" is a relentless attack on an afternoon's peace. Some time after it fades out, another track comes along that's echoed and shimmered and haunted - a slow pean to something distant and sad.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Dan Rumour Band - DRBdotdotdotdot
artworkThe Dan Rumour Band plays what you might call soft surf. The songs are relaxed and lovely, with strong emotional connections and flowing panoramic vision. Dan Rumour is the guitarist who created the sound of Australia's Cruel Sea. You may know that the Sea began as an instrumental band, which make's his new band an obvious journey home. In addition to Dan Rumour, the band includes ex-Cruel Sea member Jim Elliot , and former Wild Pumpkins At Midnight players Michael Turner and Nick Larkins. Rumour's roots are in the instrumentals of Australia's surf and rock scene of the sixties. This is a lovely CD of beautiful guitar music that emotes images of lagoons and gentle rain and sunshine.
Picks: Sundowner, Seem's Twice '05, Get Up, Sugar, The 13th Hat, Saille, Playtime, Navigate, Four '05, F-100, Unwind, Sly Din '05, Shadder '05, Drivin' Home

Track by Track Review


Sundowner dotdotdotdotdot
Soft Surf (Instrumental)

What a lovely and flowing piece of music. "Sundowner" moves at a relaxed pace, and is very well mixed. The dual leads used in some passages create depth and delicacy that add to the panoramic beauty. The verse-to-verse arrangement changes give it an epic tale quality as well. Really nice!

Seem's Twice '05 dotdotdotdot
Soft Surf (Instrumental)

With the feel of a light tropical rain, and delicate dual guitar balance, "Seem's Twice '05" is like a feather weight funk groove for a sunny afternoon. The sense of surreal escape is enhanced by the phone ringing in the distance and the haunted organ.

Get Up dotdotdotdot
Reggae Surf (Instrumental)

"Get Up" is a slightly reggae number that's more of a progressional journey than a melodic song. It's gentle, relaxing, and engaging. It's lack of direction seems like an intentional element used to give it a timeless carefree feel. This is a lovely and fanciful track.

Sugar dotdotdot
Reggae Surf (Instrumental)

"Sugar" is a more overtly reggae instro, with a great deal of the feeling and structure of simplified reggae where overproduction hasn't replaced structure. Not really melodic, but fluid and emotionally relaxed.

The 13th Hat dotdotdotdot
Reggae Surf (Instrumental)

There's a kind of "On Broadway" feeling to this liquid and light instro. Its surf-reggae fusion carries if through with a lovely backdrop to a rainy afternoon style. The island guitar lines are really cool.

Saille dotdotdot
Soft Surf (Instrumental)

On the island side of things, "Saille" is a slow and romantic song with a vacation sunset view lined with palm trees and glistening waves. It's a beautiful track with a very cool emotional hook.

Playtime dotdotdotdot
Soft Surf (Instrumental)

"Playtime" is a somewhat funky track with a sort of Stax session feeling. Imagine Booker T & the MG's grooving where they could see and smell the Great Barrier Reef on a sunny midsummer afternoon. The word that comes to mind is pleasant, but it's much more soulful than that. Very cool!

Navigate dotdotdotdot
Soft Surf (Instrumental)

Verging on aggressive, the loveliness of "Navigate" is spiced with a moderate pace and a grin. Its slide guitar lines and round tone ride nicely above a percussive rhythm track that suggest suburban tropics. This really grows on you over the course of listening.

Four '05 dotdotdotdot
Soft Surf (Instrumental)

In a rich soup of panoramic delays and spatial reverb, "Four '05" conveys a sense of adventure and play. The tropical coolness and sunny warmth couple nicely with the combo soul groove elements to create a vision of islands and lovely glassy tubes. Superb.

F-100 dotdotdotdot
Soft Surf (Instrumental)

Soulful and funky, like a tropical surf reinvention of the Stax house band on vacation, "F-100" is the kind of progressional piece that gets you traveling with it without choice, yet loving it at every turn. This is really hard not to like. The break guitar lines are powerful against the island gentility of the rest of the track. The rhythm track is a flawless thing of simple beauty that is the very key element here.

Unwind dotdotdot
Soft Surf (Instrumental)

Acoustic guitar, gentle tones, very cool bass lines, and grin-bearing percussion give this the kind of backdrop to a long surfride feel that surf video's use so effectively. Way fun.

Sly Din '05 dotdotdot
Soft Surf (Instrumental)

With a funky grin, the kind of grin that a slowed down Travis Wammack might bring on, is an unavoidable sidebar to "Sly Din '05." Its gentle guitar exercises and bass-heavy soul are well balanced and liquid.

