Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA Paul Johnson and the Packards - California
|Paul Johnson's surf credentials predate Dick Dale's. He and Eddie Bertrand formed the Belairs, and Paul is responsible for such venerable classics as "Mr. Moto" and "Squad Car." Paul formed a new surf band in 1980 called the Packards. This cassette is the original release form of this rare mid eighties album, which never saw vinyl release, and only recently was issued on CD.|
Picks: Kamikaze, Escape To Reality, Mr. Moto, Baja, Stand Up For Jesus, Squad Car, Day Tripper, Link Wray Medley [Rumble / Jack The Ripper / Rawhide], Streets Of Gold
Track by Track Review
An updated and spunky version of Paul's (Belairs) early work. It has all the youthful exuberance of the original with the honed skill of the modern day veteran player. Great track. Paul's classic from his days with the Belairs, played furiously and with Paul's modern tone. This tune is mighty direct, rhythmic, and infectious. It's power lies in part in it's adaptability, and in it's very human face.
Christian Surf (Instrumental)
The best version of this was the mix that appeared first on cassette. This is a dramatic and occasionally pompous song, but it features brilliant melody writing and exceptionally good changes. This is an early Christian theme piece for Paul. It has a ton of changes, and is very artful. It is very friendly and infectious, sports dramatic interludes, and sneaks right into your soul. A great track which straddles the line between Paul's two genre. The break melody is particularly intriguing.
As you might expect, Paul Johnson can interpret his own work better than anyone. This recut of his first recording and most famous composition is fabulous. As usual, it is rhythmic, driving, and fun. What can be said about Mr. Moto. It's among the first surf instros, it's a monster classic, and it's been covered a million times. No One can interpret Paul's writing like Paul can. This is true the spirit of his 1960 youthful innocence when he wrote it, and it's also immediate. This has more power than his 1960 recording, but no less finesse. Great track.
This is among the best covers of this classic Astronauts / Lee Hazelwood track. Even the dated eighties snare drum sound does not detract from the spunky punchy performance. It is powerful, arranged uniquely, and totally infectious. It is powerful, delicate, pristine, and beautifully played. Besides the obvious power of the writing, Paul brings his unique and highly talented string wizardry to this tune. His plucking and string bending is so articulate and smooth that is literally floats through you. Beautiful.
Christian Rock (Instrumental)
Rhythmic, almost folky-fun, this melodic track sticks with you in a light rock instro way. A fine melody, and an energetic performance.
Eddie & the Showmen had the hit with this, but it was Paul Johnson who wrote it way back when Eddie was in the Belairs. This is probably the hottest version around... not the best or the most authentic, but the punchiest and hottest mix. Very strong. The police radio calls are marvelous. I've had people call me after hearing this on my show swearing they checked their mirror in panic when they head the siren... The police dispatches are about disturbing the peace, and over laid with a siren that Paul recorded after calling a squad car to the studio. This hot and pumped up interpretation of Paul's 1960 creation is beyond comparison. It is both delicate and precise, and powerful and fast. Eddie & the Showmen may have had the hit with this in 1962, but it is Paul who created it, and it's Paul who best understands the nature of the exquisite interplay between the lead and rhythm guitars.
Faster than a speeding Silver Beatle, more powerful than George Martin's back-masker, this really shows how a little imagination can go a long way with a well written tune like this. Immediately identifiable and highly enjoyable.
Link Wray Medley [Rumble / Jack The Ripper / Rawhide]
Paul Johnson medleyed together several Link Wray classics, including Rumble, Rawhide, and Jack the Ripper.
Rumble (album version): This is quite pure, precisely delivered, and quite nice. It is not as powerful as Link's masterpiece, and more rhythm oriented. It also is sans the raw distortion the the Linkster gave it.
Jack the Ripper Now, this is more like it. Somewhere between what the Insect Surfers have done with this, and what Link intended, this is a screamer with intricate perfection in the lead guitar. Powerful. Rawhide: This is a fast paced, almost manic delivery, fulfilling the promise only hinted at by Link.
Christian Rock (Instrumental)
Moderately interesting melodic track that seems a funny way to close out this CD, more with a whimper than the bang that lead up to it.