Does a surf foundation mean it's surf music, and when does a band leave the envelope?
Pushing the envelope simply means taking the premise of surf, and evolving, mutating, or redefining it by combining it with other elements. It can be as simple as surf with the John Barry
spy ethic, or as far off base as Steve Khan's full jazz fusion excursion over "Penetration." Examples
of surfbands routinely pushing the envelope include Jim Waller & the Deltas, the Nocturnes,
the Mermen, the Thrusters, G. T. Stringer, the Galaxy Trio, Vibrasonic, and more. But is it still
surf?
The Nocturnes were a surfband from the heartland of surf, Orange County. They took the Ventures' "Journey
To The Stars" concept and forged a whole sound around it, merging the surf guitars with
space sounds & early use of feedback. It was not too far from the center of the envelope, but
merely a slight deviation in the direction the whole industry was going. Even so, it was an early
effort to evolve beyond the variations on a theme. So it's pretty safe to call surf, right? Depends
on where you draw the line.
Jim Waller & the Deltas were from Fresno. Jim's early jazz leanings were anything but subtle.
Their work was a blending of the trad surf tunes like "Latiña" and "Exotic," and Jimmy
Smith (he recorded "Pipeline" on his Black Smith album)
influenced organ & Latino or Mariachi horns, with Latin & R&B rhythms. There was a whole Bal
Beat or Pachuko Soul or Surf n' Soul thing that bubbled under
the surf scene. Between the Rhythm Kings a.k.a. the Soul Kings a.k.a. the Charades at
one end of the spectrum and Dave Myers & the Surftones at the other, lay Jim Waller & the
Deltas. It feels like surf, but it sure doesn't sound like it, so is it surf?
There are less distant examples too, like Santa Cruz guitarist Soave Loco's (Douglas Eaton)
incredible surfband the Thrusters, a direct lineal descendant of the Surf Pistols, who
played full tilt versions of "Pipeline" and "Bombora" next
to "Pretty Vacant" and "God Save The Queen." Soave
wrote great surf instros and modern surf vocals with a solid surf foundation, and mixed in killer
surf instro obscuros like "Bombora," and great rearrangements of standards
like "Church Key" and "Surf Beat," as well as early
modern surf instros like
the Overtones' "Calhoun Surf." The vocals were timely tales of surfin'
in war zones ("Beirut Surf"), bein' bummed by the No-Alcohol signs on the
beach ("Soul Surf Stomp"), etc. The often misunderstood ultimate threat "May
you never hear surf music again" that Jimi Hendrix delivered in "Third
Stone From The Sun" (and if you don't think Jimi held surf in a reverent spot, listen
to "Peter Gunn Catastrophe," and remember that he studied Dick Dale's
style). Soave delivered on the promise. Check out "The Landing" on What Surf
III. This band really push the envelope. So, is it surf?
In the land down under, where the surf rolls like thunder, G. T. Stringer
took their longboards and jazz band and came up with truly surf feeling originals that shout surf & jazz & employ
howling feedback. There are plenty of words elsewhere on my page about these guys, so I won't expand
on them here. If little more than the feel of surf is there, is it still surf?
The Galaxy Trio might not immediately come to mind when discussing this subject, but they have taken true garage sounds and played true surf structures, resulting in something just new enough to set them apart, while retaining the recognizability,
so I guess it's safe to call it surf. But would you call it surf if they had gone as far a-fixed as Agent
Orange, into the punk arena? And even further into hard-core speed & stylings are the Torpedoes,
who are so fast they smoke. Is it still surf?
In another direct, there's a natural bridge that probably would have happened if surf had survived the British Invasion. It's the place half way between what the Nocturnes were doing and Pink Floyd. That lost bridge is explored by UK band Vibrasonic, who frequently do whole surf sets or psych sets, or a blend of the two. There's no mistaking the surf when you listen, and there's no mistaking the psych either. So, is it still surf? When will they leave the envelope, or do they skate bake and forth across it?
The Mermen are the most controversial example at the moment. It doesn't take long watching
the email on Cowabunga for catch some reference to them, pro or con, relative to their
being a surfband or not. This is a band who still do great surf tunes in their own way out of the
envelope style, songs like "Casbah" and "Unknown" and "Quiet
Surf," and also do 12 minute excursions into huge howling feedback sea scapes. There's
no mistaking the water and the surf basis, but there is also no mistaking the great distance from
trad. If any band has left The envelope, it is them, and yet there is no way I can really say that.
Their material reeks of surf, and it shouts tomorrow.
What about surf inspired completely non-genre music by surfers? Well, the Closet Surfers play keyboard oriented melody-scapes about the surf. It has so little to do with trad, that it's hard even think about a connection, yet there is a feel within it. So, is that enough?
So, when does a band leave the envelope, and how do you know if they were never in it?