Shadder '05 dotdotdotdot
Soft Surf (Instrumental)

"Shadder" is a very spatial piece of music that's lushly visual. It invokes a gentle rain on a lagoon, a slightly sad feeling with a sense of being cleansed by the rain. The melody is so very gentle and peaceful. Wonderful!

Drivin' Home dotdotdot
Soft Surf (Instrumental)

This very slow song is drowsy, but not asleep. Slide guitar, a snail's pace, haunted keys, and very round bass move it along that lonely journey home. It's quite nice.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Retroactive Gamma Rays - STdotdotdot
artworkAurally, these tracks are pretty muddy mono demos. Musically, some of the songs are ripe for monsterdom with just a little creative arranging and better audio. An intriguing first effort.
Picks: Get Bent, Kiwanda Cove, Speak Easy, Avast Ye!, Get Off Your Back Porch, Footprint

Track by Track Review


Get Bent dotdotdot
Garage Surf (Instrumental)

"Get Bent" is a riff based number without a lot of change, but with significant spirit and whammy. A couple of dirty long glissandos round out the surf edge.

Kiwanda Cove dotdotdot
Garage Surf (Instrumental)

"Kiwanda Cove" is a more interesting track, with lots of drum action and a circular melody line with ample arrangement changes to keep it interesting. It's a little repetitious aurally, but with all the energy, it rises above. Great drums.

Speak Easy dotdotdot
Garage Surf (Instrumental)

Dark whammy chords and a kind of goofy edge give a sense of a dangerous alley with the surf just out of view. A long gritty glissando followed by a whammy chord series cries out to watch for the rocks!

Avast Ye! dotdotdot
Garage Surf (Instrumental)

Pirates on longboards invade the shorebreak where the gremmies and the hodads never go. White water danger with dark whammy chords and danger. This could become a killer.

Get Off Your Back Porch dotdotdotdot
Garage Surf (Instrumental)

Busy unusual notes circle like a yellow jacket about to light in your hair, chop chords threaten, dark splash calls to the surf, and the darkness of the tone renders "Get Off Your Back Porch" to the dangerous file. There's plenty of opportunity for creative arranging here. Very cool.

Footprint dotdotdotdot
Garage Surf (Instrumental)

Delicate banjo launches into a very cool instro with extreme tension and uneasiness. Chop-danger and gloomy moodiness. An instro on the verge of becoming great!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Revtunes - Surfin' To The Max!dotdotdot
artworkMinneapolis' The Revtunes (aka Rev-Tunes) have finally issued all the archival goods from their vaults. There's lots of ska rhythms and beats, eighties pop ethics, and surf here to take you to places not very trad that are nonetheless very fun and satisfying. the production is too boomy, but your EQ can handle that, except for tracks 14-17, which are mono with almost no midrange, leaving the guitars out in the cold. For all of its aural limitations, this is nonetheless a fine example of eighties surf the way it was.
Picks: Surfin' To The Max, Big Bad Melvin, Freefall, Ridin' The Crest, The Avenger, Goin' Nowhere (In Two Minutes Flat), Oriental Strut, Hyper-IntenSion, Skylines At Dawn, Ride The Solar Wind, The Visitation, Tchaikovsky Rocks Again, Speeding Thru Gotham, Raw-Hide, Driving Guitars, Whittier Blvd., Wipe Out, The Tubes

Track by Track Review


Surfin' To The Max dot
Eighties Surf Pop (Instrumental)

I had no idea this Midwest outfit was still around, and maybe they aren't considering the age of this track. The recording is downright horrid, with drums sounds that are unique in all the world, and the panoramics are dumb, with the drums on one side and the guitar on the other. Heavily Ventures influenced, the perform with nearly as little feeling and energy as that dinosaur band. The tune is little more than a progression.

Big Bad Melvin dotdotdot
Eighties Surf Pop (Instrumental)

This lumbering number slyly smiles through its very cool melody line. Not really goofy or gimmicky, yet grin inducing. "Big Bad Melvin" is a slow moving track with an oddly cool cabinet rattle on the right in sync with the bass.

Freefall dotdotdotdot
Eighties Surf Pop (Instrumental)

This is either a recut or serious remix of their 1984 single. The bass is much rounder, but the spirit is still bright-eyed coolness. An excellent track for a light hearted drive down the coast.

Ridin' The Crest dotdotdotdot
Eighties Surf Pop (Instrumental)

A ska backbeat pumps up a fine California eighties surf instro. The optimism of the melody is guarded at times, and then rises to sing to the skies. A very cool number!

