Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA Collection: Birth Of The Surf Era
|Both sides of the first two commonly thought of surf instros releases on this seven inch. These are readily available tracks in many formats and packages, yet they are always so nice to see resurfacing.|
The Belairs - Arvee 5034 [Mr. Moto c/w Little Brown Jug] from May 1961 and Dick Dale and his Del-tones - Deltone 5017 [Let's Go trippin' c/w Deltone Rock] from September 1961.
Picks: Mr. Moto, Little Brown Jug, Let's Go Trippin', Del-Tone Rock
Track by Track Review
This is it, their claim to fame, their most familiar song, and the first surf release from May 1961 on Arvee Records. "Mr. Moto" is just about the most influential surf instro ever. "Mr. Moto" came to be a surf classic, and was recorded and released months before Dick Dale's "Let's Go Trippin'," before he opened the Rendezvous Ballroom, and before it was called surf. If you must draw a line in the sand, it must be drawn here. "Mr. Moto" was recorded at Liberty.
Covered by countless others, this song features 15 year olds Paul Johnson and Eddie Bertrand trading guitar parts in their trademark style on a prototypical PJ writing masterpiece. Jim Roberts' piano work is stunningly perfect for this song. A historical absolutely must have!
This was the B-side to "Mr. Moto." It shows the rhythmic nature of Paul and Eddie's synergy, and their penchant for familiar childhood tunes reconstructed to fit their need. ItŐs easily the best version of this tune around. Recorded at Liberty, this is the original unedited version, without the removal of the botched line from Paul.
Dick Dale's August 1961 recording of "Let's Go Trippin'" is ahead of the surf sound, more a rock 'n' roll number than what would be later identified as surf. It is nevertheless a very important key to the development of the genre.
Dick's original Del-tones were a hell of a band. This session featured a seasoned Barry Rillera on sax, who had been in his brother Ricky Rillera's band the Rhythm Rockers (no relation to the surfband of that name), with whom Richard Berry had sung for over a year at Harmony Park between 1954 and 1955. It was at Harmony Park one Saturday night in 1955 that Richard heard them do Rene Touzet's "El Loco Cha Cha" for the first time, and was inspired by it's "duh duh duh, duh-duh" intro to write "Louie Louie."
"Del-Tone Rock" was the B-side of "Let's Go Trippin'" from the Del-tone days. It displays the tradition rock 'n' roll roots Dick Dale's early instro sound was born of, and also foretells the soon to be born surf sound. It also helps clarify the residency of the original version of "Let's Go Trippin'" on the pre-surf side of the boundary. A very fine track.