Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA
Duane Eddy - Have Twangy Guitar, Will Traveldotdotdot
artworkSession producer Lee Hazelwood and Duane Eddy wrote most of these songs together. the session men included the sax of Steve Douglas and the guitar of Al Casey.
Picks: Lonesome Road, I Almost Lost My Mind, Rebel-Rouser, Three-Thirty Blues, Cannonball, The Lonely One, Detour, Stalkin', Ramrod, Anytime, Moovin' 'N' Groovin', Forty Miles Of Bad Road

Track by Track Review

Lonesome Road dotdotdot
Twang (Instrumental)

This old classic is breathed new rock 'n' roll life by virtue of the vibrato guitar and saucy sax within. The performance borders on sterile, but has just enough jazz club honesty to keep it afloat. This is the arrangement that the Chantays borrowed, though they gave it more shimmer.

I Almost Lost My Mind dotdotdot
Twang (Instrumental)

Ivory Joe Hunter's R&B piano classic comes across like a smoky backroom card game. The shimmer of the vibrato is pretty cool.

Rebel-Rouser dotdotdot
Twang (Instrumental)

Big guitar twango, much like the original. It's not exactly a repro, but there's only a knife blade between the two from a production perspective. It's so close that one must question the point of re-recording it. The only thing lacking is the exuberance of youth, Steve Douglas' sax wail and the acoustics of the original room.

Three-Thirty Blues dotdotdot
Twang (Instrumental)

Slow plinky blues, with stinking "King Bee" twang. It's pretty cool, yet not really inspired.

Cannonball dotdotdotdot
Twang (Instrumental)

Another rebel track with excellent vibrato lead guitar playing a simple riff born of that low-E twang, spicy sax, and rebel yells. Can you spell par-tee?

The Lonely One dotdotdot
Twang (Instrumental)

With a vibrato intro about as throbbing as Ike & Tina Turner's "It's Gonna Work Out Fine," this mid tempo tune is set apart with bongos and a male chorus ion lieu of the sax. It shimmers alright, and is pretty darn spiffy.

Detour dotdotdot
Twang (Instrumental)

Paul Westmoreland's classic galloping cowboy beat behind a splendid throbbing vibrato guitar telling tales of horses and gorgeous gingham. Saucy sax and extra twang.

Stalkin' dotdotdot
Twang (Instrumental)

A slow tortured stroll, modeled somewhat on the hit "Midnight Stroll," features really nasty sax and throbbing haunted guitar. Egad, this is mean, like a cleaned up Link Wray thing for a late night back alley cruise.

Ramrod dotdotdot
Twang (Instrumental)

An often covered rockin' jamster designed for party time. Not much melody, just energy and fun. Incidentally, Duane Eddy was on tour while this was recorded. It's Al Casey's guitar on the record (he wrote it too).

Anytime dotdotdot
Twang (Instrumental)

Herbert Lawson's slow tune is delicately picked out with the vibrato turned to seven. Melodic and pretty, but not particularly memorable.

Moovin' 'N' Groovin' dotdotdotdot
Twang (Instrumental)

Another frequently covered tune, this sports the original often borrowed effect of whammy dips, like in the beginning of each verse of "Church Key." It's also the basis for "Beat '65." If not for the catchy hook, it would be just another riff rocker, but that separates the men from the boys, doesn't it.

Forty Miles Of Bad Road dotdotdotdot
Twang (Instrumental)

A classic Al Casey / Duane Eddy Southern Rock tale of driving the pickup down a dusty road that bucks like a bronco. The cool guitar and screamin' sax, and the frequent rebel yells made this a monster AM hit.