The Avenger dotdotdot
Eighties Surf Pop (Instrumental)

Big drums in the Ventures mold drive this slightly fuzzy Theremin accompanied whacked-out spy song. It's very cool, though fairly minimal. The drums are the energy center.

Goin' Nowhere (In Two Minutes Flat) dotdotdotdot
Eighties Surf Pop (Instrumental)

A ska rhythm gives an infectious edge to this very cool melody. It's a superbly fun track with a warm melody that invites you in. As it all rises in the break and then falls again, there's a sense of anticipation. Very cool!

Oriental Strut dotdotdotdot
Eighties Surf Pop (Instrumental)

The wonderful melody line here is perfectly supported by the ska beat. This fine track is infectious and very fun, with a cool round sound and very endearing melody. It's hard to sit still while this is in your player.

Hyper-IntenSion dotdotdotdot
Eighties Surf Pop (Instrumental)

Big fuzz keys and dangerous charm coupled with a splendidly simple riff capture your attention. High energy tweakery off the trad scale and into vintage eighties pop - sort of. Way cool!

Skylines At Dawn dotdotdot
Eighties Surf Pop (Instrumental)

This has a fifties easy listening sound and feel, like Paul Mauriat or Percy Faith updated and at the beach. Soft and romantic, but with a scary edge.

Ride The Solar Wind dotdotdotdot
Eighties Surf Pop (Instrumental)

The drums race to bring on the mystery and charm of the melody. "Ride The Solar Wind" is a fast number in the mold of some of the Ventures' Japanese singles. Superb energy, great drums, and a smart riff.

The Visitation dotdotdot
Eighties Surf Pop (Instrumental)

Tweaky sci-fi keyboard sounds and fuzzy almost helicopter keyboard melody lines make this a very strange eighties style instro. Too fun!

Tchaikovsky Rocks Again dotdotdot
Eighties Surf Pop (Instrumental)

A familiar Tchaikovsky melody gets a pumping keyboard and guitar treatment for simple fun. You can't have your pretension hat on for this one. It's just fun!

Speeding Thru Gotham dotdotdot
Eighties Surf Pop (Instrumental)

Sort of "Outer Limits" keys open to a ska beat and circulating modern guitar melody line. "Speeding Thru Gotham" is a rockin' track just for fun. Its guitar work is very nice.

Raw-Hide dotdot
Eighties Surf Pop (Instrumental)

This is a very murky recording of Link Wray and his Raymen's "Raw-Hide." It's so murky, it's hard to hear the guitars, yet the energy is clearly there.

Driving Guitars dotdot
Eighties Surf Pop (Instrumental)

The Ventures' "Driving Guitars" is also pretty murky, but it sports strong energy and fire despite the hazy sound.

Whittier Blvd. dotdotdot
Eighties Surf Pop (Instrumental)

One of the great semi-obscure instros of the mid sixties was Thee Midnighters' "Whittier Blvd.." This is a very hot performance that is unfortunately very poorly captured. Still, this is a fine performance and superb cover choice.

Wipe Out dotdot
Eighties Surf Pop (Instrumental)

Driving drums and bass obscure the fine guitar work in this spunky cover of the Surfaris' "Wipe Out."

The Tubes dotdotdotdot
Eighties Surf Pop (Instrumental)

"The Tubes" is a superb track, with a great riff and cool eighties energy. Lots of infectious licks and rhythms.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Ben Rogers' Instrumental Asylum - Welcome To Instrumental Asylumdotdotdotdot
artworkThis is a pretty interesting record. The sound is big guitar loud trio. There's more variety than the structure would suggest, and some very strong moments.
Picks: KangaRoux, Apache, House Of The Rising Sun, St. James Infirmary Blues, Surfing The Syncrotron, Sandy Feet, Medina Wedding Blues, Nuages, Shake-N-Stomp, Incident At Docklands, Geronimo, Go! Go! Trip, Stomping At Steves, Fleetwood Mac, Loved Another Woman, The Ninth Wave, Walk, Don't Run, Sleep Walk

Track by Track Review


KangaRoux dotdotdot
Big Twang (Instrumental)

This is a loud and catchy riff rocker that's commanding and cool. Great drums and a very big sound.

Apache dotdotdotdot
Big Twang (Instrumental)

This is a splendid and aggressive arrangement of Jerry Lordan's "Apache." Great drums, intense guitar, and the bridges are very cool, as are the breaks. This song has been done so many times, most often not very interestingly, but this arrangement is right up there. It has more of a big guitar Austin sound, with lots of silky intensity.

House Of The Rising Sun dotdotdotdot
Big Twang Blues (Instrumental)

This version of "House Of The Rising Sun" is based on the Animals' cover, but it has completely different sound and fury. Huge guitar, intense energy, and very emotional. Very bluesy and intense.

The following is liberated from The Straight Dope's page on the song. I found it insightful and in accord with my own memories from when the Animals' song was on the charts. "According to folklorist Alan Lomax in his book Our Singing Country (1941), the melody of "The House of the Rising Run" is a traditional English ballad and the lyrics were written by Georgia Turner and Bert Martin (both from Kentucky). The song was first recorded in the 1920s by black bluesman Texas Alexander."

St. James Infirmary Blues dotdotdotdot
Blue Surf (Instrumental)

This is a very pretty and atmospheric interpretation of "St. James Infirmary Blues." Joe Primrose's classic blues, once a hit for Louie Armstrong, is liquefied and very flowing.

Surfing The Syncrotron dotdotdotdot
Big Twang Surf (Instrumental)

"Surfing The Syncrotron" is a large sounding number with a great bridge, big whammy chords, and a bluesy edge. Its power is unmistakable. The riff gets a little repetitious, but the changes in the breaks make up for it.

Sandy Feet dotdotdot
Blue Twang (Instrumental)

"Sandy Feet" is a blues rockin' romp with intense sound. It's a loud blues with that's powerful in its own way.

Medina Wedding Blues dotdotdot
Blues (Instrumental)

"Medina Wedding Blues" is a fairly straight forward blues number with a bit of an edge. It lumbers along moderately.

Nuages dotdotdot
Big Blues (Instrumental)

Django Reinhardt's "Nuages" is done in huge electric blues fashion. Intense edge and sustain, along with string bending gives it a sort of spy feeling.

Shake-N-Stomp dotdotdotdot
Big Surf Twang (Instrumental)

This is a thoroughly modern rendering of Dick Dale and his Del-tones' "Shake-N-Stomp." It's very unsurf stylistically, yet conveys giant storm surf swirls. This powerful track sports some cool drums and a very loud sound.

Incident At Docklands dotdotdotdot
Big Rumble Twang (Instrumental)

Danger and thundering industry display intensity and a cool set of riffs. "Incident At Docklands" is quite large, with stinging whammy chords and very engaging parts.

Geronimo dotdotdotdot
Big Twang (Instrumental)

Hank Marvin's classy "Geronimo" is very interesting in the huge whammy delivery. Muted semi-cowboy rhythm and picturesque melody combine for a panoramic sweep of the room. The glissandos add a touch of surf.

Go! Go! Trip dotdotdotdot
Bouncing Twang (Instrumental)

"Go! Go! Trip" sports a playful melody line, hand claps, and an Austin feeling. It's melodic quality make it catchy, and the loudness gives it power.

Stomping At Steves dotdotdotdotdot
Cowboy Twang (Instrumental)

"Stomping At Steves" is a thoroughly delightful cowboy number with a great beat and infectious cowboy rhythm, plus surf glissandos and a decidedly happy face. Perhaps reminiscent of Buzzy Frets and his Surfabilly Orchestra, but a whole lot more intense. This is a great track!

Fleetwood Mac dotdotdot
Blue Twang (Instrumental)

Tribal drums and a sort of moody sound gives Peter Green's "Fleetwood Mac" a slightly splashy sound. The melody riff isn't varied enough to carry on alone, but in ensemble, it all comes together. Not at all like the original.

Loved Another Woman dotdotdot
Liquid Twang (Instrumental)

This is a lush slow blues from Peter Green. It's quite liquid sounding, with a sinewy guitar and gentle primal drums and bass.

The Ninth Wave dotdotdotdot
Surf Twang (Instrumental)

The Ventures' single "The Ninth Wave" is done nothing at all like the original. It's sort of low and trembling, not exactly surf, and yet it is. Not sure if that helps. The arrangement is slower and more sensual, yet the edge remains. Glissandos add a nice touch.

Walk, Don't Run dotdotdot
Big Twang (Instrumental)

The Ventures's 1960 arrangement of Johnny Smith's classic "Walk, Don't Run" is done with a big guitar feel and great drums. It's a solid track with edge and whammy and glissandos.

Sleep Walk dotdotdot
Big Twang (Instrumental)

This is a very loud version of Santo and Johnny's "Sleep Walk." Not at all sinewy and romantic, but certainly late night. Think of it as having a slightly dangerous aura, being a bit atmospheric, but not being gentle.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Ben Rogers' Instrumental Asylum - Reverb Rehabdotdotdotdot
artworkThis is the second release from Australia's Ben Rogers' Instrumental Asylum. many fine tracks here. It's not at all traditional surf, and in fact is much more rock, but the intensity of the guitar tone and superb caliber of the drums and bass make this hard to ignore. Reverb Rehab is a great title!
Picks: Mr. P.C, Wet Suit Dream, Torquay, Prickly Pear, Strawberry Fields Forever, Seasons Of Change, Bondi Stomp, Paisley Dayze, All The Things You Are, Goodbye Bluehaze, Elegy For Pluto, The Ballad Of Private Mitchell, She's Not There, 55 Customline, Ginchy, First Light At The Aussietron, Conversations With A Frog

Track by Track Review


Mr. P.C dotdotdotdot
Surf Rock (Instrumental)

Great tribal drums and thumpin' bass carry Ben Rogers' guitar well. "Mr. P.C" has a sort of Big band feel to the melody and beat. 'Tis a really cool track, with warble and edge.

Wet Suit Dream dotdotdotdot
Surf Rock (Instrumental)

Ringing chords and mystical ambiance present a lovely if foggy image of quiet waters. The melody is lovely, and the drums tribal. "Wet Suit Dream" is a very nice track!

Torquay dotdotdot
Surf Rock (Instrumental)

This is a rousing version of the Fireballs' "Torquay." party hollers and "Tequila"-like feelings emanate from every corner of this rocker.

Prickly Pear dotdotdot
Surf Rock (Instrumental)

"Prickly Pear" is a slowish number with bluesy edge and big sound. I'm not sure why the title, but it's a fun track regardless of meaning. Great cowbell in the bridge!

Strawberry Fields Forever dotdotdotdot
Surf Rock (Instrumental)

Slightly spooky, large and twang dominated, this cover of the Beatles' "Strawberry Fields Forever" is sweeping and intense. It's a wholly original arrangement. There's active panning at times, and it verges on psychedelia.

Seasons Of Change dotdotdotdot
Surf Rock (Instrumental)

This is a slow, sultry instrumental with intense distortion and wide ambiance. The harsh aural textures are in stark contrast to the pretty melody, providing contrast that keeps this interesting. The break is fast and chop-chord driven, and features a very good drum solo of just the right length, augmented by bass and occasional guitar lick. Very cool!

Bondi Stomp dotdotdot
Surf Rock (Instrumental)

"Bondi Stomp" is a rompin' number with big guitar intensity and a catchy riff. Great drums syncopate with the guitar at times, provide drama at other times, and always provide a strong counterpoint.

Paisley Dayze dotdotdotdot
Psychedelic Surf Rock (Instrumental)

In a swirly psychedelic style using Middle eastern chords in the intro, "Paisley Dayze" shimmers with tremolo and occasionally grits with distortion. This is an engaging, almost captivating adventure in psych beyond the stereo types. Very cool.

All The Things You Are dotdotdotdot
Surf Rock (Instrumental)

"All The Things You Are" is a slow sullen number with long sustain and a light beat. It hints at the waterfront and detectives of bygone eras. Moody and very enjoyable.

Goodbye Bluehaze dotdotdot
Surf Rock (Instrumental)

Like a cooled down and moodier interpretation of "Egyptian Reggae," this song sets up a mood with it's ambiance and progression. There are soaring modern rock guitar lines in places, but also some very moving passages.

Elegy For Pluto dotdotdot
Surf Rock (Instrumental)

A playful melody line and a great beat combine into a fine instro for an afternoon drive up I-5. Long stretches without changes of scene could be made bearable with "Elegy For Pluto" in the changer.

The Ballad Of Private Mitchell dotdotdot
Surf Rock (Instrumental)

"The Ballad Of Private Mitchell" is an easy moving number with a spatial sound. It's soft sadness has a certain optimism about it. It's large and soft at the same time, and bit bluesy too.

She's Not There dotdotdotdot
Surf Rock (Instrumental)

This is a very reading of the Zombies' "She's Not There." It's thick sound and hyper modern tone give it a whole new depth. Angular, abrasive, and engaging. It's highly unlikely that Rod Argent intended any such thing. Very cool!

55 Customline dotdotdot
Surf Rock (Instrumental)

As the engine idols, the island images float on a low temperature jazzy sound. The walking bass and easy beat give "55 Customline" a sinewy quality, while the guitar leaves it squarely on a tropical plane.

Ginchy dotdotdotdot
Surf Rock (Instrumental)

Bert Weedon's classy "Ginchy" is superbly done, with whammy and darkness and distortion and... yup, this is just a really nice way to reinvent this classic melody.

First Light At The Aussietron dotdotdotdotdot
Surf Rock (Instrumental)

Tribal drums rule the roost as the thick chords slowly float upon shallow whammy, and then muted guitar lines connect with an emotional center deep within. "First Light At The Aussietron" is a superb song with ample changes and an air of psychedelic cowboy. Really cool!

Conversations With A Frog dotdotdot
Surf Rock (Instrumental)

Frogs gently chirp in the night air, the cymbals bring out sensuality, and the gentle guitar lines paint an easy picture of a moonlit night. Very nice track.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Ramblin' Ambassadors - Avantidotdotdotdot
artworkIt's easy to draw comparisons to Link Wray here because some of Link's tendency for long sustained chords and minimalist darkness is in evidence, as is an overall loud and intense sound. But more than that, there are splendid spaghetti western elements, solid melodies, and just plain magnetic rock instros. This is not a surf CD, but instro fans who dig Link Wray, Robert Johnson and Punchdrunks, the Bottleups, or the Berzerkers in their more rock'n'roll mode will surely like this. I do!
Picks: Sixty Seconds To What?, Lungbucket, Theme From 'The Ramblin' Bastards', Hawgtied, Dead Man's Flats, Hangin' Tree, Hup Two Three Four, Twenty Original Fembots, The Hairless Cat

Track by Track Review


Sixty Seconds To What? dotdotdotdot
Spaghetti (Instrumental)

Heavy and gritty guitar double picks and sustains in a dramatic launch, which yields to a spaghetti western melody on a lonely guitar. The tone is slightly edgy, and the imagery very much in line with the Italian westerns. Very nice track.

Lungbucket dotdotdot
Rock (Instrumental)

Stinging and intense, "Lungbucket" rawks and stresses out. Loud nervous rock instro a la late eighties / early nineties bands. Heavy, distortion dominated, and in your face.

Theme From 'The Ramblin' Bastards' dotdotdotdot
Rock (Instrumental)

This is a heavy number perhaps similar to the sting style that Robert Johnson uses, though less Link Wray like and more rock demented. Stinging and relentlessly harsh.

Hawgtied dotdotdotdotdot
Spaghetti (Instrumental)

"Hawgtied" is a grand number with a galloping spaghetti western beat and big twango. Excellent percussion, fine melody line, and a lot like the kind of thing the Hellbenders have done, but more intense and searing. Really cool!

Dead Man's Flats dotdotdotdotdot
Spaghetti Rock (Instrumental)

Big and nasty a la Link Wray augmented with horn and a bit of Spanish flair. Superbly long sustain and dark tremolo. Totally commanding.

Hangin' Tree dotdotdotdot
Spaghetti (Instrumental)

Bouncing and edgy, "Hangin' Tree" sports a catchy melody with Link Wray-ish chords. Stinging, harsh, and magnetic. great throb too.

Hup Two Three Four dotdotdotdot
Rock (Instrumental)

Originally from the Sid Presley Experience (the precursor to the Godfathers), this has all the loud assault that band commanded, and surely is a tuff tribute to them, as well as a natural choice to cover. Big, stinging, and intense!

Twenty Original Fembots dotdotdotdot
Rock (Instrumental)

Dark angular guitar, very big tone, and gutty delivery give "Twenty Original Fembots" a sound that's like the other rock tracks here, but suggestive of an influence from Jet Harris & Tony Meehan. Pretty darn cool!

The Hairless Cat
Rock Erotica (Instrumental)

A voice sings in the night as the throbbing guitar lays out a progression that's basic and compelling. This is like a blend of Link Wray and exotica. Very cool!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Robin and the Three Hoods - Fan Jr. FJ-1003dotdotdot
artworkRobin and the Three Hoods are actually Marrell's Marauders from Madison, Wisconsin. They morphed their name from the Marauders after realizing how many other bands used the same name. In 1964, two years after forming, they cut "I Wanna Do It" c/w "The Marauder."
Picks: The Marauder

Track by Track Review


The Marauder dotdotdot
Surf (Instrumental)

"The Marauder" a riffy fast and infectious Midwest charmer with tribal drums and warm guitar tone not unlike the Furys. A raspy sax fills out the break with raging guitar glissandos underneath. Pretty tuff.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Reverb Syndicate - Sputnik A-Go-Godotdotdotdot
artworkThis is the second release from The Reverb Syndicate. The whole album is light hearted, rich in imagery, and fluid. The lead guitar tone is a lot like Voodoo Court, but the music and band sound are much less edgy. Sputnik A-Go-Go is a very listenable and enjoyable release.
Picks: Lunar Attack!, Sputnik A-Go-Go, Bolshevik Boogie, The Martini Cluster, The Lonely Henchman, La Balada De Senor Esquivel, Escape From The Village, Belka And Strelka's Big Adventure, Theremania!, Trans-Siberian Sunset

Track by Track Review


Lunar Attack! dotdotdot
Surf (Instrumental)

Chants enhance the dark grind of the song, and the interesting, sorta spacy melody in the break is very engaging. "Lunar Attack!" employs a dark reverb guitar that sounds, at least in part, to be digitally reverbed. Double picked main melody riffs are surfy as well as spacy.

Sputnik A-Go-Go dotdotdotdot
Surf (Instrumental)

This is a well developed number with a bit of island flair, perhaps even Spanish tropical. The melody is very friendly, and the warmth of the The Reverb Syndicate' sound is well used here. Excellent!

Bolshevik Boogie dotdotdotdot
Surf (Instrumental)

Shimmering chords and a cycling rhythm pattern open "Bolshevik Boogie." Soon enough, it becomes a circular riff driven number with a sparking optimism. There something familiar about it, not in the heard-it-before way, but in the way some songs just connect inexplicably with your past. Very nice.

The Martini Cluster dotdotdotdotdot
Surf (Instrumental)

Sparkling chords, an adventurous melody that portrays a coastal journey in summer, and a light hearted open air sound combine to create an uplifting journey. This is joyous and optimistic, with a very cool melody and excellent drums.

The Lonely Henchman dotdotdot
Surf (Instrumental)

Slightly heavy, perhaps even dramatic, "The Lonely Henchman" is in fact a bit lonely feeling. The melody hints of espionage, and the circling bass suggest an inescapability. A little dark, on the moody side, and interesting.

La Balada De Senor Esquivel dotdotdotdot
Surf (Instrumental)

In a stylish nod to Juan Garcia Esquivel, this song sports a gently flowing melody and delicate muted chords that drip reverb. It's a pleasant track with a rich imagery and a bit of sadness. A cool beat and back track support the melody well.

Escape From The Village dotdotdotdot
Surf (Instrumental)

"Escape From The Village" is a light hearted number with great tom tom action and a sparkling melody line. Open and adventurous, with a decidedly optimistic sound. Does the title nod to The Prisoner?

Belka And Strelka's Big Adventure dotdotdot
Surf (Instrumental)

The shimmer of tremolo and a bit of a spy-jazz rhythm and structure, with light organ lead, muted surf guitar rhythms and leads. It's definitely a playful number that's light on your nerves. Pretty cool!

Theremania! dotdotdotdotdot
Surf (Instrumental)

One might expect a theremin to augment "Theremania!." The surf guitar lead is solid, some lines being heavily muted while the drums play a cool beat. It's a splendid song that reminds me a lot of Voodoo Court, both structurally and in the distortion on the reverbed guitar. Oh, as expected, the theremin does indeed come on strong adding space weirdness to the song mid stream. Great track!

Trans-Siberian Sunset dotdotdotdot
Surf (Instrumental)

This is a semi-Spanish number that's sunny and very Baja-coastal in imagery. "Trans-Siberian Sunset" takes you along whether you want to go or not. Warm and engaging.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Retro Active Gamma Rays - Activate!dotdotdot
artworkThis is an interesting first release from Retro Active Gamma Rays. Some solid writing, some very garagy stuff, and some engaging tracks. Musically stronger than their playing, but that's not a bad thing in this case. Looking forward to the next round in their development.
Picks: Avast Ye, Hanmock Con, Get Bent, Western Tongooee, Footprint, Kiwanda Cove, Speak Easy, Juror No 7, Flat Drunk Friends, Get Off Your Back Porch, Boiler Bay, The Last Gamma Ray

Track by Track Review


Avast Ye dotdotdot
Surf (Instrumental)

"Avast Ye" is a fast number with a circling melody riff and boomy bass. More use of chords than surf usually implies, but fun and spirited.

Hanmock Con dotdotdot
Surf (Instrumental)

This is a mid tempo number with a bit of a friendly riff. "Hanmock Con" suggests a relaxed vision of a coastal scene.

Get Bent dotdotdot
Surf (Instrumental)

A bit of speed here as RetroActive Gamma Rays play a pretty traditional AABA surf instro with significant spunk. Calling on the past to suggest the future, "Get Bent" sports a couple of glissandos and a splashy grumble.

Western Tongooee dotdotdot
Surf (Instrumental)

Tom toms provide an island tribalism to this interesting song. The second guitar's soft slither in the intro is very cool. Once into the track, it doubles its pace, sounding more like modern garage surf.

Footprint dotdotdotdot
Garage Surf (Instrumental)

Delicate banjo launches into a very cool instro with extreme tension and uneasiness. Chop-danger and gloomy moodiness. An instro on the verge of becoming great!

Kiwanda Cove dotdotdot
Garage Surf (Instrumental)

"Kiwanda Cove" is a more interesting track, with lots of drum action and a circular melody line with ample arrangement changes to keep it interesting. It's a little repetitious aurally, but with all the energy, it rises above. Great drums.

Speak Easy dotdotdot
Garage Surf (Instrumental)

Dark whammy chords and a kind of goofy edge give a sense of a dangerous alley with the surf just out of view. A long gritty glissando followed by a whammy chord series cries out to watch for the rocks!

Juror No 7 dotdotdot
Surf (Instrumental)

"Juror No 7" is thrashier than the other tracks here, with dark chords cycling through a narrow pattern in full reverb. Totally dangerous.

Flat Drunk Friends dotdotdot
Surf (Instrumental)

This is a moody number with a distant sound and ominous edge. "Flat Drunk Friends" suggests you're at risk.

Get Off Your Back Porch dotdotdotdot
Garage Surf (Instrumental)

Busy unusual notes circle like a yellow jacket about to light in your hair, chop chords threaten, dark splash calls to the surf, and the darkness of the tone renders "Get Off Your Back Porch" to the dangerous file. There's plenty of opportunity for creative arranging here. Very cool.

Boiler Bay dotdotdot
Surf (Instrumental)

"Boiler Bay" employs a simple but effective riff, and is a bit dissonant. Chop chords give it danger.

The Last Gamma Ray dotdotdot
Surf (Instrumental)

Manic and dangerous, with a bit of psycho uneasiness. "The Last Gamma Ray" is dissonant and dark and splashy, with a lurid sense about it. Thrashy chords add a youthful innocence.

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Razorblades - Shake Your Pony Tailsdotdotdotdotdot
artworkThis is a superb ep, not that you'd expect any less from The Razorblades. Pure, unadulterated surf with twango and glissando ecstasy. Highly recommended!
Picks: Looking For Adventure, Shake Your Pony Tails, Twangomat

Track by Track Review


Looking For Adventure dotdotdotdotdot
Surf (Instrumental)

What a great track! Infectious beat, rich guitar tone, a great melody, and wonderful energy. "Looking For Adventure" moves right along, sports cool glissandos from both guitars, and has great drums. Interestingly enough, the bass is what used to be called felt but not heard. It doesn't stand out, but you know it's there holding everything together. The guitars are wonderful.

Shake Your Pony Tails dotdotdotdot
Surf (Instrumental)

This is a mid tempo, somewhat stomping song, with cool chokes and glissandos, and a slightly countrified edge. "Shake Your Pony Tails" is fun and spunky, and really connects. Very cool!

Twangomat dotdotdotdotdot
Surf (Instrumental)

twang is right. Twangin' whammified chords on one side and heavy chords on the other. The melody features lots of brief glissandos and superb surf charm. great drums, solid bass, and a very compelling sound. Wonderful!

Reverb Central .:. Review .:.
Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
The Road Runners - Quasimodo c/w Road Runnerdotdotdotdotdot
artworkEssential surf, this single rips on both sides. very "Pipeline" inspired, but holy crap, what a shredder!
Picks: Road Runnah, Quasimodo

Track by Track Review


Road Runnah dotdotdotdot
Hot Rod Surf (Instrumental)

This track rules! It's hot, "Pipeline" like, and fiery. It may be a bit obscure, but it's a great track! "Road Runnah" ended up on the London Records release of the Pyramids' album. It does not appear on the original Best Records release, and bears no similarity in playing or style to the Pyramids. OK, so that's not a slam, just a clarification.

Quasimodo dotdotdotdotdot
Surf (Instrumental)

This is the utterly infectious "Pipeline"-esq flip to the Road Runners's "Road Runnah" single, which also appears credited to the Pyramids on the London version of their LP, as well as the Sundazed CD. Flying glissandos, great double picking, and very cool riffs.